Yes, there have been a LOT of upsets on Season 7 of SYTYCD. Two of the best dancers are gone, and not because of lack of votes. My first pick for early choice to win is gone. The best female dancer on the show is gone. What NEXT? Billy Bell sidelined with a knee injury? Oh, what’s that? Billy’s injured? Oh.

Gorgeous, wonderful, teddy bear Kenny Ortega is a guest judge tonight which is really amazing and a great treat for us. Sa-weeeet!

Does anyone know what Cat Deely is wearing tonight? My husband said it looked like her original dress had static cling and picked up a red scarf. He has a point.

First up: Last girl standing Lauren and all-star Twitch with a Hip Hop routine. I’ll give this to Lauren she is one powerful dancer. She’s got muscles and she’s not afraid to use them. She works this dance within an inch of it’s life. What about that rollover she did–twice? What? Cool. Not my favorite NappyTabs number, but it’s pretty cool nonetheless. Judge’s love it and her. Nigel noted that Twitch looked like he’d been “ridden hard and put away wet.” Ooh, baby.

Jose is next with all-star Allison for a contemporary number with Sonya Tayeh. A sad, breakup contemporary number, which will be interesting to see Jose in, since he’s super good at loving the girl. And Allison says she melts when she’s around him. Hmmmm… The dance starts on the edge of the stage which is awesome, we’ve not seen that for a while. Jose really got nailed bad last week for his dancing and I’m not certain that he pulls it out here, either. He’s very into the acting and the moments with Allison, though, to his credit. But then again, there is not much dancing for him to do here. The piece is mostly acting. Very quaint and sweet. The judges have trouble critiquing it, as his performance was great but his dancing didn’t seem to shine because of what she gave him to do.

Robert is paired with Lauren for a Tyce DiOrio Jazz routine. The boys are fawning (or is that foaming) over Lauren and her juicy booty. Sexy dance indeed for the two of them, along with sexy music from My Life With the Thrill Kill Kult…although I am left a bit unimpressed with the entire thing. It was good, though, don’t get me wrong. I just wasn’t blown away. Mia noted that it was refreshing to see just a strait jazz piece with no story. The choreography was good, but I do miss story (that’s my thang and all). Judges loved it and Robert.

Little Kent is matched with Kathryn for another Sonya Tayeh number, but jazz this time. Hopefully Kent can contain his love for the audience this time. I love this piece from the music to the costumes, to the great choreography. The chemistry is there between them, but is more like sister and brother rather than romantic. But it works for them because the both of them are so sweet. This is just tons of fun. And the song, “Tightrope” by Janelle Monae is just first rate music, I’m checking into her right now. Mia gets on his case for making the choreography “juvenile” with his facial expression. I really see her point, but it seemed to work in this piece. The other judges love him.

AdeChike gets to do a NappyTabs Hip Hop with Comfort next. This one is a bit more serious than the cowboy one, so it should be interesting. Not to mention she really smacked the hell out of him in the rehearsal (did you see the slowmo?). Lyrical Hip Hop? We’ll see. Oooh, props on the stage! Alicia Keys’ “Fallin’” lends itself so wonderfully to hip hop, yet is not the usual driving music. I liked it. I think that it needed a bit more of the softer side of the love to match the violence, but it was very good, especially Ade, he really was moved by the scenario, you could totally tell. It was very raw and real, and very cinematic, as the judges said. Nicely done by AdeChike!

Lauren and Robert are the first contestants to be paired together for the night, and get to do a Dmitry Chaplin Samba, set at a beach party. Lauren’s butt is a lethal weapon, ya’ll. I’ve never seen a behind cocked up and rolled so much. Pretty amazing stuff. She shot me with her butt. This was a non-traditional samba, pretty cool, though. I love Dmitry. They did a great job, very clean, precise and lots of shaking and rolls. Robert really looked like a ballroom dancer, wow!

AdeChike and Jose get to do a…Paso Doble together? Two guys, very interesting concept. Will Dmitry and the boys be able to pull it off with the concept of them fighting over the girl? I think the Paso is the most challenging dance anyone will ever do on the show for so many reasons. It is unfortunately clear who the more technically accomplished and undoubtedly better dancer is here, folks. It is kinda unfair to pair Jose with AdeChike. But on the whole, it was not so bad, they were both committed to the piece and had connection.

The last contestant pairing is Kent and Billy. Will Billy bring Kent down to earth or will Kent send billy up into the stratosphere? We’ll never know, will we? Nor will we ever get to see Billy do Step. And I’m disappointed, because for two contemporary/ballet boys to do straight rhythmic movement would be something to see. Twitch gets to do the routine with him which is fine, but defeats the purpose of having two ballet boys do it. I much prefer stepping with a large crowd of men, I think it resonates better and has more power. But I think it’s great we get to see a new style on the show, one that doesn’t get much air time on national TV (Tahitian dancing, Russian dancing, what’s next?) Not my favorite thing, but done pretty well. The judges gush over it and that’s…okay. Mia says Kent is the one to beat. Mia, love ya, but we’re not on the same page.

The standout solo of the night is the only one I’m going to comment on and that’s AdeChike’s solo to the infamous “Women’s Work” covered by Maxwell. This was an absolutely superb solo, and I could not take my eyes off him. I was a little nervous for him using the song that was already “done” two season’s ago with Tyce’s cancer piece, but no. He ripped his heart out and left it on the stage. Perfection. Ade is officially my new front runner and favorite dancer on the show. Can I get an amen?

That’s all for this week, it’s whittling down to the best of the best. Who will go home tomorrow night? Let’s hope it’s due to votes and not an injury. Cross your fingers, people.

Well hello, once again! I thank you all for being so patient with me, we are fully in our beautiful new home and getting settled. Now that we have our UVerse cable installed (love it), I won’t be missing ANY more episodes of this season’s SYTYCD (whew)!

I’m so behind I don’t even know who was eliminated last week. Oh, Cristina. Sorry, doll, I liked you.

First up is AdeChike with Lauren doing a nerdy hip-hop. Very hip, cute and fun. And what’s THIS? Sexy nerds–right up my alley. Hip-hop with a gigantic measure of personality and hot chemistry mixed right in. A perfect recipe in my estimation. I wanna get up and move myself, I am enjoying this so much. Judges luh-huv it. A good sign for AdeChike, as it seems that he has finally “shown up” to the party. This is a great piece from choreographer Dave Scott, must get a mention in for him.

Next is Ashley and Ade doing a piece from newcomer Dee Caspary. The piece is very fast and flowy and has a lot of power. It seems to have all the right elements, but I still feel it’s missing something. Like it’s too fast the whole way through. There is a short pause, but for me it’s not enough give and take in the dynamics. Dee was true to his word, she does practically no movement without help from Ade. I watch it again just to be sure that I’m not missing something, and it still bugs me a little. Masterfully danced by the both of them, but possibly just too rough and tumble for my tastes and hard to digest visually. Judges love it, now I feel bad. Oh well. Purple breezes and glasses of scotch.

And oh, it’s been so long I forgot–SOLOS! Billy’s up first with amazing purple stretch jeans, amazing flexibility and a love to just get it all out there. Well done.

Robert is up next (wow, what a story with his mom, huh?) dancing a Sonya Tayeh jazz number with all-star Courtney. Sonya’s goal is to show America how wrong they were to put him in the bottom last week. These two are in great synch with each other; when they do the moment where they jete together, it’s perfectly in time. I don’t quite get the ferocity from Robert that Sonya really wanted from him, but they looked really go together. His main note is to study ballet. I take this moment to note that they actually don’t ever dance ballet on this show. Hmmm. Not exciting enough? What about traditional Russian dancing. Was THAT exciting enough? Just sayin’, is all.

Jose’s solo is up and he uses one of my fave super soul classics, James Brown’s “Super Bad”. And it’s the original, no sampling here. You go, Jose. He’s a cutie and his solo rocked.

Tapper Melinda’s inspiration is old time hoofer Dr. Harold Cromer whom she has studied with for a few years. It’s really fun to see a youngling studying with a true seasoned pro. She’s got to show her sexy side with a Salsa by Fabian Sanchez and with Pasha. Right out of the box she’s got the hotness, but her heel gets stuck in her dress and even though she has to get it out, she doesn’t miss a beat. Love the stuff on the floor. Ok, this is hot stuff and super super good. She’s really enjoying her self and who wouldn’t dancing with the Pash?? But wow, she gets crushed by the judges. What am I missing here? Plus, Adam Shankman and Mia Michaels both say that she should have been let go last week instead of Cristina. This really frustrates me and I’m going to move on now.

Kent has is solo next. He’s a super cute ball of energy, but it’s too much reaching out and up for me in the solo.

Alex comes out of the gate with his sheer perfection solo to music from Planet of the Apes (odd, but so right) and I have to rewind it twice. Love this guy, because not only has he got the chops that can’t stop, he has the emotion there and ready to go when its needed. Sigh.

Next Lauren and Neil are up with an Joey Bowling Broadway number, and I’m looking forward to this. Broadway always needs a huge amount of chemistry, a lot of back and forth between the couple and they had it, just not in spades. Mia points out that as an athletic dancer, Lauren needs more femininity, and I would agree with her. Just a little more sauciness. And yes, the dress broke, but then we’re just watching the dress and not her. I enjoyed the dance, though, Joey gives good Broadway.

Ashley gets her solo next, and I don’t quite get her first count of 8 because she barely moves. But then she’s gone and all over the stage. Powerful, but I don’t get her as a dancer in this infinitely short amount of time. Right about now is when I say that I think they should get rid of solos all together and just keep the dance for your life. It is really tough to find just the right combination of elements to please everyone yet show off the best of your abilities in 20 seconds. Give em a break.

Interestingly enough, Billy Bell’s inspiration is Legacy from season 6. Wow, that is actually super cool that a dancer who moves like Billy was inspired by a breaker who moves like Legacy. Neato. Billy and Katherine do a contemporay by Stacey Tookey. This piece is a great balance of dance and emotion through dance and connection–which they had the most of at the end moment, as Nigel pointed out. Katherine was there for him 100% of the time (damn she’s really good) and he didn’t quite match her with being there in the moment. Technique, check. Emotion,

Robert’s solo is next to Ray Lamontange, who I adore. His solo hit me in a good place (where would that be you ask), and I just was able to sit back, watch and enjoy. He’s really gorgeous to watch dance like that alone. Ahhh.

Jose’s influence was Bruce Lee, and this is not the first time I’ve heard a breaker talk about Bruce as an influence. It has been said that Bruce’s fighting style was the basis for the creation of break dancing. Jose gets to do a Samba with Anya (and Dmitry Chaplin, welcome back), and here we go. Right away he looks like a solid partner with the catch off the table. The arms aren’t quite there but he’s pretty darn good for a B-Boy doing frickin’ samba. And he loved dancing with pretty Anya. I actually couldn’t take my eyes off him. The judges echo my sentiments. Whew, I’m not completely crazy, huh.

Melinda does her tapping to Alicia Keys and I’m really not sure what the judges were talking about her musicality. Sounds perfectly fine here to me. I liked it.

Kent gets to tackle a jazz piece by Mandy Moore with Allison. Kent’s lesson is to be a MAN. While he held is own with Allison in the choreography, there was no sizzle between the two of them. Allison is such a hottie tottie and and she was right there for him, but he wouldn’t bite (to her, that’s to say; he loved to play to the audience). And the song is Heartburn for gawd sakes! Burn, baby burn!

AdeChike supposedly raised the roof with the dance for his life last week and I’m looking forward to this solo. Strength, power and beauty. That coupled with gentleness is what gives this guy his swag.

Lauren. Here is a gal who knows how to pack everything needed into a 20 second solo. Technique, passion, leaps, new stuff, emotion, audience connection, connection to the song, restraint. Pure satisfaction.

Alex’s NappyTabs hip-hop number with Twitch is probably the most anticipated tonight, since guys are rarely put together at this stage of the show. And I have to sincerely say, this is THE MOST enjoyable number of the entire show for me, I’m practically yelling at the screen “yeah!” at the top of my lungs. Excellent work done by Alex, I would have never known that he had no experience with hip-hop. He had the moves down, and was perfectly in synch with Twitch, and great chemistry with him to boot. The whole concept was a home run with the song “Outa Your Mind”, the story with the shrink/patient, the NappyTabs moves, throwing in Alex’s ballet, on and on and on. Amazing. Alex has sealed himself as my early front-runner favorite on the show. Early prediction, he could win it!

Whew! That was a whirlwind. Who will be in the bottom and who will be safe? We’ll find out tomorrow!

A lot of the ladies on my forum that I chat with said last Tuesday night: “Ding dong, the witch is dead”. And with that, my least favorite contestant of all time left Dancing With the Stars. She goes on to her new TLC show where she gives people relationship advice. Hmm.

OK–ONWARD. And all of those stars that are left are real contenders for the semis and finals on season 10. Tonight are two dances, one tough and the other even tougher. The Samba and the Argentine Tango, which is my all-time favorite ballroom dance. So I will be tough tonight.

Jake and Chelsie seem to have stumbles frequently, and this week was no exception. I have to give it to him, he sure knows how to recover and there is nothing like a big stumble in your dance to bring you completely out of it, and it’s a challenge to finish (another Tom Bergeron moment: “I hope you enjoyed our salt in the wound slow motion replay”). Pretty good on the Samba, which I think is one of the toughest dances to look good in. Judges’ Scores: 7-7-7

Next are Evan and Anna, who also have the Samba. More Hips, More Hips! More hips because Anna will smash your head to the ground if you don’t! Ouch, man. He was so lucky he’s okay, I would not have wanted my neck torqued that way. Their Samba is super good, and Evan even does the Samba rolls well, which are super hard. These two have great chemistry together as well. Bruno gets on him for his lines being too lyrical for the Samba. Carrie echoed him, and Len said it was his worst dance. Bah Humbug, geez!! Judges’ Scores: 7-7-7

Niecy and Louis are the first Argentine Tango of the night. And she asks “Has anyone ever done a funny Argentine Tango?” I want Louis to bust her butt on technique so she gets better scores. He does not disappoint, and I hope it can translate to the dance floor. Good girl on the develope! Keep the cookie away from her, Louis! I thought she worked hard and they did a great job, big improvement. Carrie thinks she’s in the zone, Len thought it was great and Bruno wanted her to stay away from his lunchbox. Judges’ Scores: 7-7-7

Erin and Maks bicker like a married couple (oh, right), and he begs her to stay out of her head and just dance. Please do! I’m trying to figure out what the heck she is wearing and my husband says as he walks across the room: “when are you getting pasties like hers?” My friend who was visiting swore they were going to rip off that feather tutu and it just never happened. Maks’ sleeves and shirt came off, though. Thank you Maks. I thought their Samba was decent, but a little forced. And oh boy, Len did NOT like the non-proper Samba and Maks talked BACK! I have never seen that from a pro before. Whew! Judges’ Scores: 9-7-9

Chad drags Cheryl back to Cincinnati for the Bengals draft party in order to get energized. After they get back for rehearsals, Cheryl tells Chad to manhandle her in the Argentine Tango. She really wants him to lead. He’s strong and forceful and his steps are more precise this week. He’s worked hard and it shows. But IMO Cheryl is still leading. The only partner I think she didn’t lead with was Gilles Marini (ooh, Gilles). Judges’ Scores: 8-8-8

I’m not sure what Nicole’s deal is, but she is over over over analyzing everything and driving Derek crazy. Just dance girl, because you can. Their Samba is the partiest, sexiest, gyratingest samba I’ve ever seen. They do a fantastic job of really engaging the audience and it seems like Carnivale is happening in the soundstage. No more insecurities for Nicole, baby. Len grinds them for not having any voltas or botafogos, two essential moves in the Samba. Judges’ Scores: 9-7-10

My underdog favorite is next, Pam and Damian, doing the Argentine Tango. Pam is such a trooper and a pro, she’s been in the bottom two the last two weeks after great dances, and she just presses on. She looks great in a brunette wig and really looks like Raquel Welch, although Bruno calls her Angelina. They dance really great and do some awesome lifts. Every once in a while she looks slightly awkward on her feet, but it doesn’t affect her character. This chick really knows how to act the dance and carries it over to the interviews (“I like being on top”). Some may say that the sexy is just second nature to her and big deal. But I say that it takes skill and style to use it in the dance and make it work. And while she borders on overly bawdy sometimes, she always manages to keep it clean and put a really great humor spin to it. Judges’ Scores: 7-7-8

The Swing Dance Marathon is new, and I love that they have integrated these more realistic style heats into the show. This is what dance competitions look like. Many couples out on the floor, where anything can happen and elbows and ankles do fly. The spectacular thing about Swing is the lifts (“ooh mother of sweet baby air!” exclaims Nicole), they are always fun to watch. Chad seems to think he can strategize his way through this with x’s and o’s and while that’s cute, I don’t think so.

All the couples look so adorable in their bright colors. The guys wear suspenders and the girls halter dresses and spectator pumps. Much fun ensues, and it’s super cute. But the couples are eliminated one by one until they are down to the winners Nicole and Derek (didn’t he win last year in the Mambo Marathon?). They get to add a whole 10 points to their Judges’ Scores for the evening.

Who will be eliminated tonight? I’m biting my nails in anticipation…

Although Joey Fatone was my pick to win Dancing With the Stars season 4, Apolo Anton Ohno was sure a firecracker on the floor. Plus he had zero dance experience before coming to the show. It seemed to come very naturally to him. Apolo and Julianne definitely were the power couple that year. Here’s my favorite dance they did, a Samba to “I Like to Move It” that was hot hot hot! And take a look at Julianne’s little unitard. Tiger stripes and dripping with beads. Sweet!

Whew! What a night! Nine, count ‘em, nine dances: bam, bam, bam, bam! Very exciting and breathtaking, I could barely take it all in. For sure there was absolutely no bad dancing tonight, just a lot of shining, and some instances of brilliance. Shall I recount? Let’s get to it then.

With absolutely no pomp and circumstance at the intro, we went directly into an absolutely sizzling Samba from Ryan and Kathryn. They crackled like they did last week with their Cha Cha Cha, again with choreography from Jason Gilkison. Fantastic, exciting and dynamic with the slow lifts and arabesques in the intro that flowed right into the frenetic sexy gyrations for the main part of the dance. And the lift/throw of Kathryn over Ryan’s head to land on his back was completely jaw dropping. Bravo.

Next was Ellenore and Jakob with a Tyce DiOrio Broadway routine, a classic Fosse number “I Gotcha.” A classic, was classy and had a ton of class and style. Fosse choreography is a fave of mine just because Bob thumbed his nose at the dance establishment when he started as a dancer. He didn’t have perfect turnout, so he turned his toes IN. Ellenore’s style really matched this dance and she and Jakob oozed charisma, almost like a machine. It was quite mesmerizing to watch. This piece was hip and happening.

Ashleigh and Russell came next with a Sonya Tayeh Lyrical Jazz piece that was beautiful and flowy, with Russell playing a troubled man with his guardian angel Ashleigh helping guide him. I really liked this piece conceptually, because there was a great reverse flow with Ashleigh doing much of the catching/lifting/throwing/carrying as she attempted to help Russell. And Russell was also just stunning with his portrayal of anger and passionate frustration. There was a measure of Russell’s “style” thrown in to pique interest. Great story and excellently danced.

Ellenore and Ryan had what was my least favorite piece of the evening, a very odd yet facinating Jazz routine from Gary Stewart. This dance once again suited Ellenore’s style as it was quite robotic and quirky in it’s movements. I saw what the choreographer was trying to do with the interesting way the dancers would connect with their legs and arms into the next movement, but it was completely devoid of any emotion. A for effort!

Ashleigh and Jakob were up next with a really solid Fox Trot. Nothing extraordinary here, just really great fox trotting by both of them. It always seems like Jakob wouldn’t be able to be a good lifting partner, just because his body seems a tad slight, but he is always a really fine and strong partner for the girls. Looks can be deceiving, I guess. They both sparkled in this and looked like they had a lot of fun. Plus, any time you use a song with the singular voice of Eva Cassidy (unfortunately no longer with us) I’m happy as a clam.

Next was a fantastic Paso Doble from Jason Gilkinson for Ellenore and Russell. Ellenore had fire from the get go with her silohette against the red screen background (the one good use of that damn screen that I wanted them to just completely turn off this entire season), arching backwards and doing the Spanish hands. This was a great choice in music as well, from the Blood Diamond soundtrack. The two of them danced it fast and hard and were right there with each other for that push and pull the Paso calls for. The last moment was milked for every dramatic second as he landed over her on the ground. Solid work by both!

Then–Kathryn and Jakob practically stopped the show with their Contemporary number (choreographed by Desmond Richardson and Dwight Rhoden of Complexions Dance fame). Their music was “At This Moment”, covered by Michael Buble. The beginning seemed to be reminiscent of a slow dance with all it’s continual swaying lifts in the beginning. Then it broke out of that and told a story of a frustrated and heart-wrenching relationship. The choreography was phenomenal and VERY physical. They had this great moment where they stopped and looked across the stage at each other, really made contact, then proceeded to fall to the ground on top of each other and roll across the floor. Emotion was translated directly into movement and I love to see that. Bravissimo.

Then came the dance I was waiting for: married couple Ashleigh and Ryan doing a Travis Wall Contemporary. I was glad they drew this, because it was a very special dance for them. It was pure love and pure loveliness. I mean really, you could see joy oozing from them from getting to dance together again after so many weeks of being paired with others. They danced the beautiful, flowy movements like they were alone in the studio together and had only eyes for each other, no distractions. Perfectly synchronous and completely in touch with each other. I don’t think I was paying particular attention to the choreography itself, which to me means that it was perfect because it simply conveyed the emotional, tender moment between these two. Sentimental sigh. Ok, I’m done with that, if you’re allergic to sugar ;o)

Russell and Kathryn were the last of the evening with a NappyTabs Hip-Hop number. All I can say is Russell f-in’ R-O-C-K-E-D!!! AND-and Kathryn was with him there every step of the way, giving it as fast and hard, down and dirty and street as he did (this is the girl who at the beginning would cry at the drop of a hat, her voice going up all way high and annoying? NO!). Russell was able to put the most of his Krumping style into the movement, and I’m sure Tabetha and Napoleon encouraged him in this, because it just made him shine like the sun. They were perfectly in synch with each other and kept eye contact the entire dance, and seemed to say to each other “woo hoo, SOOOO fun!” Really exceptional, probably the best NappyTabs number of the season, and a great way to end the night.

At the end, I perculated. I didn’t want to limit myself in voting, I thought the entire night was fantastic and everyone did amazing things and danced better than they ever had. I originally had thought that nine dances was overkill and the top 6 instead of top 4 kinda ruined things. Not so. I salivated for every dance and was exited at the dance after dance after dance way the show was presented. What a treat to get to just see so many different stylels of dance, choreographed by masters and danced by the next wave of stars. You don’t get that every day.

Last week I voted for everyone. But this week I said to myself, just off the cuff, which guy and which girl would you vote for? And my answer came fast and easy: Russell and Kathryn. And there you have it, my votes. And if you pinned me down to choose MY winner? Russell. I have a feeling though, from America. I think Kathryn McCormick is America’s Favorite Dancer. And she would absolutely deserve it.

Aside from my musings, who will win tonight? Who knows? You have to tune in and watch the 2 friggin’ hour, star-studded finale to find out. And I’ll be right there with ya.

(Images courtesy of FOX Television)

I always have mixed feelings about the finals.  I think I expect too much out of everyone, and maybe get disappointed. But I forget that these are the same people as before, just one more week along.  So logically, they are not going to turn into full-fledged pro dancers in 7 days (or really 5 days because that’s all the time they get). Tonight I watched with that in mind so I could really enjoy myself.  These three stars (and their pros) have really busted ass to get in the Finals and they deserved it!  Now I wanted them to show me the stuff!

First the stars did one last regular-style dance by themselves.  Kelly Osbourne was first with her Argentine Tango.  Now this is my favorite Ballrooom/Latin dance, and I was crossing my fingers that she would do well, and better than her last effort.  Fortunately, Carrie Ann Inaba made a visit to their rehearsal to give her some coaching specifically on her emotional connection with her partner.  This is something she has always needed to work on, even though Kelly is really “The Transformer” of the show.  She’s the one that’s come the farthest and really discovered dance.  But she has never quite had that connect with Louis Van Amstel that would allow them to play lovers.

Let me tell you she did NOT disappoint. Her footwork was excellent, lines were beautiful and they really smoldered when looking into each other’s eyes. It was the real connection this time, yea!  Strangely, this was the lowest scoring first dance of the night, with a 9-9-8, and I sincerely believe it was the best first dance of all three.  Maybe the judges were warming up or something.  The only big criticism that I heard was from Bruno Tonioli who said that Kelly’s “free hand” was doing odd things while she danced.  Ugh, whatever.

Next up was Mya. Len Goodman paid her and Dmitry Chaplin a visit as they rehearsed. Len’s intention as they practiced was to really push Mya to her limits in the Paso Doble. He even yelled at her about her kicks, that she could kick his upper hand out of the way. This is a great thing, because I have thought through pretty much the whole season that Mya was too cool of a cucumber, and never really revealing much or reaching her limits.

Technically, the dance looked good and had that measure of anger and sharpness that the Paso calls for.  But I really didn’t feel the passion that it needs.  The Paso is such a difficult dance to pull off and make look super spectacular in my opinion, you really need a variety of great moves coupled with a really great passionate anger with your partner. Nothing can hold a candle to Mel B. and Maks Chmerkovskiy’s Paso in season 7. Incidentally, Len mentions Mel’s dance in his critique of Mya, saying hers was up there. As you can guess, I do not agree. Judges scores: 10-10-10.

Donny Osmond was next with his Cha Cha Cha. Bruno made a visit to him and partner Kym Johnson to help sharpen up his technique enough to match his showmanship. This is great because Donny can always pull out a crowd-pleasing performance, but not be technically perfect. Bruno took him to task and really put him through his paces. Oddly enough, I didn’t see much evidence of this in his Cha Cha, where he did what seemed as little actual dancing as possible.  I thought I might be wrong, but my friend sitting next to me echoed my thoughts exactly. The judges seemed quite happy with it, so it’s possible I don’t understand the man’s role in the Cha Cha. Judges scores: 9-9-9.

A new element this season was the Megamix, where all three couples danced a “superdance” at the same time.  Three dances, same choreography (by Nick Kosovich from seasons 2 and 3). This, in theory, is a great idea, I always love the pro dances where up to 5 couples dance at the same time–but those are not PRO dancers.  Do you know how hard it is to have six people dancing in complete synchronization and stay in a specific formation?  HARD. I personally thought that the Megamix was a mess, and the girls outfits were rather unflattering and distracting. They combined Viennese Waltz, Samba and Jive which to me was rather jarring.

In any case, the stars seemed to enjoy themselves, which makes it all ok in the end. Mya came in first, Donny second and Kelly third for 30, 28 and 26 points respectively.

Lastly was the most anticipated dance: the Freestyle. They kept on saying that the Freestyle can make or break a dancer and they could win or lose the trophy with it.  I have to say, I completely disagree, and the Freestyle is always interesting to me, but NOT my favorite. I feel that the Freestyle is some odd excuse to trot out every single trick, lift and leap you’ve ever wanted to do.  It’s never simply been about dancing. Freestyles usually do not live up to expectations and don’t always get the best scores.

Kelly and Louis were up first with a disco Freestyle to Gloria Gaynor’s “I Will Survive”,which she had adopted as her theme song, just because her DWTS trip has definitely been an up and down one for her. Yet she still came out shining. Her dance was fun and free, with lots of smiling and singing along from her (which I love). Also thrown in were lots of tricks, not all of which were completely pulled off. But she smiled and laughed the whole way along and never gave up. This got her kudos from the judges if not high paddles. Judges scores: 8-8-8.

Mya and Dmitry did a puzzling Freestyle to “Can’t Stop the Beat” from Hairspray. I liked it a lot, mostly for the reason that they didn’t pull out every trick in the book.  It was good dancing, but not show-stopping.  And her outfit was super cute.  I think they should have gone with Mya’s out-of-the-box idea. Judges scores: 9-9-9.

Donny and Kym were last with what was the most entertaining Freestyle of the evening. Donny did what Donny does the best: entertain us with energy, enthusiasm and style (why didn’t everyone do that?). “Hollywood at it’s best, ” yelled Bruno.  Agreed. Carrie said his Broadway number went down into history with the best, including Drew Lachey’s “Save a Horse Ride a Cowboy” and Shawn Johnson’s Jabbawokeez-inspired Freestyle. Two really great ones in a sea of not really memorable Freestyles. Judges scores: 10-10-10. Well deserved.

The voting has been unpredictable this season. Almost as unpredictable as this season’s predictable winner. But the probability of Mya winning the mirror-ball trophy does not take away from the suspense.  Will the obviously enormous fan bases of Kelly’s and Donny’s come out screaming overnight to deliver an upset?  Even though all three stars have delivered a fantastic season (Mya included), I am keeping my fingers crossed for Miss Osbourne.  Nobody deserves the win more.

Agree? Disagree?  Lemme have it!!

This is it!  The final performances before the finale next week on Dancing With the Stars.  The final four couples are really exciting this year: Donny Osmond and Kym Johnson, Joanna Krupa and Derek Hough, Kelly Osbourne and Louis Van Amstel, and Mya and Dmitry Chaplin.

I was super super sad to see Aaron Carter go, I felt he could have really stuck it in there for the long run, but unfortunately his fan base was just not as strong as some others.  But big kudos go out to him for his big heart and enthusiasm, and penchant for tremendous improvement in his dance technique.  He entered the show a boy, and exited a man.

Tonight for the first time in Dancing With the Stars history, the final four couples perform three times for the audience.  They finally get a chance to perform that “last chance dance” they’ve been working on for the past few weeks in the event they landed in the bottom two.  Needless to say, these dances are so short (geeze, I think about 30 seconds), that I don’t really even consider them more than a post script for their other two dances.

Even the coaching from Gilles Marini couldn’t help Donny and Kym’s unfortunate Tango. Not only was the song selection terrible (it just didn’t scream “tango”), the whole dance just never got off the ground, and Donny’s face surely gave away the fact. Safe to say he had nowhere to go but up. Judges’ scores: 7-7-7

Fortunately, he redeemed himself with his fantastic Samba.  Donny’s solo completely smoked when he broke out in moves directly from his Osmond Brothers days on stage.  Plus, he had an absolute ball, which made up for him berating himself after his Tango. I think most people might disagree, but I really love the way that he cheers for himself when he knows he did a good job.  He likes to celebrate when he nails it. I think more artists should do that for themselves.  Judges scores: 8-9-9

Their third dance was the Jitterbug which was short but sweet.  Very energetic and fun. And surprisingly, their best scores of night. Judges scores: 9-9-9

Joanna and Derek’s first dance of the night was a Viennese Waltz.  I have not been a big Joanna fan all these weeks, but this waltz caught me completely off guard.  The beginning was really beautiful and I actually believed her when she acted the romance in the dance.  Except for one odd move where she was posed in a kind of dip with her knees bent, this was super good.  And the song was an excellent match as well.  Judges scores: 9-9-9

Second for Joanna was a Cha Cha Cha, which I was excited to see after her great Viennese Waltz.  Unfortunately, it wasn’t as “cheeky” as it could have been, although it was fun to watch her sing along with the song while she danced.  It shows just how much she enjoys herself when she dances, and that always endears me to a dancer. Judges scores: 9-9-9

Their last dance was the Salsa which was cute, but I was surprised that I didn’t enjoy it as much as I wanted to. Plus Derek stumbled in the hold at the end.  Shame!  Judges scores: 9-9-9

Kelly is my underdog, and I loooooove rooting for the underdog.  She has this magical ability to capture an audience with her joy and enthusiasm.  Plus she has a radiant smile.  Not a bad dancer, either! Her first dance of the night was a Rumba, and although she and Louis didn’t really capture the sensual feeling that is really needed in the Rumba, they did a really great job.  Kelly’s lines were great, and she moved with great precision and control. Judges scores: 8-8-8

Kelly and Louis busted out of the starting gate with their second dance, a Quickstep.  This is Kelly’s real forte and she did not disappoint. Their movements were super quick, super precise and energetic.  Once again she completely lit up the entire room with that smile while she glided across the floor in Louis’ arms.  Plus her dress was fabulous. Judges scores: 9-9-9

The judges onces again continued to praise Kelly for her third dance, the Cha Cha Cha, which was so quick it was really hard to get anything but just a taste. Her technique was excellent and precise, and she really put a finish on all her moves. Judges scores: 9-9-9

Mya also has not been a favorite of mine through this season, for no reason other than I never really got that she enjoyed herself at all on the dance floor. It all looked like work for her to me, and she looked kinda bored at times. However she, like Joanna, pulled it out tonight, and impressed me with her Waltz which had a good measure of feeling in it.  I believed it.  Their moves were very smooth, lines excellent and their romance was very sweet.  The Waltz has always been a ho-hum dance for me, you really have to capture my attention for me to get into it and Mya and Dmitry succeeded. Judges scores: 9-9-10

Mya and Dmitry broke away from the pack again with their Salsa, which was just excellent, excellent, crazy good. Mya did the best solo I’ve ever seen from a star in a Latin dance.  Ok, who cares about her “prior dance experience” when she gives it this good?  Her Salsa had fun, party, speed, precision, everything. Judges scores: 10-10-10

Mya’s third dance was also the Cha Cha Cha, and it was amazingly exciting and dynamic, and was full of content. Not an easy feat for a 30 second (ok, 29) dance. This was absolutely the best last dance of the evening. Judges scores: 9-10-10

SO! The leader board stands like this:

1st: Mya/Dmitry with 87

2nd: Joanna/Derek with 81

3rd: Kelly/Louis with 78

4th: Donny/Kym with 74

The suspense will be over tomorrow night when we find out who makes it to the finals next week.  My picks are Kelly, Donny for sentimental, artistic reasons, and Mya just because she’s good.  Will I be right or wrong?  Tune in and find out!!

The final five pairings: Mya and Dmitry Chaplin, Aaron Carter and Karina Smirnoff, Joanna Krupa and Derek Huff, Donny Osmond and Kym Johnson and Kelly Osbourne and Louis Van Amstel squared off and did two full dances this week, one Ballroom and one Latin.

This was a good, quality night for everyone, even with the flu still running rampant among the dancers. There was lots of dancing with medical masks and scarves on.

Mya and Dmitry turned in a really solid Quickstep that was super fluid and smooth.  The judges (Carrie Ann Inaba, Len Goodman and Bruno Tonioli) loved it with a 9-10-10 score. Their next dance was a 70′s Samba which the judges positively gushed over, giving it the first perfect 30 of the season.  Personally, it fell a little flat for me, as they slowed their song down quite a bit (Donna Summer’s “Bad Girl”) and that just took the party out of the dance. Overall, Mya has a very good chance in the Semi-Finals.

Aaron and Karina, dancing with face masks on to keep germs at bay, first performed their Foxtrot which on the whole was solid, but seemed a bit awkward at times and not as fluid as it could have been.  They did have a pretty cool move in the middle where in hold Karina turned and flipped her leg up and out; very nice. Next for them was a 90′s Samba which matched for Aaron well, as he had his hit single during that time.  They incorporated moves that he did for his song (the cowboy walk was seriously silly) and it turned out really good.  The Samba’s energy is perfect for Aaron and he really had the fierce, party feel during the dance.

Seeing that Aaron and Karina were in the bottom two last week, I really hope that his fans come out and vote for him to keep him safe and on to the Semi-Finals!

Joanna and Derek did a Quickstep for their Ballroom round which I thought was good, but Joanna’s arms and feet got “lazy” at times. Len thought it was not the standard for Quarterfinals. Ouch.  They then pulled a “Futuristic” Paso Doble out of the hat (yikes) and came up with a concept that was pretty sensational.  Cool makeup, lighted silver costumes and “Living on Video” (which ironically is from the 80′s) for the song. Again, Joanna’s arms and legs were a bit limp for my taste, not enough force and strength for the Paso, but the judges gave it a 9-10-10 score.  We’ll see how she fares for getting into the Semi-Finals.

Kelly and Louis were a breath of fresh air in the evening, with Kelly’s return to a traditional Ballroom dance since her first week. Gone are the nerves, she said, and they have turned to excitement. She’s a little girls who’s learned something new and she wants to show off.  Good!  This is what I’ve been waiting for with her! She danced her Foxtrot with Louis wearing that sweet, giddy smile on her face. Their performance was smooth, graceful and elegant, with a hint of naughtiness which is perfect for her personality. Carrie Ann had it exactly right about Kelly when she said” The moment you have a breakthrough the audience goes crazy.” I know I was hopping up and down in my seat watching her at home. Her scores for the Ballroom round: 8-8-9.

Next was a 60′s Jive for Kelly and Louis. They came up with some 60′s style movements that blended in very well with the Jive. Kelly’s flicks were sharp and quick and she turned in a super performance that was reminiscent of an Austin Powers number (which I adore). Plus, she’s whittling away that waistline and looked amazing in her outfit. Her scores improved this round with an 8-9-9. I’m keeping my fingers crossed for her and hope the voting goes her way for the Semifinals.

Donny and Kym did a Viennese Waltz for the first round which started a tiny bit sluggish but quickly gained momentum and excitement with their connection and Donny’s personality. Donny once again gave a first class showmanship performance, and Bruno commented that his Waltz played out like a “Lifetime Movie,” and as silly as Bruno’s comments can get at times, this one definitely hit the mark!

Their second dance for the Latin round was an 80′s Paso Doble. They picked a Dead or Alive song and dressed Donny up like Adam Ant which rocked, but unfortunately didn’t do great things for his lines during the Paso. The whole thing was kind of odd, even though it was pretty good. Once again Bruno’s comment rang true: “It’s like I was watching Donny playing Marie, playing Donny, playing Marie.” Looking at Donny’s makeup, you can see his point.

I think Donny is enough of a crowd favorite he’s secured his spot in the Semi-Finals.

Good luck to them all, tune in tomorrow for the results!

The dancers (well, at least those that are in for the long run) are beginning to “settle in” as the top 18 performed last night on So You Think You Can Dance. More talent is coming through, and nerves as well, and its easy to see at this stage who is going to be eliminated at the end of the night.

I am always thankful that the dancers have Cat Deely as an anchor on stage when they’re coming down off their performance and have to face the harsh reality of the judges. Besides being amazingly tall and devastatingly beautiful (not to mention a fashion maven), she really takes care of the kids and makes sure there’s positive spins on everything, as was the case last night when Channing was called a “sack of potatoes” by Nygel Lithgoe.

Some pieces on Tuesday night fell a little flat, such as Bianca and Victor’s Tyce DiOrio Broadway routine, and Channing and Phillip’s Samba, but there were some jewels as well.

Wade Robson has a fierce, fantastic imagination and was able to look at Vincent Van Gogh’s “Starry Night” and play with the idea that there were once people in the painting and Vincent got rid of them (which makes them come back for mischevious revenge). He comes up with an amazingly quirky and mesmerizing jazz routine for Peter and Pauline that cranked with immense enjoyment. The dancers really committed to the movement and their characters and it really worked for me.

The only not-so-great thing about this piece was the darn screen in the background, making me so dizzy with a spinning “Starry Night” that it was hard to concentrate on the dancers!

Since Mia Michaels is not on this season (sniff), Wade is now my favorite choreographer. I must have watched his group piece to “Comanche” ten times on my DVR, I loved it so much. His choreography just has a hungry, on-fire attack to it that lends itself so well to the dancers this season. They seem to love performing his stuff (almost as much as I love to watch it)!

Karen and Kevin got a Tabitha/Napoleon hip-hop number where they got to be a manly mechanic and a sexy racing groupie. I realize that NappyTabs is not always a total crowd favorite, but the combination of Karen/Kevin, racing and sex really percolated into something fabulous, clever and fun. Much gyrating! It’s safe to say that Karen is the SYTYCD resident hottie this season (Mary Murphy already put her on the Hot Tamale Train last week). It’s well deserved on her part, as she really made the hip-hop moves work for her, even though she was out of her element. And she plays the sexy card uber well (did we mention she’s sexy?).  Judge Adam Shankman fell out of his chair describing her and the rest constantly say they can’t keep their eyes off her because she’s a magnet on stage.  Kevin has his work cut out for him.

Argentine Tango is by far my favorite ballroom style dance, and last night’s Ryan and Ellenore Tango really delivered. Choreographers Miriam Larici and Leonardo Barrionuevo created a slow and sultry dance with a ton of precision work with the feet. Ryan and Ellenore smoked on the stage, with a quiet fierceness and “laser-like connection” (Adam Shankman’s words).

Image courtesy of FOX

They committed completely in both technique and the emotion the Argentine Tango demands. In fact, they were so focused that even Ellenore’s dress being caught in the heel of her shoe for about 40% of the dance didn’t faze either of them one bit. Amazing.

So it was with sadness, but no surprise that the two sent home by the judges at the end of the show were Phillip and Bianca, both of them tappers. Well, at least there is one tapper left–good luck Peter, I’m rooting for you from my living room. Hopefully, there are more out there who are rooting as well.