Tonight on Dancing With the Stars they are continuing with themes and rolling out “Movie Night”–a theme with great possibilities. We’ve already seen The Mask from Julianne and Helio, and Star Wars from Kym and Joey (seasons 5 & 4), which were absolutely unforgettable. Can we hope for some more unforgettable dances tonight? I really hope so!

So a few dances in and everyone is doing fine, I’m just not very…excited. The scores are a little on the low-end as well. When will I sit up in my seat and my pulse quicken?

Here comes Erin and Maks! They’re doing their ode to Pulp Fiction, Uma Thurman/John Travolta and the Jack Rabbit Slim’s twist contest. Here is some fun, excitement and great dancing. I thought they did really well, even if there is a little too much cute bickering before in the rehearsals (but are they really dating? That’s the rumor…). They are basically saying there’s something going on, but being very coy about it. Judges’ Scores: 8-7-7

And surprise, surprise (for me), Jake and Chelsie’s tribute to Risky Business was also really fun and well done. I think Jake is a real underdog that might last a while more. I was delighted to see that he did the first 8 bars without pants–a true ode to that iconic image of Tom Cruise from the movie. Judge’s Scores: 8-7-8 (big improvement for him)!

Pam and Damien’s Quickstep to “9 to 5″ (from the movie of the same name) was amazingly cute and Pam is improving even more, every week. I felt that the dance itself had odd musicality with the song, but what do I know–pretty much nothing about the Quickstep. Oh, and Len blasted them for waiting to dance for 16 bars (big no-no in Len’s book). Judges’ Scores: 7-6-8

At this point with Kate (SAVE TONY!!), I am fed up and really tired of watching her. I have never felt this negative about a star on Dancing With the Stars before, and it brings me down, man, and I don’t LIKE being negative. The show would feel so much lighter without her (hint hint, America).

Nicole and Derek bring me back up to happiness with a truly amazing (and really really fast) Tango to “Pretty Woman” (from the movie of the same name). Their cute little comedic timing bits fit in really well with the lightning quick movements–and also made the slow moments matter even more. Super work from the two of them. Judges’ Scores: 10-9-10 (woo hoo)!

Finally Evan and Anna’s Rumba to “Don’t Wanna Miss a Thing” from Armageddon. FINALLY a Rumba costume that I actually like!! Let me tell you, Evan knows how to do lines and arms like nobody’s business. His hips are good, but could use a little more looseness, but I’ll take it. Gawd, I love that dress. Judges’ Scores: 9-9-9

I know I didn’t talk about everyone, but I just want to leave the other dancers be, especially since my favorite, Niecy hasn’t done well for the judges two weeks in a row. If you have a spare vote, she could use it!

Who will be eliminated tomorrow night?  Will Kate survive another week to whine more? Will underdogs Pam and Niecy stay out of the bottom 3? Let’s all tune in to find out tomorrow night on ABC.

Oh, it was SUCH an interesting week on Dancing With the Stars. And we’re only in week two! I don’t think I’ve ever seen so much drama from both stars and pros. Tears, walking out, and little pouting rounded out the week. Frankly, it kind of exhausted me to just watch it.

In these early weeks with so many stars, I like to look back at all the dances and think who I am going to vote for. And THAT’S who I’m going to highlight in my post. We’ll see if that surprises and intrigues you. Hopefully so.

Once again, I was surprised by Shannen Doherty. She can dance, even if she throws hissy fits every once in a while. It’s good for her partner Mark Ballas to push her into doing the harder stuff, and it shows in the performance. Their Jive was super hard, and she had fun doing it and really engaged the audience. Plus I loved her outfit. She just needs to be a little sharper in those flicks and kicks. Judges’ scores: 7-6-7

Nicey Nash did not fail me, she is still my favorite star on the show. Her ability to handle everything with charm and humor really helps her get through her rehearsal time (“When did I become a white man?” she quips when partner Louis Van Amstel tells her he wants to be her “mirror”). Could she do as well in her Foxtrot as she did in her Cha Cha Cha? Their performance was light, airy, used a great song (“I Love You I Do” from Dreamgirls), had great choreography and was just lovely. Carrie Ann made the comment that Nicey knows why she’s moving. It’s the difference between “I’m pointing right at you!” versus “this is the part where I lift my arm up because my pro told me to.” A++ in my book! Judges’ Scores: 7-7-7

It seems that Erin Andrews has real dancing talent and ability. Her solo moments in her Foxtrot with Maks were so really amazing, I almost couldn’t believe it. For someone with no prior dance experience, for her to turn with those lovely arms is a testament to natural talent (and I will give credit to Maks, too). Usually someone does well in the beginning, but the arms are limp, or the toes not pointed, knees bent, that sort of thing. She was really stunning, and their Foxtrot was sweet. Judges’ Scores: 8-7-8

Pam Anderson–darn if she doesn’t know how to get a character (and I’ll grant you Marilyn Monroe isn’t a stretch for  her) and keep it in, even after the dance and getting her scores. First of all, you will probably never see one moment of drama from this woman. She really knows how to just try things, do it or mess up and go on with a little giggle. She looked lovely and like a dead ringer for Monroe. Their Foxtrot was solid and very good. Smooth, easy, sexy and smashing. I loved it. And Tom Bergeron said her Marilyn was so good that “a bus load of Kennedys just showed up.” Judges’ Scores: 7-7-8

And those were my votes for the night. Needless to say, I don’t care for drama very much and found myself rolling my eyes a little bit. Of course, I am not in their shoes and putting it all out there for the world to see on the dance floor. But some of it’s just necessary. Yes, I’m hinting at Kate and Tony. Tony was the big man there and accepted responsibilty. But really, no more, please.

You may ask “But why is she not talking about Nicole and Derek’s Jive?” Yeah, wow! Two 10′s in the second week! Technically well done, sharp, sexy, and the audience loved it. For me, though, it wasn’t really exciting. It was unbelievably fast, in my opinion almost too fast. Too frenetic, too pushed. I dunno, I just didn’t get it. Nicey’s Foxtrot was so much more enganging than Nicole and Derek’s Jive. But that’s just my opinion, let me know what you think!

Who will be leaving the ballroom in the first elimination? We’ll all have to wait until tomorrow!

This dance doesn’t have any stars in it (well, so to speak). This is one of my all-time favorite dances on the show and it really illustrates what dance is all about for me: fun, joy, spirit of play, excitement, energy and enthusiasm. Back in season 7 DWTS did the first Macy’s “Design A Dance” contest, where the viewers chose the pros they wanted to see dance together and even designed the costumes they would wear (gosh, my memory faults on this, but I think they picked the song and dance style, too).

The viewers spoke: sister and brother Julianne and Derek Hough would perform a Jive together to “Great Balls of Fire”. Now, I thought in the beginning that it might feel odd to watch a brother and sister do a partner dance together. But in all probability, they have been dancing together since they were toddlers (what, 12 years ago??;o). Let me tell you there was absolutely NO oddness whatsoever. All you see is their huge love and admiration for each other, and that they really LOVE playing together. What’s even better is that Julianne can keep up step for step with Derek’s tendency to really ham and hog it up (don’t get me wrong, I adore it).

This Jive was amazingly hard and full of stunts and jumps. And it went on forever. Every second of it is good. Plus–Julianne’s outfit designed by viewer Kelly Keelie Maitin (sorry if I’ve spelled it wrong) was amazingly cute with that big red bow perched on her behind and little skirt with the piano keys. And I WANT a pair of those spectator T-straps!

They’re simply two really fine dancers and this dance is a joy to watch. Enjoy!

Oh, and countdown to Season 10 cast announcements: only FOUR days away! Can’t wait! ;o)

I apologize heartily for my absence, but I realized as I got to my lovely, little old 92-year old Grandmother’s house on Monday that I did NOT have internet connections! So, a tiny break for me ;p

I always like a little tongue-in-cheek with my dancing on occasion. And in season 8, Lil Kim and Derek Hough dished that up with their “Jailhouse Rock” Jive. If you’re not familiar with Lil Kim, the rap artist had been in prison in 2005 for perjury and conspiracy.

So, imagine how much I giggled when the roles were reversed and Kim was the prison matron and Derek the inmate!

How cool is it that they went to the Hot Rod show at Bob’s Big Boy in Toluca Lake, CA (practically right around the corner from me)? Awesome.

I thought Lil Kim looked so cute in her outfit and she danced well. The jive is all about speed, kicks and flicks and she delivered. And the judges loved it with a 10-8-10.

Derek and Kim were very well matched, not only in stature, but with personality. Kim and Derek are both boisterous, dramatic and larger than life. I really didn’t think that Kim lasted as long as she should have. Here’s Kudos to her!!

**SPOILER ALERT**

The night opened with a sexy Top 18 (why not 20?) super hot group dance choreographed by Kelley Abbey and set to “Scared of Me” by Freddie le Grand. My husband even walked by and was distracted by the stockings and garters. “Ooh, those are hot.” Add a red chair to any dance and I’m a happy girl.

Next come the start of the judges favorite dance picks of the season:

Lil’ C’s dance choice is Kevin, Legacy and Russell dancing a NappyTabs Hip-Hop to “Beggin” by Madcon. Even better the second time around, Russell ruled it (of course) and I really love that song.

Adam Shankman: Ellenore and Jakob dancing a Sonya Tayeh Contemporary piece to “Tore My Heart” by OONA & Dave Tweedie. Great choice and I remember him practically orgasming over it last time. This is just a great piece. Love the post at the ending.

Nigel Lythgoe: Derick K. Grant tap number with Philip, Peter and Bianca dancing to “Take the A Train” by Ella Fitzgerald. I love that three, let alone one tapper was in the top 20. Tapping is just a really great form of dance that is not appreciated enough in today’s dance world of extreme acrobatics and hip-hop. However, it doesn’t seem to translate to television the way other dance forms do. So sad.

Mary Murphy breaks the “rules” this time around, and instead of picking the Contemporary piece that Ryan and Ashleigh danced last night, she got them to choreograph a Jive routine themselves. She’d waited all season long to see them dance together and was disappointed they didn’t draw a ballroom style. Their Jive is definitely good, but not nearly as compelling as their contemporary piece from the night before.

Next, guest dancers the Groovaloos perform a street hip hop number. This is a fun, great piece and the breakdancing moves are stylin’!

Continuing with Judges’ Choice, Nigel picks the Dwight/Desmond Contemporary piece with Kathryn and Jakob set to the fabulous song “At This Moment.” Brilliant.

Tyce DiOrio picks the Bollywood number that Nathan and Mollee did wayyyy back when. Ah, the two kids back together. I think that this and their Can Can routine were their best things as a couple.

Then, unfortunately, is about a minute of confusion as quite a few things happened: Cat’s mic went on the fritz and we couldn’t hear anything, then three finalists came on the stage, and Cat is given a hand mic which she starts asking “where’s everybody else, ” and “what’s happening here?” Then we see Russell limp on under Ryan’s help, unexplainedly in pain and tears. He’s hurt his leg. Cat deftly assures him that they will get him help. Then, with pretty much no ceremony Ryan is named 6th runner up. They cut to his video package which really shows him off. I always really liked him, for his dancing and especially for how much he loves his wife (awwww).

After the commercial, Adam Lambert comes on and we don’t get an update on Russell. Adam really smokes, and I talk with my husband about his really hip look, which he dubs “Rockabilly/Metal and Billie Holiday mixed with Freddie Mercury.” I love my husband, he’s so with it.

The five finalists come back on stage, Russell on a stool. The 5th place dancer is named: Ashleigh. Her video package is super hot and I for one am glad she overcame her illness to get back into dance.

Next Shankers picks the Ellenore/Legacy Travis Wall Contemporary. I didn’t care much for this the first time around, but seeing it again in a new unit of time endears it to me more. Very innovative, and as Adam said, had risk, danger, chemistry out the butt. He predicts an Emmy award for Mr. Wall.

Ms. Debbie Allen picks the African Jazz piece choreographed by Sean Cheesman for Noelle and Russell. Because Russell is injured, they go to the tape of the dance. Too bad for Noelle, she doesn’t get to do this again. I really loved this piece when I saw it the first time (the Frog Dance, it’s called), and the bit where they clamp onto each other, Noelle’s head down between his legs and flip end over end over end was amazing. Love it.

The four remaining finalists are on stage and they announce the 4th runner up: Ellenore. Her video package just reminds me how original she is, very unusual and quirky dancer. The dance world needs more of her.

After the break, Lil’ C makes his next choice, one the dancers had to “wring themselves dry” for, a Tyce DiOrio Contemporary way back from “Meet the Top 20″ and Nathan, Jakob, Channing and Ariana. This piece is good and each dancer shines in it. But with the four dancers shooting across the stage constantly and jumping up on each other all the time I found it a little hard to focus on.

Next Mary picks the red hot Hip Hop NappyTabs choreographed for Kathryn and Russell from the previous night. Smokin, I mean really. This, of course, is from tape as well.

We’re back from the commercial break, and Mary J. Blige takes the stage, looking absolutely classy. She performs “I Am.” This was really good, but why do they need clips of her videos in the background is more than I know. Hate that screen. H-a-t-e. Got it Fox? Good.

There’s time for one more judge’s pick, and Nigel goes back to “Meet The Top 20″ show and Wade Robson’s piece to the fantastically fierce “Comanche” by the Rebels. This is my absolute favorite group number of the entire season, it just combines so many elements that I adore. Thank gawd they played it again. 60′s style dance, dancers having sound while they dance (“shi-kah!”), girls in satin skirts slit up to their coochies, guys dancing tough as nails, hot and loud sax (yes, I said SAX), clapping, snapping, dance fighting, posing. Do I need any more??????

Ah, pause for a moment. While I watch the screen. OMG. Kathryn is just named 3rd runner up! I really don’t believe it. I really thought she was going to take it. Oh!! Wow, this is a complete surprise for me. After her video package she’s crying and her voice does NOT go up, good girl!! She’s beautiful, beautiful, beautiful and I wish the best things for her.

Ok, recover after that moment.

After the break, Jennifer Lopez reclines in a large silver stiletto on stage. Pretty neat. She calls–SANTA! Very cute. And I love her rhinestone tights. She looks fab and dances great and is probably lip-synching. Who can blame her with all the dancing?

Now it’s time to get down to business. Jakob and Russell come on stage. Well, Russell with Jakob’s help, that is. A few words about the show, dance and America winning as well as the winner of the show. We get to see a video package for both Russell and Jakob. They are really great to look back at, and we get to see Jakob do that amazing jete another 5 more times. Pure Poetry.

The boys look happy and anxious as we come back, and Cat starts her patter. The envelope snaps open. America’s Favorite dancer IS: Russell Ferguson! And BOY is he happy and grateful (and shirtless). He thanks everyone  and says that he has dreamed of this since he was born (“I came out like–what!”).

Well he deserved it. And I picked the winner! Woo Hoo! Well, I know I said that Kathryn would probably get it, but I wished in my heart it was Russell. Yea for America, you voted well.

LONG LIVE DANCE!

Until season 7 of SYTYCD, I’ll be here continuing Dancemomma coverage of dance around the world. Goodnight.

(Images courtesy of FOX Television)

The game changes once again on Season 6 of So You Think You Can Dance: America votes and the bottom two dancers go home. No more “dancing for your life” for judges Nigel Lythgoe, Mary Murphy and Adam Shankman. That’s it, bye-bye. Kinda sad, considering how hard these kids have worked to be where they are right now. BUT–the show must go on.

Tonight there were sure fire hits and clear misses. There were new partners teamed up, and everyone danced a solo. It was a fast-paced, jam-packed night.  We even learned more about the dancers’ families (always good for a little water in the eyes).

The first hit of the night was Noelle and Ryan’s Hip-Hop number, a clever, flirting-in-the-office scenario. It was cute and sexy, with a lot of great lifts and holds. I felt that Ryan committed to the movement a bit more than Noelle, although she did rather well, too. Overall just a solid piece from the two of them.

The first miss was Ashleigh and Legacy’s Contemporary number, created by Australian choreographer Garry Stewart. This was hard hard hard, and although they worked their butts off, it never quite left the ground. I’ve seen Garry’s company perform before, and this combat-style dance is just not my thing. I saw the potential in the movement, but unfortunately for Ashleigh and Legacy, they couldn’t quite fulfill it. Legacy’s handless headstand at the end rocked, however.

The next hit was Kathryn and Nathan’s Broadway number, which just sang. This was a pretty good pairing, with Kathryn completely shining like a diamond in this style (not a bit of the girlish dancing she got criticized for last time), and Nathan grew up a tad more. They worked well together, very smoothly, even though they could have had more of that “Broadway connection” as Shankman pointed out.

Ellenore and Jakob had a hit with their sweet Quickstep which started a little slow for me but the last quarter picked up immensely and was just lovely. Very good pairing and job well done on this difficult dance.

The surprise hit of the night was Mollee and Russell. Their first number was a Lyrical Jazz. These two really melded well andcomplimented each other.  Russell once again showed his talent for excelling at other dances and Mollee grew more womanly beside her new partner. The dance started off with a lot of holds and lifts but really took off after that, and had a fab move where they linked elbows and he pulled her to spin in the air across him.

Not decided on whether Noelle’s and Ryan’s Smooth Waltz was a hit or miss, as Waltz is just not my favorite, but Ryan sure knows how to waltz across the floor with power and grace. There were great lifts and spins at the end and they were sweet and elegant together.

Very unfortunately for Ashleigh and Legacy, their Hip-Hop was a miss as well. If I could have shook my finger at choreographer Dave Scott I would; how can you POSSIBLY waste Legacy’s talents in a friggin Hip-Hop number?!? And what’s with the cape?  Just weird and disastrous for what could have been a great piece.

Although they get an “A” for huge effort, Kathryn’s and Nathan’s Rumba was a miss for me as well, and simply because they did not connect on a romantic level. Good moments, but a tough one.

The official hit of the night was Ellenore and Jakob’s Sonya Tayeh Contemporary number that was full of power and passion. Their head to head walk across the stage sizzled; here was fantastic chemistry. Plus, their acting chops were really tested as well, and everything was believable. Ellenore and Jakob delivered like no one else. Fabulous!

The last dance of the evening was a hit: Russell and Mollee’s Jive. Super super fun fun from these two. Mollee grew up yet again, and Russell just continued to show his spirit of play as he danced. Strong flicks, fast kicks and a great song choice. How can you go wrong with “Land of 1000 Dances”? Never, I say. Their flirty chemistry was brought to life on stage and this turned out to be a really great pairing.

The solos of note for me were predictable, and…not.

1. Russell: strong precision of movement and personality at the same time. Humor and charm.

2. Kathryn: this girl glows. Beautiful and full of joy. She is now officially on my list from last week.

3. Nathan: surprise for me, but he was so touched and emotional about his family, his dancing and beautiful turns shone. Good Boy.

4. Legacy: great mix of B-Boy moves and feeling. Really awesome.

5. Jakob: probably technically the best dancer here. His joints just are not glued! Wonderful.

I’m on pins and needles. Who will not get enough votes tonight?  I hope you all voted for your favorites!!

(Images courtesy of FOX Television)

*SPOILER ALERT!*

The three finalists: Kelly Osbourne and Louis Van Amstel, Donny Osmond and Kym Johnson and Mya and Dmitry Chaplin performed their last dances on the season 9 results show for Dancing With the Stars on Tuesday night. They chose their favorite dances from their 10 week run on the show.

Kelly and Louis chose their Viennese Waltz from the very first show. This dance always stuck with me because not only was it her first dance, she really declared herself in it.  Not only as a dancer, but as a  new person that people had not seen before. Their rehearsal/talk footage of their journey together was very touching; especially moments between the two of them where Louis expresses how proud he has been of her and the progress she’s made through the weeks (I even teared up).

Their waltz was even better than I remembered it, with more romance, love and grace. Bravo! The crowd chanted her name while the judges spoke to her.  She was definitely a crowd favorite. Even Carrie Ann Inaba cried a bit when she said Kelly was her favorite dancer to watch as she went on her journey.

Mya and Dmitry chose their Jive from week 2, and this was always one of my favorites from her (along with her Salsa from last week). Their dance was very cheeky and funny with cute characters.  This was a great one for them to pick.

Donny and Kym did their Argentine Tango, which continues to be one of my favorite dances of the entire season (along with Kym’s amazing dress). The two of them had real passion, connection and lust (and this from a happily married man from Utah??). Fantastic dance to end with as the evening progressed.

Unfortunately, the Judges did their ridiculous ranking again, like for the Megamix.  This just perplexes me, as it doesn’t give the stars any chance of getting the score that they really deserve. Maybe I was just pissed off that Kelly was ranked 3rd when she deserved more than 26.  In that moment, you could tell that Kelly thought she was not going to win. In an interesting turn, Donny and Kelly were ranked 1st with 30 points. Shades of things to come?

As the reveal of 3rd place happened, I was wiggling my toes and hoping against all hope that it was not Kelly and Louis. But unfortunately, it was, and although overall she was happy you could tell she was disappointed.  Who wouldn’t after giving it their all and doing so well?

They brought the two finalists upstage with the Mirror Ball in between them and the anticipation was so thick you had to swim through it. We waited with the heartbeat thumping…to hear Donny Osmond’s name called as the winner of the 9th season of Dancing With the Stars! This was truly a surprise upset, as Mya has consistently been the front runner to win the entire season.  What a great event, as not only Donny wins, but pro Kym Johnson gets her first and much-deserved win. I was so happy for her, she really deserved it! Mya was super gracious as she expressed how glad she was for Donny and how her experience on the show was amazing.

Donny was so happy and brought his entire beautiful (and huge) family on stage to share his victory. YEA DONNY!

I’ll be back with Dancing With the Stars coverage when they announce the new cast for the spring. But of course I will continue to with my normal dance posts. Ta!

(Images courtesy of ABC Television)

I always have mixed feelings about the finals.  I think I expect too much out of everyone, and maybe get disappointed. But I forget that these are the same people as before, just one more week along.  So logically, they are not going to turn into full-fledged pro dancers in 7 days (or really 5 days because that’s all the time they get). Tonight I watched with that in mind so I could really enjoy myself.  These three stars (and their pros) have really busted ass to get in the Finals and they deserved it!  Now I wanted them to show me the stuff!

First the stars did one last regular-style dance by themselves.  Kelly Osbourne was first with her Argentine Tango.  Now this is my favorite Ballrooom/Latin dance, and I was crossing my fingers that she would do well, and better than her last effort.  Fortunately, Carrie Ann Inaba made a visit to their rehearsal to give her some coaching specifically on her emotional connection with her partner.  This is something she has always needed to work on, even though Kelly is really “The Transformer” of the show.  She’s the one that’s come the farthest and really discovered dance.  But she has never quite had that connect with Louis Van Amstel that would allow them to play lovers.

Let me tell you she did NOT disappoint. Her footwork was excellent, lines were beautiful and they really smoldered when looking into each other’s eyes. It was the real connection this time, yea!  Strangely, this was the lowest scoring first dance of the night, with a 9-9-8, and I sincerely believe it was the best first dance of all three.  Maybe the judges were warming up or something.  The only big criticism that I heard was from Bruno Tonioli who said that Kelly’s “free hand” was doing odd things while she danced.  Ugh, whatever.

Next up was Mya. Len Goodman paid her and Dmitry Chaplin a visit as they rehearsed. Len’s intention as they practiced was to really push Mya to her limits in the Paso Doble. He even yelled at her about her kicks, that she could kick his upper hand out of the way. This is a great thing, because I have thought through pretty much the whole season that Mya was too cool of a cucumber, and never really revealing much or reaching her limits.

Technically, the dance looked good and had that measure of anger and sharpness that the Paso calls for.  But I really didn’t feel the passion that it needs.  The Paso is such a difficult dance to pull off and make look super spectacular in my opinion, you really need a variety of great moves coupled with a really great passionate anger with your partner. Nothing can hold a candle to Mel B. and Maks Chmerkovskiy’s Paso in season 7. Incidentally, Len mentions Mel’s dance in his critique of Mya, saying hers was up there. As you can guess, I do not agree. Judges scores: 10-10-10.

Donny Osmond was next with his Cha Cha Cha. Bruno made a visit to him and partner Kym Johnson to help sharpen up his technique enough to match his showmanship. This is great because Donny can always pull out a crowd-pleasing performance, but not be technically perfect. Bruno took him to task and really put him through his paces. Oddly enough, I didn’t see much evidence of this in his Cha Cha, where he did what seemed as little actual dancing as possible.  I thought I might be wrong, but my friend sitting next to me echoed my thoughts exactly. The judges seemed quite happy with it, so it’s possible I don’t understand the man’s role in the Cha Cha. Judges scores: 9-9-9.

A new element this season was the Megamix, where all three couples danced a “superdance” at the same time.  Three dances, same choreography (by Nick Kosovich from seasons 2 and 3). This, in theory, is a great idea, I always love the pro dances where up to 5 couples dance at the same time–but those are not PRO dancers.  Do you know how hard it is to have six people dancing in complete synchronization and stay in a specific formation?  HARD. I personally thought that the Megamix was a mess, and the girls outfits were rather unflattering and distracting. They combined Viennese Waltz, Samba and Jive which to me was rather jarring.

In any case, the stars seemed to enjoy themselves, which makes it all ok in the end. Mya came in first, Donny second and Kelly third for 30, 28 and 26 points respectively.

Lastly was the most anticipated dance: the Freestyle. They kept on saying that the Freestyle can make or break a dancer and they could win or lose the trophy with it.  I have to say, I completely disagree, and the Freestyle is always interesting to me, but NOT my favorite. I feel that the Freestyle is some odd excuse to trot out every single trick, lift and leap you’ve ever wanted to do.  It’s never simply been about dancing. Freestyles usually do not live up to expectations and don’t always get the best scores.

Kelly and Louis were up first with a disco Freestyle to Gloria Gaynor’s “I Will Survive”,which she had adopted as her theme song, just because her DWTS trip has definitely been an up and down one for her. Yet she still came out shining. Her dance was fun and free, with lots of smiling and singing along from her (which I love). Also thrown in were lots of tricks, not all of which were completely pulled off. But she smiled and laughed the whole way along and never gave up. This got her kudos from the judges if not high paddles. Judges scores: 8-8-8.

Mya and Dmitry did a puzzling Freestyle to “Can’t Stop the Beat” from Hairspray. I liked it a lot, mostly for the reason that they didn’t pull out every trick in the book.  It was good dancing, but not show-stopping.  And her outfit was super cute.  I think they should have gone with Mya’s out-of-the-box idea. Judges scores: 9-9-9.

Donny and Kym were last with what was the most entertaining Freestyle of the evening. Donny did what Donny does the best: entertain us with energy, enthusiasm and style (why didn’t everyone do that?). “Hollywood at it’s best, ” yelled Bruno.  Agreed. Carrie said his Broadway number went down into history with the best, including Drew Lachey’s “Save a Horse Ride a Cowboy” and Shawn Johnson’s Jabbawokeez-inspired Freestyle. Two really great ones in a sea of not really memorable Freestyles. Judges scores: 10-10-10. Well deserved.

The voting has been unpredictable this season. Almost as unpredictable as this season’s predictable winner. But the probability of Mya winning the mirror-ball trophy does not take away from the suspense.  Will the obviously enormous fan bases of Kelly’s and Donny’s come out screaming overnight to deliver an upset?  Even though all three stars have delivered a fantastic season (Mya included), I am keeping my fingers crossed for Miss Osbourne.  Nobody deserves the win more.

Agree? Disagree?  Lemme have it!!

The final five pairings: Mya and Dmitry Chaplin, Aaron Carter and Karina Smirnoff, Joanna Krupa and Derek Huff, Donny Osmond and Kym Johnson and Kelly Osbourne and Louis Van Amstel squared off and did two full dances this week, one Ballroom and one Latin.

This was a good, quality night for everyone, even with the flu still running rampant among the dancers. There was lots of dancing with medical masks and scarves on.

Mya and Dmitry turned in a really solid Quickstep that was super fluid and smooth.  The judges (Carrie Ann Inaba, Len Goodman and Bruno Tonioli) loved it with a 9-10-10 score. Their next dance was a 70′s Samba which the judges positively gushed over, giving it the first perfect 30 of the season.  Personally, it fell a little flat for me, as they slowed their song down quite a bit (Donna Summer’s “Bad Girl”) and that just took the party out of the dance. Overall, Mya has a very good chance in the Semi-Finals.

Aaron and Karina, dancing with face masks on to keep germs at bay, first performed their Foxtrot which on the whole was solid, but seemed a bit awkward at times and not as fluid as it could have been.  They did have a pretty cool move in the middle where in hold Karina turned and flipped her leg up and out; very nice. Next for them was a 90′s Samba which matched for Aaron well, as he had his hit single during that time.  They incorporated moves that he did for his song (the cowboy walk was seriously silly) and it turned out really good.  The Samba’s energy is perfect for Aaron and he really had the fierce, party feel during the dance.

Seeing that Aaron and Karina were in the bottom two last week, I really hope that his fans come out and vote for him to keep him safe and on to the Semi-Finals!

Joanna and Derek did a Quickstep for their Ballroom round which I thought was good, but Joanna’s arms and feet got “lazy” at times. Len thought it was not the standard for Quarterfinals. Ouch.  They then pulled a “Futuristic” Paso Doble out of the hat (yikes) and came up with a concept that was pretty sensational.  Cool makeup, lighted silver costumes and “Living on Video” (which ironically is from the 80′s) for the song. Again, Joanna’s arms and legs were a bit limp for my taste, not enough force and strength for the Paso, but the judges gave it a 9-10-10 score.  We’ll see how she fares for getting into the Semi-Finals.

Kelly and Louis were a breath of fresh air in the evening, with Kelly’s return to a traditional Ballroom dance since her first week. Gone are the nerves, she said, and they have turned to excitement. She’s a little girls who’s learned something new and she wants to show off.  Good!  This is what I’ve been waiting for with her! She danced her Foxtrot with Louis wearing that sweet, giddy smile on her face. Their performance was smooth, graceful and elegant, with a hint of naughtiness which is perfect for her personality. Carrie Ann had it exactly right about Kelly when she said” The moment you have a breakthrough the audience goes crazy.” I know I was hopping up and down in my seat watching her at home. Her scores for the Ballroom round: 8-8-9.

Next was a 60′s Jive for Kelly and Louis. They came up with some 60′s style movements that blended in very well with the Jive. Kelly’s flicks were sharp and quick and she turned in a super performance that was reminiscent of an Austin Powers number (which I adore). Plus, she’s whittling away that waistline and looked amazing in her outfit. Her scores improved this round with an 8-9-9. I’m keeping my fingers crossed for her and hope the voting goes her way for the Semifinals.

Donny and Kym did a Viennese Waltz for the first round which started a tiny bit sluggish but quickly gained momentum and excitement with their connection and Donny’s personality. Donny once again gave a first class showmanship performance, and Bruno commented that his Waltz played out like a “Lifetime Movie,” and as silly as Bruno’s comments can get at times, this one definitely hit the mark!

Their second dance for the Latin round was an 80′s Paso Doble. They picked a Dead or Alive song and dressed Donny up like Adam Ant which rocked, but unfortunately didn’t do great things for his lines during the Paso. The whole thing was kind of odd, even though it was pretty good. Once again Bruno’s comment rang true: “It’s like I was watching Donny playing Marie, playing Donny, playing Marie.” Looking at Donny’s makeup, you can see his point.

I think Donny is enough of a crowd favorite he’s secured his spot in the Semi-Finals.

Good luck to them all, tune in tomorrow for the results!

It’s getting down to crunch time on Dancing With the Stars.  Time to see who is really in for the long haul.

Last night each of the remaining stars (Mya, Aaron Carter, Kelly Osbourne, Joanna Krupa, Michael Irvin, Mark Dacascos, Donny Osmond) did one dance and a team dance where they performed with other couples, either the Paso Doble or the Tango.

In the individual dances, I was once again blown away by my “little” Aaron Carter.  Last week it was proclaimed that he became a man. He continued his journey tonight by turning in an amazingly energetic Jive.  As I watched this guy, I said to myself: “he WANTS this.” And I don’t mean just that mirror ball trophy.  I mean he wants DANCE.  He loves it, he loves getting it right then reveling in it and having fun.  Sure, he has his frustration moments, but that’s just because of his drive.  And as Michael Irvin told him early on in the competition when he was being beaten down, “there’s nothing wrong with being real and being serious about winning.” (great locker room pep talk Michael!)

Aaron’s Jive delivered fantastic sharpness and energy (essential in a Jive), plus great chemistry with Karina Smirnoff and the crowd. Their song happened to be “We’re Not Gonna Take It” by Twisted Sister, which added a great rebel attitude to their dance. The Jive takes real strength to make all those flicks hit with precision (and not look wimpy), and Aaron’s “young man strength”, coupled with the great precision workout she got him with Elite Athletics trainer Jade Molina gave him that edge.

Bruno Tonioli said he “kicked ass,” Carrie Ann Inaba said he’s a “roadrunner,” and Len Goodman said it was “wild but clean,” (high praise from Len). In fact, he was inspired to “dust off” his 10 paddle and Aaron was given his highest scores to date: 9-10-10!  I said it before and I’ll say it again: this kid has it.

Kelly Osborne finally broke through last night after her initial amazing performances followed by a 5 week slump. As I watched her rehears with Louie Van Amstel and cry and stomp and get frustrated, all I really wanted this girl to do was R-E-L-A-X!! I can’t say what’s going on with her, but what I see is a girl who is letting her nerves and frustration get in her

Kelly and Louie week one (photo courtesy of ABC)

way of letting the natural dancer out (because she is a natural dancer). Her Salsa was refreshing and cheeky, and free from odd faces she makes whenever she stumbles.  The judges were very happy with her performance and said she had mastered her nerves, but NOW needed to bring her technique up a few notches.  I’m looking forward to even better performances from Kelly, as she was an early favorite of mine after her week 1 performances.

Other dances of note were Mya and Dmitry Chaplin’s Foxtrot, which really had old school hollywood style and grace, and Donny and Kym Johnson’s Quickstep, which Donny performed so well, I missed ALL the mistakes the judges say they saw.

Who will be eliminated next?  Watch tonight on ABC to find out!