It’s going to be a show packed with amazing dance–and we get to see all our favorite pieces from the entire season as well! All that before we find out who is America’s favorite dancer on season 7 of So You Think You Can Dance. Let’s get movin’!

First off, let me say that I love Cat’s dress, it’s very ballerina-ish. And I always love her hair. Her stylist manages with extreme precision to style it in a way that it does not look styled, just like she pushed a brush through it after a couple hot rollers and went. Brilliant.

What we are treated to first is a completely amazing, whirlwind, entrancing number to “RA” by Nathan Lanier. This is very high-concept and stylized and just great dancing. The top 11 dancers and all the all-stars are in it, and nothing makes me happier than to see Alex skate out on a chair with wheels and do an incredible solo with only his hands and arms. Makes me tear up. I begin to think this is looking a lot like an LDX piece when it’s announced that Christopher Scott, from yes, the LDX choreographed it. A great beginning to the night.

There are SEVEN choreographers/judged shoved in behind the microphones:
Nigel Lythgoe (we get a montage of his hair, very funny–and I want to see him do the full dance with the kids!)
Mia Michael (we get a montage of her making up words and sayings, I didn’t realize she did that)
Adam Shankman (great montage of all his funny and rico suave faces)
Tyce DiOrio
Stacey Tookey (Emmy nominated, btw)
Kenny Ortega (lahhhve)
Mary Murphy (Mary’s back! Mary’s back!)

First up is the judge’s pick for their faves of the season. Kenny Ortega picks Tyce’s “Shoeless Joe” from Damn Yankees with Kent and Neil. Kenny thought that Tyce’s piece was a great homage to Fosse and the the thing that Kent needed at that monent in the competition to push him forward. I would agree with the great Ortega.

Nigel’s pick is Stacey Tookey’s number with Billy and Ade, “Mad World”. A real moment for Billy, and he left the following week. An exceptional piece of art, and I am torn between this one and Travis Wall’s piece with Kent and Neil as my favorite of the season. I’m sure we’ll see that one later.

First special guest tonight is Quest–which happens to contain all-star Dominic. How does Dominic land on his back like that and not rupture countless vertebrae? Love the music for this, combination of hip hop, disco, and old fashioned vaudeville. Great fun.

Mia’s favorite pick is AdeChike and Comfort with their lyrical hip hop NappyTabs number. Very interesting, as I would have pegged her to pick Travis’ piece. As I recall AdeChike got really emotional afterwards the first time. I do love this piece, I always love it when hip hop can successfully tell a full story. I like it when it just jams, too.

Next is not a pick, but Kent and Anya doing their Cha Cha Cha to “My First Kiss”. I have to say that Kent still pulls the faces, but he’s got it down to an art and a science now. He knows exactly when to pull them, what type and how much. Watch the cha cha again and see what I mean.

Tyce’s pick is another NappyTabs, the clown piece with Robert and Dominic. I can’t decide whether this is ultra cool or ultra scary with the clown makeup. Oh well.

We get a peek around the US at National Dance Day from July 31st. I love that there is a national day for dance and that dance is being recognized as a physical and athletic pursuit, one that you can do to not only express your artistic creativity, but to exercise your body and get into shape, Yea Dance!

Next is a Tap number featuring none other than judge and exec. producer Nigel Lythgoe. And he walks out on crunches claiming a season 7 curse. Suddenly there’s a seven year old on stage saying he wants to tap dance. Well let him tap dance! And he does. Boy he does. I guess no Nigel tapping (sniff).

The next tap routine by a duo of brothers was probably the most entertaining tap I’ve seen since Gregory Hines. Nice treat!

Nigel’s second favorite pick is Lauren and Pasha’s Argentine Tango to “Oblivion”. Oh, Pasha, you haunt my dreams in skin tight black tuxedo pants and patent leather shoes. This is really an outstanding Tango and I love it even more the second time around.

Adam’s pick for the season is Travis Wall’s “Fix You” with Allison and Robert.

OMG. Is that RUSSELL FERGUSON???? Where the hell has he been? Rehearsing with Lil C, I guess! And C really gives the stage up to him for practically their entire Krump. This is a good pairing, they compleiment each other well. I love getting a dose of Russell’s power and energy through the TV. Fab ending slamming down on one knee and jumping back up. Then they flash their abs. Cute.

Mary’s favorite number is Dominic and Jose doing their duet to the music from District 9. I hardly remember this piece. Oh, it’s because I missed it the first time! Love Jose and hate to say I really didn’t care for this one.

Next special guest is the winner of SYTYCD UK Charlie, dancing with Neil. Great lyrical jazz piece, not sure if it shows her uniqueness, but good all the same.

Robert, Lauren and Kent are called on stage right now, in their next costumes. Can we tell what they are dancing next? Yes. One will be eliminated now. Third place goes to: Robert. A disappointed “awww” escapes my throat. Robert is a fantastic dancer who only got better as the show went on, more able, diversified, emotional and available. Congrats to him.

Blue Steel, AKA Adam’s next pick is another NappyTabs number, who are dubbed the “MVP”s of the season (I would agree with that). Lauren and Twitch dance like no tomorrow to “My Chick Bad”. I just love this song because it talks about how bad-ass a gal is.

We get one more look back at my early pick for the winner season seven, Alex. They replay a recording of his Sonya Tayah piece with Allison to Jeff Buckley’s “Hallelujah”. I remember not quite liking this as much the first time around, but I have such nostalgia for Alex that I can see it in a new unit of time and it’s really a heart-wrenching piece. I heart Alex.

Stacey Tookey’s favorite for the season was the Dev Nakul Bollywood danced by Billy and Robert. A harem pants, arm waving, foot slapping great Bollywood piece, Dev’s best for the season and amazingly done by Robert and Billy.

Mia gets to pick last and she picks the only one left to pick: Travis Wall’s “How It Ends” with Kent and Neil. Real perfection in storytelling through dance, excellent from Travis and amazingly well done emotion and moment to moment from the boys. A great way to end the performances.

The group Black Gold performs their fab single “Shine” and it’s too bad they do it through a video montage. Although I like the clips, I think the band deserves the full time on screen.

Ok, what is this super duper huge surprise fabulous guest Cat has been hyping the entire show (and who we have to wait for the results through)? Ellen DeGeneres??? Doing Alex’s part with Twitch for “Outta Your Mind”? Whoa! Ok, I have to say that I LOVE this. It’s light, totally un-serious, adorable and really fun. Ellen is such a fan of dance and of SYTYCD and this was a real treat to have her dance for us, and that she tells America that you can dance and have fun even if you’re not schooled. Alex is obviously thrilled.

Last up, the crowning. Kent and Lauren both deserve the title, and for different reasons. Kent for discovering his artistic roots and his emotional value, and Lauren for her womanly power and willingness to put it all on the line. I have no favorite, I have grown to love them both.

And the winner is: Lauren. I am shocked, but absolutely not disappointed. SO well deserved! And Russell brings her Gatorade bottle with her picture out for her (she of course also gets the exclusive Gatorade contract as they are now acknowledging dance as a sport!)

That’s it for Season 7 of So You Think You Can Dance everyone! So glad you could make it through the season with me. I’ll be there for Season 8 next May!

Until then, I have more dance videos, dance quotes, and of course the upcoming season 11 of Dancing With the Stars, so come back for more!

P.S.: I WILL get the performance night music up asap tomorrow, I promise ;o)

It’s the first of two finale nights on Season 7 of So You Think You Can Dance, and while I regret Alex not being here with all my heart, I wish Kent, Lauren and Robert luck as we launch into the first night of the Top 3 Performances! Who will win America’s Favor? Let’s find out.

First up is All-Star Lauren and Kent with a Nakul Dev Mahajan Bollywood routine. Can Kent deliver the cheese? And the lightning-fast hand gestures? Oh most definitely. There could have been even more cheese in my opinion, but the dance moves were simply too fast to deliver it. I LOVED the bit where they clapped hands together while Kent was behind her. Great visually, and lots of fun. Judges loved it but did not have too much to say.

Next is Lauren with Twitch doing a political NappyTabs Hip Hop routine. I’m sure she can hold her own against Twitch, so I’m looking forward to this. The first moment with them smiling and shaking hands is funny and very accurate for dueling politicians. Their movements at the podium are super brilliant, I think, and Nappy Tabs has come up with a very cerebral Hip Hop number. Probably not a fave with those who love old school, but a great piece overall. And well danced! Lauren is praised for her strength and trustworthiness as a dancer with a choreographer’s steps. High praise from Mia Michaels. And I love Twitch, he was a cutie-pie with his shaved face and glasses.

Robert drew a Tyce Jazz number with All-Star Mark, and they do it to one of the best songs of the early 80′s, “Whip It” by Devo (I’m still a Mark Mothersbaugh fan, and he’s appeared with Devo very recently on one of my son’s favorite shows, “Yo! Gabba! Gabba!”). Kitschy, flashy, hand shaking, silly, hair-sprayed hair, jazzy fun. And I actually thought that Robert was better than Mark and stood out by a mile. For Mia, Robert is the most improved dancer on the show. Adam Shankman “threw up” with happiness that he danced for the joy and not for the competition (the things that come out of Adam’s mouth…).

Kent’s interview one-on-one with Cat was very cute and funny, just like him. They talked about the “faces” and we got to see a lot of them through a little tape. He does a hilarious bit for Cat where she asked him for happy and he gives her his happy face. Then she asks him for sad and he doesn’t change it. Very Kent.

Kent’s solo is pretty amazing technically and full of pauses within his leaps and jumps and throwing himself on the ground, but I found it very frenetic and desperate. Something he doesn’t really need. Super powerful dancer, though.

The contestants are now paired up with each other (how are they going to do that, is one person going to dance twice?), and Lauren and Robert are doing a Dee Caspary Contemporary. Prop Alert!! Looks like they are dancing with a pillow. Let’s see if they are overshadowed by their prop or are able to integrate it seamlessly. The golden lighting on them is beautiful. And I like the concept of them as a couple just trying to get home, and there are some moves with the pillow (like the last move, and the move where she threw the pillow to him and jumped to him) that are really fantastic. Well done to both of them. Judges love them. I have a feeling that there will not be much negative commenting tonight and I am intrigued by this.

Lauren is now paired up with Kent (I guess they’re all dancing with each other, so how many dances is that, I’m no math major) for a Mandy Moore Jazz number and they are playing the kooky weirdos that they really are and dancing to “Hip To Be Square”, which I always loved for the Tower of Power horns. Fun, simple, silly. And I could have used even more silliness, over the top would have been completely fine with me. Nothing super remarkable about this dance, didn’t seem to be enough of a challenge for both of them, which is echoed by Nigel Lythgoe.

Robert’s sit-down with Cat, he cites his favorite dance as the Travis Wall piece with Allison, which I will concur. He found the hardest thing to be all the ballroom stuff (which he did amazingly flawlessly, btw). His solo was a great mix of everything that got him on the show to begin with, and a nice cohesion with the music.

To now confuse me further, Kent is paired up with Allison for a Stacey Tookey contemporary about a couple having difficulty with maintaining their “perfect” relationship. This is such an interesting piece. You see the love, the hate, the manipulation, the desperation and the emotion from both of them. Emotion Kent, way to go, very real. In fact, he’s still affected into the judges’ interview and I am very moved by him. Mia tells him she loves him. When he tells Adam “you get so invested with the movement and the story, that the steps don’t even matter, ” Adam tells him he just became an artist. CAN I GET AN AMEN???!!! I am very impressed with this kid.

Last woman standing Lauren talks with Cat, and says her favorite dance was the prom dance with Kent. She had never shared and experience like that with someone on the stage before (and she’s not just talking about the very real kiss at the end). Her solo is the most satisfying of the night for me, from the Mary J. Blige music to the to the luxuriously sensual movement and declaration of her womanhood and her saying “I’m here and I want you.” was simply perfection. Bravo. I just also love that Lauren has an affinity for the classic soul. My kind of gal.

Robert is up next with Kathryn for a Spencer Liff Broadway routine to “Cool”. Ooh, I just love that song. It’s so interesting to see this concept for this song since it’s really the Jet’s gang song (and one of the most awesome pieces ever written/choreographed). But SOOOOOOO cooooool. Amazing choreography and amazingly danced (so well, Robert split his pants). Kathryn and Robert shine like neon pennies and Robert once again proves that he can pretty much do anything they throw at him.

Lauren gets to do a Cha Cha Cha with Pasha! Oooh, good, we get to see Pasha again. And coincidentally, the dance is about Lauren seeing Pasha and not being able to contain herself. Pasha shakes his hips like NO ONE can as usual. Lauren is hot and strong and does a damn impressive body roll (I know that’s an odd thing to pick out, but it stuck out to me). Plus, where she jumped with her knee on his shoulder and then he flipped her completely over then set her down so softly–that thing you know? Crazy amazing. Mia said that if she was still dancing, she would want to dance like Lauren. Whoa. I think Mia is making up for a whole season of some really harsh comments tonight.

The last dance of the night I something new, I believe. A “Malevos” dance, which means “gangster” dance, but Miriam Larici and Leonardo Barrionnuevo (yea! I get to say his name twice this season). The guys are in zoot suits and spats and black hats as they do this. And it’s not what I expect, as they hold each other’s shoulder’s a lot and do some tango like-looking steps. The one moment where Kent jumps up on Robert and then he flips him over was spectacular. Interesting and new, huh. Very powerful from the two of them. Apparently, this is the dance the men do together to practice their tango before they go do it with their women. Even more interesting!

Well that is it, let the voting commence! Who will be crowned America’s Favorite Dancer? We’ll be tuning in tomorrow night to find out!

Hallelujahhhhhh!! Miss Mia Michaels will be back for season 7 of Fox’s So You Think You Can Dance. Exciting, exciting news in a week where big announcements about the show have me a little crestfallen.

So along with Mia’s luscious, tasty, emotional gorgeous choreography, we get others returning to the SYTYCD floor. These are two of the dance “All Stars” that will be partnering with the season 7 top 10:

The All Star for Popping/Locking, Krumping, Breakdancing, etc. is tWitch Boss from Season 4!

The All Star for Jazz, Contemporary, Broadway and Cultural is Kathryn McCormick from Season 6!

Producer and Judge Nigel Lythgoe will continue tweeting these All-Stars announcements through the next week or so. In fact, he asked for suggestions from fans on who should return. If you want to put in your two cents, poke him through Twitter: http://twitter.com/dizzyfeet.

More later folks!

Head judge and executive producer of So You Think You Can Dance Nigel Lythgoe seemed to say over and over in season 6: “The chair is here for you Paula, come and join us!” Well, those weren’t his exact words, but you heard him talk about it enough through the entire season. And did Ms. Paula Abdul show up? No.

Well, that’s very unfortunate for her, because Nigel has officially withdrawn his invitation for her to come on SYTYCD. Pity. Seems her deal for a new Star Search just fell through (as reported by PopWrap).

At first I kinda chuckled about that, you know, “loopy Paula” and all. But then I went, wait. I would have really liked that. I mean, enough with her being a judge, why couldn’t she come on and choreograph? If you will remember back a few years ago, Paula Abdul was the go-to choreographer in Hollywood and the music industry. Yeah, remember “it’s Janet. Miss Jackson if you’re nasty?” I do.

I mean, look. Paula was discovered by THE JACKSONS for pete’s sake, at a Laker’s game. They saw her dancing with the Laker Girls and invited her to create the choreography for their “Torture” video, a process she’s not sure how she even got through. “My only problem was how to tell the Jacksons how to dance. Imagine me telling them what routines to do. I was young, I was scared.” But survive she did and went on to choreograph their Victory tour.

And tell me you didn’t know she choreographed this scene from the beloved american film Big:

I didn’t!!!! (thanks bunches Wikipedia)

Geez, I mean she even did those great African dance scenes in Coming to America (one of my favorite comedies), and she IS an Emmy Award-winning choreographer (for The Tracey Ullman Show and American Music Awards).

What really brought her to the forefront and ultimately, I think, led her to a music career is her close relationship with Janet Jackson during the Control era. And you have to remember that Janet was just coming up, too. Control really put her on the map and set her apart from the Jackson family. And damn if they weren’t hyper-danceable songs.

Ooooooo, I got chills just watching the open dance moves. Hot Hot HOT!! And it’s more jazz than hip-hop (didja SEE the guy do a zillion pirouettes??), something you just don’t see anymore in music videos. Little elements of West Side Story thrown in as well. Hurrah for 80′s stirrup leggings and big jackets with shoulder pads.

So loopy or not, she is a dance icon in America, and in my heart. Love ya, Paula–come back to the dance world!!

In a follow-up to my post about big changes on So You Think You Can Dance, producer and judge Nigel Lythgoe held his press conference via phone yesterday.

Here’s the big change:

The reason that there will not be a top 20, only a top 10 is that the top 10 contestants will be paired with dancers from past seasons of So You Think You Can Dance. WHOA! WHAT?

I am so conflicted on how to think about this. On one hand, I love the pairings, the camraderie, the melding of two personalities into one duo. And I also love seeing so many dancers and their individualities as they develop and bloom into even better dancers and artists. On the other hand, the show would no longer be So You Think You Can Dance. It would morph into So You Think You Can Dance With the Stars (stars being the past pro dancers who now have celebrity status).

I do love the past contestants, It would be really cool to see them again after they have been out “in the real world” for some time. What have they been doing? Have they increased their skills? Are they as personable as before (or limp dishrags)?

A change this big can only signal one thing in my mind: the show is having troubles with ratings. This will most certainly boost it. But for how long? I don’t know if I like the change, I will have to experience it in season 7. But I sincerely HOPE that it WORKS. I want to keep dance on national television, so that it can continue to influence us–give us that injection of aesthetics, art and creation that this world needs so desperately.

Nigel, you’re playing your hand–will So You Think You Can Dance win? I hope so.

Looks like there are changes in store for the next season of So You Think You Can Dance–I at least hope that it’s a change back to the OLD STAGE ;o)

Judge and Producer Nigel Lythgoe has been tweeeeeting away about “shocking changes” for his show, and they include a shift back to rotating judges (I always liked new blood on the panel each week), only one person eliminated per week, different partners for the dancers every week with the dance styles being chosen for them and the last is the kicker. NO TOP 20.

I don’t know about shocking, but they are certainly big changes. Like I said about the judges, I did like a new choreographer coming in every week (even if they were just from their pool of choreographers). It changed up the predictability of what might be said. The only one person being eliminated per week is most likely tied to the no top 20 item. Might they only choose a top 10? Hmmm, but that makes no sense–when they have odd numbers one person will have to dance with two people (intriguing, though).

I agree with the change that the dancers will no longer be “choosing” their dance styles out of a hat. Even though it will take the randomness of drawing traditional Russian dancing out (that was an odd one), it will give the dancers more likelyhood that they will be given a dance that they look great in. Hence, better ratings.

But…then…where will the real competition be? Nigel Lythgoe has given me much to ponder. I believe he’s holding a press conference today on the changes, so I will return with more news!

So even though it seems like we just crowned Russell Ferguson, So You Think You Can Dance has kicked off it’s season 7 auditions in steamy Miami (is it still steamy in January?). Many of the Vegas Week dancers come from this great city, including season 5 winner, Jeanine Mason. Choreographers who joined judges Nigel Lythgoe, Mary Murphy and Adam Shankman for the audition process were lovely Sonja Tayeh and “Burn the Floor” choreographer Jason Gilkison.

Here’s a great article by Anthony Jones who spoke to Nigel during the auditions. Nice scoop!

**SPOILER ALERT**

The night opened with a sexy Top 18 (why not 20?) super hot group dance choreographed by Kelley Abbey and set to “Scared of Me” by Freddie le Grand. My husband even walked by and was distracted by the stockings and garters. “Ooh, those are hot.” Add a red chair to any dance and I’m a happy girl.

Next come the start of the judges favorite dance picks of the season:

Lil’ C’s dance choice is Kevin, Legacy and Russell dancing a NappyTabs Hip-Hop to “Beggin” by Madcon. Even better the second time around, Russell ruled it (of course) and I really love that song.

Adam Shankman: Ellenore and Jakob dancing a Sonya Tayeh Contemporary piece to “Tore My Heart” by OONA & Dave Tweedie. Great choice and I remember him practically orgasming over it last time. This is just a great piece. Love the post at the ending.

Nigel Lythgoe: Derick K. Grant tap number with Philip, Peter and Bianca dancing to “Take the A Train” by Ella Fitzgerald. I love that three, let alone one tapper was in the top 20. Tapping is just a really great form of dance that is not appreciated enough in today’s dance world of extreme acrobatics and hip-hop. However, it doesn’t seem to translate to television the way other dance forms do. So sad.

Mary Murphy breaks the “rules” this time around, and instead of picking the Contemporary piece that Ryan and Ashleigh danced last night, she got them to choreograph a Jive routine themselves. She’d waited all season long to see them dance together and was disappointed they didn’t draw a ballroom style. Their Jive is definitely good, but not nearly as compelling as their contemporary piece from the night before.

Next, guest dancers the Groovaloos perform a street hip hop number. This is a fun, great piece and the breakdancing moves are stylin’!

Continuing with Judges’ Choice, Nigel picks the Dwight/Desmond Contemporary piece with Kathryn and Jakob set to the fabulous song “At This Moment.” Brilliant.

Tyce DiOrio picks the Bollywood number that Nathan and Mollee did wayyyy back when. Ah, the two kids back together. I think that this and their Can Can routine were their best things as a couple.

Then, unfortunately, is about a minute of confusion as quite a few things happened: Cat’s mic went on the fritz and we couldn’t hear anything, then three finalists came on the stage, and Cat is given a hand mic which she starts asking “where’s everybody else, ” and “what’s happening here?” Then we see Russell limp on under Ryan’s help, unexplainedly in pain and tears. He’s hurt his leg. Cat deftly assures him that they will get him help. Then, with pretty much no ceremony Ryan is named 6th runner up. They cut to his video package which really shows him off. I always really liked him, for his dancing and especially for how much he loves his wife (awwww).

After the commercial, Adam Lambert comes on and we don’t get an update on Russell. Adam really smokes, and I talk with my husband about his really hip look, which he dubs “Rockabilly/Metal and Billie Holiday mixed with Freddie Mercury.” I love my husband, he’s so with it.

The five finalists come back on stage, Russell on a stool. The 5th place dancer is named: Ashleigh. Her video package is super hot and I for one am glad she overcame her illness to get back into dance.

Next Shankers picks the Ellenore/Legacy Travis Wall Contemporary. I didn’t care much for this the first time around, but seeing it again in a new unit of time endears it to me more. Very innovative, and as Adam said, had risk, danger, chemistry out the butt. He predicts an Emmy award for Mr. Wall.

Ms. Debbie Allen picks the African Jazz piece choreographed by Sean Cheesman for Noelle and Russell. Because Russell is injured, they go to the tape of the dance. Too bad for Noelle, she doesn’t get to do this again. I really loved this piece when I saw it the first time (the Frog Dance, it’s called), and the bit where they clamp onto each other, Noelle’s head down between his legs and flip end over end over end was amazing. Love it.

The four remaining finalists are on stage and they announce the 4th runner up: Ellenore. Her video package just reminds me how original she is, very unusual and quirky dancer. The dance world needs more of her.

After the break, Lil’ C makes his next choice, one the dancers had to “wring themselves dry” for, a Tyce DiOrio Contemporary way back from “Meet the Top 20″ and Nathan, Jakob, Channing and Ariana. This piece is good and each dancer shines in it. But with the four dancers shooting across the stage constantly and jumping up on each other all the time I found it a little hard to focus on.

Next Mary picks the red hot Hip Hop NappyTabs choreographed for Kathryn and Russell from the previous night. Smokin, I mean really. This, of course, is from tape as well.

We’re back from the commercial break, and Mary J. Blige takes the stage, looking absolutely classy. She performs “I Am.” This was really good, but why do they need clips of her videos in the background is more than I know. Hate that screen. H-a-t-e. Got it Fox? Good.

There’s time for one more judge’s pick, and Nigel goes back to “Meet The Top 20″ show and Wade Robson’s piece to the fantastically fierce “Comanche” by the Rebels. This is my absolute favorite group number of the entire season, it just combines so many elements that I adore. Thank gawd they played it again. 60′s style dance, dancers having sound while they dance (“shi-kah!”), girls in satin skirts slit up to their coochies, guys dancing tough as nails, hot and loud sax (yes, I said SAX), clapping, snapping, dance fighting, posing. Do I need any more??????

Ah, pause for a moment. While I watch the screen. OMG. Kathryn is just named 3rd runner up! I really don’t believe it. I really thought she was going to take it. Oh!! Wow, this is a complete surprise for me. After her video package she’s crying and her voice does NOT go up, good girl!! She’s beautiful, beautiful, beautiful and I wish the best things for her.

Ok, recover after that moment.

After the break, Jennifer Lopez reclines in a large silver stiletto on stage. Pretty neat. She calls–SANTA! Very cute. And I love her rhinestone tights. She looks fab and dances great and is probably lip-synching. Who can blame her with all the dancing?

Now it’s time to get down to business. Jakob and Russell come on stage. Well, Russell with Jakob’s help, that is. A few words about the show, dance and America winning as well as the winner of the show. We get to see a video package for both Russell and Jakob. They are really great to look back at, and we get to see Jakob do that amazing jete another 5 more times. Pure Poetry.

The boys look happy and anxious as we come back, and Cat starts her patter. The envelope snaps open. America’s Favorite dancer IS: Russell Ferguson! And BOY is he happy and grateful (and shirtless). He thanks everyone  and says that he has dreamed of this since he was born (“I came out like–what!”).

Well he deserved it. And I picked the winner! Woo Hoo! Well, I know I said that Kathryn would probably get it, but I wished in my heart it was Russell. Yea for America, you voted well.

LONG LIVE DANCE!

Until season 7 of SYTYCD, I’ll be here continuing Dancemomma coverage of dance around the world. Goodnight.

(Images courtesy of FOX Television)

W-O-W, what an evening last night on So You Think You Can Dance!

The Top 8 were set to perform, and right off the bat I was super confused. Wait, what’s going on? Something’s wrong. Then I saw it: Ashleigh did not do her beginning solo. What had happened? Host Cat Deely took a few moments before calling Ashleigh to the stage, and she walked on with her arm in a sling. Oh, injury. How really, really sucky. Apparently she completely dislocated her shoulder that very day doing a dress rehearsal, and was not being cleared by the doctors to dance. And boy, did she want to dance. But she kept it together, and after the next break she came back on stage to give her 888 number, asking for votes. This is really a sad predicament for her. Can her performances and hard work from the past weeks keep her in this competition? I put her in my “long haul” list, and I really hope so. It will be very interesting to see how the results unfold tonight.

On with the night, Ryan and Kathryn were up first with a Dori Disco routine. This is another great pairing, with a fun and difficult routine (and the Discos are usually ball busters). Kathryn looked SO gorgeous in her skimpy halter dress (which, interestingly enough was Dori’s doing, I didn’t realize that the choreographers had a huge hand in the costuming, interesting!). Ryan looked…well, disco-y. They did excellent work together and looked like they were having a ball, especially Ryan. He’s such a great partner-ing partner. Kathryn kicked butt and did super well in this new style for her.

Next was Molle and Jakob with my favorite Viennese Waltz–EVER. I’m serious, here, this is a wonder to behold. Fresh, young, full of breath and life. Thank you choreographer Jason Gilkison!!! And thank you to Mollee and Jakob for dancing a picture of young love in springtime, with very intricate steps, fast and energetic (not your usual Viennese Waltz, I’m telling you). They had a beautiful connection, and looked beautiful, Jakob in his white pants/vest/shirt and Mollee in her white blouse and ankle-length sunny yellow pleated skirt, complete with a bow in the back. Fantastic, on all sides, and even though this was only the second of 8 dances, I am not afraid to say my favorite of the night!

Another potential power couple was next: Ellenore and Legacy. They got Travis Wall and a Contemporary number that I was SO excited to see from the rehearsal footage I could taste it. Travis had a concept of two killers that are married and want to kill each other at the dinner table. Very “Mr. and Mrs. Smith.” Unfortunately, for me this was a little to literal in the fight choreography and a bit one note. I saw a lot of hate and anger and not much lust/love, which it absolutely could have had (would have made for a better dynamic). They used a napkin for most of the dance and traded it back and forth during moves, which I thought was just distracting. And Ellenore’s dress was awful, just looked like two strips of fabric. OK! That said, they danced it extremely well, were very fearless with difficult moves and nearly impossible timing, and they did have a good connection.

Then came Russell and Ashleigh’s Shane Sparks Hip-Hop number. The rehearsal footage showed fantastic clips of Shane teaching Ashleigh how to shake her booty. Super funny! Looking back ( I watched it a couple times), this was probably the BEST Hip-Hop dance of the entire season, very “old school” as judge Nigel Lythgoe said. Russell just exploded off the stage with energy, enthusiasm and smiles. He shines like a star and does excellently. Unfortunately, his partner was so distracting because she was not nearly the caliber of dancer that Russell is (or Ashleigh for that matter). And I thought that was odd, considering she’s Shane’s assistant. Oh well.

Mollee’s solo is the only solo I’m going to mention in this post. And why? Because SHE ARRIVED. To the show, to her womanhood, to the party. I saw this girl for the first time this season with her solo to Alicia Keys’ “Heartburn”, which she also sang along to during her dance. Now, I will say that she had improved last week with Russell and was stunning in her Waltz with Jakob earlier in the night. But this is a dancer who made an entrance here, and I was riveted. She flirted, had fun, flipped and twirled and had me wrapped around her finger. Yeah, this is what dance is all about! Well done to her.

Whew. I get no downtime as Kathryn and Ryan are next with a Jason Gilkison Cha Cha Cha. I learn that Jason is responsible for Burn the Floor, currently on Broadway (where have I been?), no wonder he’s standing out for me. And know how I said his Viennese Waltz was the best I’ve ever seen? This Cha Cha Cha is the BEST Cha Cha Cha I’ve ever seen (enough Cha’s for ya?). Jason rocks the Casbah, baby, I’m in love. I was glued to the screen during this dance, it amazed me. Kathryn and Ryan had a hot chemistry and connection, flirt-y sultriness. Ryan looked so hot in his hat and suspenders, and Kathryn was SO sexy in her fishnets and feathers–great use of feathers, by the way, long straight ones as a skirt instead of the fluffy emu-type. Ryan and Kathryn attacked the choreography with great relish, which was syncopated so well with Joss Stone’s song “Put Your Hands On Me”, great choice. Can I have a cigarette, please? They climb on judge Mary Murphy’s Hot Tamale Train, which she has only done one or two times this season.

Mollee and Jakob once again wipe up the dance floor with a Joey Bowling Broadway number to “Easy Street” from Annie (excellent music choices for this show, that is one of my faves). They are lovely and amazing and cute and mischievous. Did I mention they danced amazingly? This style also suited them well, and Nigel encouraged Mollee to get over to Broadway, they were waiting for her. This looked easy and joyous for them. Brilliant.

Ellenore and Legacy were up once again with a Nappy Tabs Hip Hop dance about aliens. This was good fun, but not fantastic, like I was hoping. The choreography didn’t really push them to their limits of what they could do, although it started off well, with the backwards masks. Shame on Tabetha and Napoleon for not really challenging these two.

After Ryan’s solo, he interrupts Cat while she’s giving his number to give Ashleigh’s number. This is a man who loves his woman. I was touched. What a mensch.

Last is Russell (and Ashleigh’s) Bollywood. And Bollywood it was, with a bit of funk and soul injected from Russell. You could just see it in his movement. Bollywood is so relentless in it’s movements and hand/head/finger/foot positioning (we learn that a wrong hand position can offend in India), and Russell was right there the entire time, never looking tired, and always having that sparkling smile ready. The execution was superb, and judge Adam Shankman said that he radiated pure joy for the art of dance. I whole-heartedly agree. Bonus that Russell’s partner was up-to-speed with him, and when I saw the move that dislocated Ashleigh’s shoulder (leap and swing over the head and around to in front of his legs), my shoulder hurt a little, too.

Needless to say, I am very torn about the finale. They all deserve to be there, including Ashleigh. I want everyone to win. But then, it wouldn’t be a competition, would it? Well, I voted for everyone and put a few extra votes in for my favorites.  Who will be in the finale for season 6? Tune in tonight and find out!

(Images courtesy of FOX Television)

Whew! Well, after the fallout from Nigel Lythgoe’s tirade last week, the mood on the set of So You Think You Can Dance this week was decidedly subdued. Criticism was given quite a bit milder, and enthusiasm was not as big (geeze, Mary only yelled once the entire show). This was not to say that the dancing did not merit enthusiasm, however. This was a darn good night, with my favorite dance of the season so far.

Ashleigh and Jakob opened the night with a NappyTabs Hip-Hop number. The story was of a girl and her cheatin’ guy–and she finds out by looking at a text on his phone (how very of the times). I love that NappyTabs tells stories with their choreography. Before SYTYCD, I had never experienced Hip-Hop this way, and it was quite a revelation for me. Ashleigh and Jakob really came out fighting in this piece, they took hold of the story and told it with the movements, creating their relationship. They absolutely had the passion and the hurt, but I felt needed just a tad more love. After all, there’s no hurt if there was no love, right? Nigel predicted Jakob to go to the top 10, and told Ashleigh she has grown super-fast as a dancer on the show. Kudos all around.

Next were Karen and Kevin with a Spencer Liff Broadway ditty from Sweet Charity. This was an interesting combination of super-cuteness and super-hard choreography. Broadway is never an easy task, and doesn’t usually garner high praise from the judges. Karen and Kevin were cute together (a 180 from sizzling hotness the past few weeks), but the level of cuteness and humor needed to be far above what they gave on stage for the whole thing to work. Lots more *wink* would have worked for them.

Interestingly enough, Noelle and Russell drew Foxtrot once again out of the hat, with Eddie Simon choreographing. Wow, did Russell improve vastly from his Foxtrot a few weeks ago. But seriously, can Russell do no wrong? The two of them looked like they were having just the time of their lives up on stage, you could almost feel the joy through the tv. Their movements were smooth and effortless and were great to watch. Sheer elegance.

Channing and Victor got a Tyce DiOrio Jazz number where they got to portray “two curious, eclectic, blackbirds coming out to play,” as Tyce said. They used the Beatles’ “Blackbird” covered by Bobby McFerrin, which lent itself very well to the stacatto movements. They had good connection and synchronization and really popped in this dance. I could have even taken even more bird-like mannerisms. After all, if you’re going to portray an animal, you might as well go all the way, huh? Channing and Victor definitely seemed to enjoy them selves in this, there was a certain freedom that I’d never seen before in their dancing.

Kathryn and Legacy drew the “Paso Doble from Hell” (choreographer Tony Meredith’s words). This one was a lot of fun to watch. The Paso can very easily look silly and overdone, and this was not the case with Kathryn and Legacy. They committed to the story of the sea Admiral coming back to claim his angry, heartbroken woman. Whew! Much anger, passion, heat and fire. There could have been a little more precision, and Legacy’s shoulders were pretty tense (as were Kevin’s, it’s common with guy dancers), but overall it was really terrific.

Ellenore and Ryan performed my favorite dance of the night, and of the season so far, a Travis Wall Contemporary number. This told the story of a broken up couple who happens to bump into each other one day. She nursed a broken heart for along time and got over him, he suddenly realized he missed the boat with her. The moment they bumped into each other was truly exquisite, they really took their time and SAW each other, and reacted, it was a real moment. From there the connection strengthened and their performance was superb. Their movements were completely in tune with each other, and you felt their dilemma with the “I really love you but I can’t do this again” thing. They had a fearlessness when they danced with each other, and the lifts and leaps just seemed to happen with no effort. The dance closed brilliantly, bringing them back to the first moment where they bumped into each other, portraying the whole experience happening in a moment in their heads, and they went their separate ways. Genius.

Mollee and Nathan closed out the show with a LaurieAnn Gibson Pop Jazz routine. Loriann had them use an interesting technique of doing a lot of yelling while they danced, because sound unlocks the spirit. I liked this odd technique, sound is always good, and it also gets you to BREATHE, which dancers often forget to do (yeah, right?). Unfortunately, Mollee’s dress was truly awful and took me completely out of it to begin with, and then I just didn’t GET this dance at all. What was I missing? There was even one move where they looked like they were in a sexual position. But, they were big, coordinated, strong, and committed to the dance. Kudos. Not much connection with each other, however, and I really think that comes with just being too young and inexperienced in relationships. They are babies, after all. Talented babies.

Well! We wait with baited breath for elimination tonight. Will Kevin and Karen get sent home as Nigel predicts? Tune in and see!

(Images courtesy of FOX television)