Dancing With the Stars: Performances in the Finals

November 24th, 2009 by soullldiva

I always have mixed feelings about the finals.  I think I expect too much out of everyone, and maybe get disappointed. But I forget that these are the same people as before, just one more week along.  So logically, they are not going to turn into full-fledged pro dancers in 7 days (or really 5 days because that’s all the time they get). Tonight I watched with that in mind so I could really enjoy myself.  These three stars (and their pros) have really busted ass to get in the Finals and they deserved it!  Now I wanted them to show me the stuff!

First the stars did one last regular-style dance by themselves.  Kelly Osbourne was first with her Argentine Tango.  Now this is my favorite Ballrooom/Latin dance, and I was crossing my fingers that she would do well, and better than her last effort.  Fortunately, Carrie Ann Inaba made a visit to their rehearsal to give her some coaching specifically on her emotional connection with her partner.  This is something she has always needed to work on, even though Kelly is really “The Transformer” of the show.  She’s the one that’s come the farthest and really discovered dance.  But she has never quite had that connect with Louis Van Amstel that would allow them to play lovers.

Let me tell you she did NOT disappoint. Her footwork was excellent, lines were beautiful and they really smoldered when looking into each other’s eyes. It was the real connection this time, yea!  Strangely, this was the lowest scoring first dance of the night, with a 9-9-8, and I sincerely believe it was the best first dance of all three.  Maybe the judges were warming up or something.  The only big criticism that I heard was from Bruno Tonioli who said that Kelly’s “free hand” was doing odd things while she danced.  Ugh, whatever.

Next up was Mya. Len Goodman paid her and Dmitry Chaplin a visit as they rehearsed. Len’s intention as they practiced was to really push Mya to her limits in the Paso Doble. He even yelled at her about her kicks, that she could kick his upper hand out of the way. This is a great thing, because I have thought through pretty much the whole season that Mya was too cool of a cucumber, and never really revealing much or reaching her limits.

Technically, the dance looked good and had that measure of anger and sharpness that the Paso calls for.  But I really didn’t feel the passion that it needs.  The Paso is such a difficult dance to pull off and make look super spectacular in my opinion, you really need a variety of great moves coupled with a really great passionate anger with your partner. Nothing can hold a candle to Mel B. and Maks Chmerkovskiy’s Paso in season 7. Incidentally, Len mentions Mel’s dance in his critique of Mya, saying hers was up there. As you can guess, I do not agree. Judges scores: 10-10-10.

Donny Osmond was next with his Cha Cha Cha. Bruno made a visit to him and partner Kym Johnson to help sharpen up his technique enough to match his showmanship. This is great because Donny can always pull out a crowd-pleasing performance, but not be technically perfect. Bruno took him to task and really put him through his paces. Oddly enough, I didn’t see much evidence of this in his Cha Cha, where he did what seemed as little actual dancing as possible.  I thought I might be wrong, but my friend sitting next to me echoed my thoughts exactly. The judges seemed quite happy with it, so it’s possible I don’t understand the man’s role in the Cha Cha. Judges scores: 9-9-9.

A new element this season was the Megamix, where all three couples danced a “superdance” at the same time.  Three dances, same choreography (by Nick Kosovich from seasons 2 and 3). This, in theory, is a great idea, I always love the pro dances where up to 5 couples dance at the same time–but those are not PRO dancers.  Do you know how hard it is to have six people dancing in complete synchronization and stay in a specific formation?  HARD. I personally thought that the Megamix was a mess, and the girls outfits were rather unflattering and distracting. They combined Viennese Waltz, Samba and Jive which to me was rather jarring.

In any case, the stars seemed to enjoy themselves, which makes it all ok in the end. Mya came in first, Donny second and Kelly third for 30, 28 and 26 points respectively.

Lastly was the most anticipated dance: the Freestyle. They kept on saying that the Freestyle can make or break a dancer and they could win or lose the trophy with it.  I have to say, I completely disagree, and the Freestyle is always interesting to me, but NOT my favorite. I feel that the Freestyle is some odd excuse to trot out every single trick, lift and leap you’ve ever wanted to do.  It’s never simply been about dancing. Freestyles usually do not live up to expectations and don’t always get the best scores.

Kelly and Louis were up first with a disco Freestyle to Gloria Gaynor’s “I Will Survive”,which she had adopted as her theme song, just because her DWTS trip has definitely been an up and down one for her. Yet she still came out shining. Her dance was fun and free, with lots of smiling and singing along from her (which I love). Also thrown in were lots of tricks, not all of which were completely pulled off. But she smiled and laughed the whole way along and never gave up. This got her kudos from the judges if not high paddles. Judges scores: 8-8-8.

Mya and Dmitry did a puzzling Freestyle to “Can’t Stop the Beat” from Hairspray. I liked it a lot, mostly for the reason that they didn’t pull out every trick in the book.  It was good dancing, but not show-stopping.  And her outfit was super cute.  I think they should have gone with Mya’s out-of-the-box idea. Judges scores: 9-9-9.

Donny and Kym were last with what was the most entertaining Freestyle of the evening. Donny did what Donny does the best: entertain us with energy, enthusiasm and style (why didn’t everyone do that?). “Hollywood at it’s best, ” yelled Bruno.  Agreed. Carrie said his Broadway number went down into history with the best, including Drew Lachey’s “Save a Horse Ride a Cowboy” and Shawn Johnson’s Jabbawokeez-inspired Freestyle. Two really great ones in a sea of not really memorable Freestyles. Judges scores: 10-10-10. Well deserved.

The voting has been unpredictable this season. Almost as unpredictable as this season’s predictable winner. But the probability of Mya winning the mirror-ball trophy does not take away from the suspense.  Will the obviously enormous fan bases of Kelly’s and Donny’s come out screaming overnight to deliver an upset?  Even though all three stars have delivered a fantastic season (Mya included), I am keeping my fingers crossed for Miss Osbourne.  Nobody deserves the win more.

Agree? Disagree?  Lemme have it!!

Final Five Perform on Dancing With the Stars

November 10th, 2009 by soullldiva

The final five pairings: Mya and Dmitry Chaplin, Aaron Carter and Karina Smirnoff, Joanna Krupa and Derek Huff, Donny Osmond and Kym Johnson and Kelly Osbourne and Louis Van Amstel squared off and did two full dances this week, one Ballroom and one Latin.

This was a good, quality night for everyone, even with the flu still running rampant among the dancers. There was lots of dancing with medical masks and scarves on.

Mya and Dmitry turned in a really solid Quickstep that was super fluid and smooth.  The judges (Carrie Ann Inaba, Len Goodman and Bruno Tonioli) loved it with a 9-10-10 score. Their next dance was a 70’s Samba which the judges positively gushed over, giving it the first perfect 30 of the season.  Personally, it fell a little flat for me, as they slowed their song down quite a bit (Donna Summer’s “Bad Girl”) and that just took the party out of the dance. Overall, Mya has a very good chance in the Semi-Finals.

Aaron and Karina, dancing with face masks on to keep germs at bay, first performed their Foxtrot which on the whole was solid, but seemed a bit awkward at times and not as fluid as it could have been.  They did have a pretty cool move in the middle where in hold Karina turned and flipped her leg up and out; very nice. Next for them was a 90’s Samba which matched for Aaron well, as he had his hit single during that time.  They incorporated moves that he did for his song (the cowboy walk was seriously silly) and it turned out really good.  The Samba’s energy is perfect for Aaron and he really had the fierce, party feel during the dance.

Seeing that Aaron and Karina were in the bottom two last week, I really hope that his fans come out and vote for him to keep him safe and on to the Semi-Finals!

Joanna and Derek did a Quickstep for their Ballroom round which I thought was good, but Joanna’s arms and feet got “lazy” at times. Len thought it was not the standard for Quarterfinals. Ouch.  They then pulled a “Futuristic” Paso Doble out of the hat (yikes) and came up with a concept that was pretty sensational.  Cool makeup, lighted silver costumes and “Living on Video” (which ironically is from the 80’s) for the song. Again, Joanna’s arms and legs were a bit limp for my taste, not enough force and strength for the Paso, but the judges gave it a 9-10-10 score.  We’ll see how she fares for getting into the Semi-Finals.

Kelly and Louis were a breath of fresh air in the evening, with Kelly’s return to a traditional Ballroom dance since her first week. Gone are the nerves, she said, and they have turned to excitement. She’s a little girls who’s learned something new and she wants to show off.  Good!  This is what I’ve been waiting for with her! She danced her Foxtrot with Louis wearing that sweet, giddy smile on her face. Their performance was smooth, graceful and elegant, with a hint of naughtiness which is perfect for her personality. Carrie Ann had it exactly right about Kelly when she said” The moment you have a breakthrough the audience goes crazy.” I know I was hopping up and down in my seat watching her at home. Her scores for the Ballroom round: 8-8-9.

Next was a 60’s Jive for Kelly and Louis. They came up with some 60’s style movements that blended in very well with the Jive. Kelly’s flicks were sharp and quick and she turned in a super performance that was reminiscent of an Austin Powers number (which I adore). Plus, she’s whittling away that waistline and looked amazing in her outfit. Her scores improved this round with an 8-9-9. I’m keeping my fingers crossed for her and hope the voting goes her way for the Semifinals.

Donny and Kym did a Viennese Waltz for the first round which started a tiny bit sluggish but quickly gained momentum and excitement with their connection and Donny’s personality. Donny once again gave a first class showmanship performance, and Bruno commented that his Waltz played out like a “Lifetime Movie,” and as silly as Bruno’s comments can get at times, this one definitely hit the mark!

Their second dance for the Latin round was an 80’s Paso Doble. They picked a Dead or Alive song and dressed Donny up like Adam Ant which rocked, but unfortunately didn’t do great things for his lines during the Paso. The whole thing was kind of odd, even though it was pretty good. Once again Bruno’s comment rang true: “It’s like I was watching Donny playing Marie, playing Donny, playing Marie.” Looking at Donny’s makeup, you can see his point.

I think Donny is enough of a crowd favorite he’s secured his spot in the Semi-Finals.

Good luck to them all, tune in tomorrow for the results!

Tango vs. Paso on Dancing With the Stars

November 3rd, 2009 by soullldiva

It’s getting down to crunch time on Dancing With the Stars.  Time to see who is really in for the long haul.

Last night each of the remaining stars (Mya, Aaron Carter, Kelly Osbourne, Joanna Krupa, Michael Irvin, Mark Dacascos, Donny Osmond) did one dance and a team dance where they performed with other couples, either the Paso Doble or the Tango.

In the individual dances, I was once again blown away by my “little” Aaron Carter.  Last week it was proclaimed that he became a man. He continued his journey tonight by turning in an amazingly energetic Jive.  As I watched this guy, I said to myself: “he WANTS this.” And I don’t mean just that mirror ball trophy.  I mean he wants DANCE.  He loves it, he loves getting it right then reveling in it and having fun.  Sure, he has his frustration moments, but that’s just because of his drive.  And as Michael Irvin told him early on in the competition when he was being beaten down, “there’s nothing wrong with being real and being serious about winning.” (great locker room pep talk Michael!)

Aaron’s Jive delivered fantastic sharpness and energy (essential in a Jive), plus great chemistry with Karina Smirnoff and the crowd. Their song happened to be “We’re Not Gonna Take It” by Twisted Sister, which added a great rebel attitude to their dance. The Jive takes real strength to make all those flicks hit with precision (and not look wimpy), and Aaron’s “young man strength”, coupled with the great precision workout she got him with Elite Athletics trainer Jade Molina gave him that edge.

Bruno Tonioli said he “kicked ass,” Carrie Ann Inaba said he’s a “roadrunner,” and Len Goodman said it was “wild but clean,” (high praise from Len). In fact, he was inspired to “dust off” his 10 paddle and Aaron was given his highest scores to date: 9-10-10!  I said it before and I’ll say it again: this kid has it.

Kelly Osborne finally broke through last night after her initial amazing performances followed by a 5 week slump. As I watched her rehears with Louie Van Amstel and cry and stomp and get frustrated, all I really wanted this girl to do was R-E-L-A-X!! I can’t say what’s going on with her, but what I see is a girl who is letting her nerves and frustration get in her

Kelly and Louie week one (photo courtesy of ABC)

Kelly and Louie week one (photo courtesy of ABC)

way of letting the natural dancer out (because she is a natural dancer). Her Salsa was refreshing and cheeky, and free from odd faces she makes whenever she stumbles.  The judges were very happy with her performance and said she had mastered her nerves, but NOW needed to bring her technique up a few notches.  I’m looking forward to even better performances from Kelly, as she was an early favorite of mine after her week 1 performances.

Other dances of note were Mya and Dmitry Chaplin’s Foxtrot, which really had old school hollywood style and grace, and Donny and Kym Johnson’s Quickstep, which Donny performed so well, I missed ALL the mistakes the judges say they saw.

Who will be eliminated next?  Watch tonight on ABC to find out!

Dancing with the Stars: My boy Aaron needs LOVE

October 27th, 2009 by soullldiva

Ok, I have to vent my frustration on this.  If Aaron Carter doesn’t escape the bottom two in the elimination tonight on Dancing With the Stars, I’m going to lose it (if only temporarily).  This kid has busted his buttinsky in more ways than one.

His waltz last night with Karina Smirnoff was in my opinion the best waltz of the evening.  And even though their score was good (and yielded a 9 from Len Goodman), Joanna Krupa got a better score for hers.  It was good, but I absolutely don’t think it had what Aaron and Karina’s had: heart, love, passion, sweet smoothness. Kudos to Karina for excellent choreography, and to Aaron for really making a connection with her and becoming a MAN in this dance.  Give this guy credit America!! Nuff said.

Safe to say that Donny Osmond and Kym Johnson’s jitterbug was the hit of the night, in a sea of “careful” jitterbugs. Even so, they did not yield the scores they did last week for their excellent tango.  Donny is a true showman, and his showmanship coupled with Kym’s spirit and clever choreography make a winning team.

The addition this year of a “Marathon Mambo” really added something to the show. You get to see what a regular, general ballroom/latin competition looks like, with many couples peppering the floor and being removed one at a time. With Derek Hough being a former world champion in Latin American Dance, it was a cinch that they would win it, although I had to give props to Mya and Dmitry Chaplin and Aaron and Karina.

It will be an interesting elimination show tonight!!