February 12th, 2010 by soullldiva

It’s kinda a bummer that a bunch of So You Think You Can Dance videos got taken down. I realize that Fox owns the show, so they get to do what they wish with them. Oh well.

This one from my favorites list is still standing, however, so I get to write about it. I swear, Cat Deely and the Judges couldn’t say “cheeky” enough while talking about this dance. From season 5, Evan and Randi performing a Mia Michaels contemporary to “Koop Island Blues”.

This is a decidedly lighter side of Mia, and I love that as much as her darker side. I’ve always adored mismatched couples, and that’s exactly what you see the first moment in the dance, especially with Randi wearing those stilletto platforms (those come off eventually) and towering a half a foot over Evan. You can just see this slightly dorky guy who can’t believe his luck to get this curvy, sexy bubbly girl on his arm. And of course, the focus of his admiration happens to be her behind.

Mia uses clever and cute choreography to illustrate this admiration and tongue-in-cheek”iness” abounds.

January 29th, 2010 by soullldiva

“I was born into the studio and all I really know is dance.”   Travis Wall

And know it well he does!  He didn’t win the So You Think You Can Dance title when he was a competitor on the show (he came in second to Benji Schwimmer), but who cares? Travis is now a permanent fixture on SYTYCD as a choreographer. Can’t get much better than that, huh?

He started in season 5 with Jeanine and Jason’s Contemporary number to Jason Mratz’s “If It Kills Me” (known as the locket dance), a really gorgeous dance full of dynamic, passion and a little bit of craziness.

A really, really, fine debut for the show and absolutely goes on my “Best of the Best” list. He went on in season 5 to choreograph the top 8 in a Jazz number to “Let it Rock” by Kevin Rudolph.

In season 6 he continued contributing with contemporary numbers for Ellenore and Ryan, Ellenore and Legacy, and Ashleigh and Ryan. But the one dance that I felt was forgotten too quickly was with Bianca and Victor very early on. Most likely because the dancers were among the first to be eliminated for the show. But their dance to “Wasted Time” by (goooorgeous) Me’Shell Ndegeocello worked very well, even for a tapper and ballet dancer. They have this very sensual moment where he holds her near the end and she body rolls against him so subtlety. They took time in the moments and I noticed.

Well done by all.  Thanks for some great dancing, Travis!

December 17th, 2009 by soullldiva

**SPOILER ALERT**

The night opened with a sexy Top 18 (why not 20?) super hot group dance choreographed by Kelley Abbey and set to “Scared of Me” by Freddie le Grand. My husband even walked by and was distracted by the stockings and garters. “Ooh, those are hot.” Add a red chair to any dance and I’m a happy girl.

Next come the start of the judges favorite dance picks of the season:

Lil’ C’s dance choice is Kevin, Legacy and Russell dancing a NappyTabs Hip-Hop to “Beggin” by Madcon. Even better the second time around, Russell ruled it (of course) and I really love that song.

Adam Shankman: Ellenore and Jakob dancing a Sonya Tayeh Contemporary piece to “Tore My Heart” by OONA & Dave Tweedie. Great choice and I remember him practically orgasming over it last time. This is just a great piece. Love the post at the ending.

Nigel Lythgoe: Derick K. Grant tap number with Philip, Peter and Bianca dancing to “Take the A Train” by Ella Fitzgerald. I love that three, let alone one tapper was in the top 20. Tapping is just a really great form of dance that is not appreciated enough in today’s dance world of extreme acrobatics and hip-hop. However, it doesn’t seem to translate to television the way other dance forms do. So sad.

Mary Murphy breaks the “rules” this time around, and instead of picking the Contemporary piece that Ryan and Ashleigh danced last night, she got them to choreograph a Jive routine themselves. She’d waited all season long to see them dance together and was disappointed they didn’t draw a ballroom style. Their Jive is definitely good, but not nearly as compelling as their contemporary piece from the night before.

Next, guest dancers the Groovaloos perform a street hip hop number. This is a fun, great piece and the breakdancing moves are stylin’!

Continuing with Judges’ Choice, Nigel picks the Dwight/Desmond Contemporary piece with Kathryn and Jakob set to the fabulous song “At This Moment.” Brilliant.

Tyce DiOrio picks the Bollywood number that Nathan and Mollee did wayyyy back when. Ah, the two kids back together. I think that this and their Can Can routine were their best things as a couple.

Then, unfortunately, is about a minute of confusion as quite a few things happened: Cat’s mic went on the fritz and we couldn’t hear anything, then three finalists came on the stage, and Cat is given a hand mic which she starts asking “where’s everybody else, ” and “what’s happening here?” Then we see Russell limp on under Ryan’s help, unexplainedly in pain and tears. He’s hurt his leg. Cat deftly assures him that they will get him help. Then, with pretty much no ceremony Ryan is named 6th runner up. They cut to his video package which really shows him off. I always really liked him, for his dancing and especially for how much he loves his wife (awwww).

After the commercial, Adam Lambert comes on and we don’t get an update on Russell. Adam really smokes, and I talk with my husband about his really hip look, which he dubs “Rockabilly/Metal and Billie Holiday mixed with Freddie Mercury.” I love my husband, he’s so with it.

The five finalists come back on stage, Russell on a stool. The 5th place dancer is named: Ashleigh. Her video package is super hot and I for one am glad she overcame her illness to get back into dance.

Next Shankers picks the Ellenore/Legacy Travis Wall Contemporary. I didn’t care much for this the first time around, but seeing it again in a new unit of time endears it to me more. Very innovative, and as Adam said, had risk, danger, chemistry out the butt. He predicts an Emmy award for Mr. Wall.

Ms. Debbie Allen picks the African Jazz piece choreographed by Sean Cheesman for Noelle and Russell. Because Russell is injured, they go to the tape of the dance. Too bad for Noelle, she doesn’t get to do this again. I really loved this piece when I saw it the first time (the Frog Dance, it’s called), and the bit where they clamp onto each other, Noelle’s head down between his legs and flip end over end over end was amazing. Love it.

The four remaining finalists are on stage and they announce the 4th runner up: Ellenore. Her video package just reminds me how original she is, very unusual and quirky dancer. The dance world needs more of her.

After the break, Lil’ C makes his next choice, one the dancers had to “wring themselves dry” for, a Tyce DiOrio Contemporary way back from “Meet the Top 20″ and Nathan, Jakob, Channing and Ariana. This piece is good and each dancer shines in it. But with the four dancers shooting across the stage constantly and jumping up on each other all the time I found it a little hard to focus on.

Next Mary picks the red hot Hip Hop NappyTabs choreographed for Kathryn and Russell from the previous night. Smokin, I mean really. This, of course, is from tape as well.

We’re back from the commercial break, and Mary J. Blige takes the stage, looking absolutely classy. She performs “I Am.” This was really good, but why do they need clips of her videos in the background is more than I know. Hate that screen. H-a-t-e. Got it Fox? Good.

There’s time for one more judge’s pick, and Nigel goes back to “Meet The Top 20″ show and Wade Robson’s piece to the fantastically fierce “Comanche” by the Rebels. This is my absolute favorite group number of the entire season, it just combines so many elements that I adore. Thank gawd they played it again. 60′s style dance, dancers having sound while they dance (“shi-kah!”), girls in satin skirts slit up to their coochies, guys dancing tough as nails, hot and loud sax (yes, I said SAX), clapping, snapping, dance fighting, posing. Do I need any more??????

Ah, pause for a moment. While I watch the screen. OMG. Kathryn is just named 3rd runner up! I really don’t believe it. I really thought she was going to take it. Oh!! Wow, this is a complete surprise for me. After her video package she’s crying and her voice does NOT go up, good girl!! She’s beautiful, beautiful, beautiful and I wish the best things for her.

Ok, recover after that moment.

After the break, Jennifer Lopez reclines in a large silver stiletto on stage. Pretty neat. She calls–SANTA! Very cute. And I love her rhinestone tights. She looks fab and dances great and is probably lip-synching. Who can blame her with all the dancing?

Now it’s time to get down to business. Jakob and Russell come on stage. Well, Russell with Jakob’s help, that is. A few words about the show, dance and America winning as well as the winner of the show. We get to see a video package for both Russell and Jakob. They are really great to look back at, and we get to see Jakob do that amazing jete another 5 more times. Pure Poetry.

The boys look happy and anxious as we come back, and Cat starts her patter. The envelope snaps open. America’s Favorite dancer IS: Russell Ferguson! And BOY is he happy and grateful (and shirtless). He thanks everyone  and says that he has dreamed of this since he was born (“I came out like–what!”).

Well he deserved it. And I picked the winner! Woo Hoo! Well, I know I said that Kathryn would probably get it, but I wished in my heart it was Russell. Yea for America, you voted well.

LONG LIVE DANCE!

Until season 7 of SYTYCD, I’ll be here continuing Dancemomma coverage of dance around the world. Goodnight.

(Images courtesy of FOX Television)

December 16th, 2009 by soullldiva

Whew! What a night! Nine, count ‘em, nine dances: bam, bam, bam, bam! Very exciting and breathtaking, I could barely take it all in. For sure there was absolutely no bad dancing tonight, just a lot of shining, and some instances of brilliance. Shall I recount? Let’s get to it then.

With absolutely no pomp and circumstance at the intro, we went directly into an absolutely sizzling Samba from Ryan and Kathryn. They crackled like they did last week with their Cha Cha Cha, again with choreography from Jason Gilkison. Fantastic, exciting and dynamic with the slow lifts and arabesques in the intro that flowed right into the frenetic sexy gyrations for the main part of the dance. And the lift/throw of Kathryn over Ryan’s head to land on his back was completely jaw dropping. Bravo.

Next was Ellenore and Jakob with a Tyce DiOrio Broadway routine, a classic Fosse number “I Gotcha.” A classic, was classy and had a ton of class and style. Fosse choreography is a fave of mine just because Bob thumbed his nose at the dance establishment when he started as a dancer. He didn’t have perfect turnout, so he turned his toes IN. Ellenore’s style really matched this dance and she and Jakob oozed charisma, almost like a machine. It was quite mesmerizing to watch. This piece was hip and happening.

Ashleigh and Russell came next with a Sonya Tayeh Lyrical Jazz piece that was beautiful and flowy, with Russell playing a troubled man with his guardian angel Ashleigh helping guide him. I really liked this piece conceptually, because there was a great reverse flow with Ashleigh doing much of the catching/lifting/throwing/carrying as she attempted to help Russell. And Russell was also just stunning with his portrayal of anger and passionate frustration. There was a measure of Russell’s “style” thrown in to pique interest. Great story and excellently danced.

Ellenore and Ryan had what was my least favorite piece of the evening, a very odd yet facinating Jazz routine from Gary Stewart. This dance once again suited Ellenore’s style as it was quite robotic and quirky in it’s movements. I saw what the choreographer was trying to do with the interesting way the dancers would connect with their legs and arms into the next movement, but it was completely devoid of any emotion. A for effort!

Ashleigh and Jakob were up next with a really solid Fox Trot. Nothing extraordinary here, just really great fox trotting by both of them. It always seems like Jakob wouldn’t be able to be a good lifting partner, just because his body seems a tad slight, but he is always a really fine and strong partner for the girls. Looks can be deceiving, I guess. They both sparkled in this and looked like they had a lot of fun. Plus, any time you use a song with the singular voice of Eva Cassidy (unfortunately no longer with us) I’m happy as a clam.

Next was a fantastic Paso Doble from Jason Gilkinson for Ellenore and Russell. Ellenore had fire from the get go with her silohette against the red screen background (the one good use of that damn screen that I wanted them to just completely turn off this entire season), arching backwards and doing the Spanish hands. This was a great choice in music as well, from the Blood Diamond soundtrack. The two of them danced it fast and hard and were right there with each other for that push and pull the Paso calls for. The last moment was milked for every dramatic second as he landed over her on the ground. Solid work by both!

Then–Kathryn and Jakob practically stopped the show with their Contemporary number (choreographed by Desmond Richardson and Dwight Rhoden of Complexions Dance fame). Their music was “At This Moment”, covered by Michael Buble. The beginning seemed to be reminiscent of a slow dance with all it’s continual swaying lifts in the beginning. Then it broke out of that and told a story of a frustrated and heart-wrenching relationship. The choreography was phenomenal and VERY physical. They had this great moment where they stopped and looked across the stage at each other, really made contact, then proceeded to fall to the ground on top of each other and roll across the floor. Emotion was translated directly into movement and I love to see that. Bravissimo.

Then came the dance I was waiting for: married couple Ashleigh and Ryan doing a Travis Wall Contemporary. I was glad they drew this, because it was a very special dance for them. It was pure love and pure loveliness. I mean really, you could see joy oozing from them from getting to dance together again after so many weeks of being paired with others. They danced the beautiful, flowy movements like they were alone in the studio together and had only eyes for each other, no distractions. Perfectly synchronous and completely in touch with each other. I don’t think I was paying particular attention to the choreography itself, which to me means that it was perfect because it simply conveyed the emotional, tender moment between these two. Sentimental sigh. Ok, I’m done with that, if you’re allergic to sugar ;o)

Russell and Kathryn were the last of the evening with a NappyTabs Hip-Hop number. All I can say is Russell f-in’ R-O-C-K-E-D!!! AND-and Kathryn was with him there every step of the way, giving it as fast and hard, down and dirty and street as he did (this is the girl who at the beginning would cry at the drop of a hat, her voice going up all way high and annoying? NO!). Russell was able to put the most of his Krumping style into the movement, and I’m sure Tabetha and Napoleon encouraged him in this, because it just made him shine like the sun. They were perfectly in synch with each other and kept eye contact the entire dance, and seemed to say to each other “woo hoo, SOOOO fun!” Really exceptional, probably the best NappyTabs number of the season, and a great way to end the night.

At the end, I perculated. I didn’t want to limit myself in voting, I thought the entire night was fantastic and everyone did amazing things and danced better than they ever had. I originally had thought that nine dances was overkill and the top 6 instead of top 4 kinda ruined things. Not so. I salivated for every dance and was exited at the dance after dance after dance way the show was presented. What a treat to get to just see so many different stylels of dance, choreographed by masters and danced by the next wave of stars. You don’t get that every day.

Last week I voted for everyone. But this week I said to myself, just off the cuff, which guy and which girl would you vote for? And my answer came fast and easy: Russell and Kathryn. And there you have it, my votes. And if you pinned me down to choose MY winner? Russell. I have a feeling though, from America. I think Kathryn McCormick is America’s Favorite Dancer. And she would absolutely deserve it.

Aside from my musings, who will win tonight? Who knows? You have to tune in and watch the 2 friggin’ hour, star-studded finale to find out. And I’ll be right there with ya.

(Images courtesy of FOX Television)

December 9th, 2009 by soullldiva

W-O-W, what an evening last night on So You Think You Can Dance!

The Top 8 were set to perform, and right off the bat I was super confused. Wait, what’s going on? Something’s wrong. Then I saw it: Ashleigh did not do her beginning solo. What had happened? Host Cat Deely took a few moments before calling Ashleigh to the stage, and she walked on with her arm in a sling. Oh, injury. How really, really sucky. Apparently she completely dislocated her shoulder that very day doing a dress rehearsal, and was not being cleared by the doctors to dance. And boy, did she want to dance. But she kept it together, and after the next break she came back on stage to give her 888 number, asking for votes. This is really a sad predicament for her. Can her performances and hard work from the past weeks keep her in this competition? I put her in my “long haul” list, and I really hope so. It will be very interesting to see how the results unfold tonight.

On with the night, Ryan and Kathryn were up first with a Dori Disco routine. This is another great pairing, with a fun and difficult routine (and the Discos are usually ball busters). Kathryn looked SO gorgeous in her skimpy halter dress (which, interestingly enough was Dori’s doing, I didn’t realize that the choreographers had a huge hand in the costuming, interesting!). Ryan looked…well, disco-y. They did excellent work together and looked like they were having a ball, especially Ryan. He’s such a great partner-ing partner. Kathryn kicked butt and did super well in this new style for her.

Next was Molle and Jakob with my favorite Viennese Waltz–EVER. I’m serious, here, this is a wonder to behold. Fresh, young, full of breath and life. Thank you choreographer Jason Gilkison!!! And thank you to Mollee and Jakob for dancing a picture of young love in springtime, with very intricate steps, fast and energetic (not your usual Viennese Waltz, I’m telling you). They had a beautiful connection, and looked beautiful, Jakob in his white pants/vest/shirt and Mollee in her white blouse and ankle-length sunny yellow pleated skirt, complete with a bow in the back. Fantastic, on all sides, and even though this was only the second of 8 dances, I am not afraid to say my favorite of the night!

Another potential power couple was next: Ellenore and Legacy. They got Travis Wall and a Contemporary number that I was SO excited to see from the rehearsal footage I could taste it. Travis had a concept of two killers that are married and want to kill each other at the dinner table. Very “Mr. and Mrs. Smith.” Unfortunately, for me this was a little to literal in the fight choreography and a bit one note. I saw a lot of hate and anger and not much lust/love, which it absolutely could have had (would have made for a better dynamic). They used a napkin for most of the dance and traded it back and forth during moves, which I thought was just distracting. And Ellenore’s dress was awful, just looked like two strips of fabric. OK! That said, they danced it extremely well, were very fearless with difficult moves and nearly impossible timing, and they did have a good connection.

Then came Russell and Ashleigh’s Shane Sparks Hip-Hop number. The rehearsal footage showed fantastic clips of Shane teaching Ashleigh how to shake her booty. Super funny! Looking back ( I watched it a couple times), this was probably the BEST Hip-Hop dance of the entire season, very “old school” as judge Nigel Lythgoe said. Russell just exploded off the stage with energy, enthusiasm and smiles. He shines like a star and does excellently. Unfortunately, his partner was so distracting because she was not nearly the caliber of dancer that Russell is (or Ashleigh for that matter). And I thought that was odd, considering she’s Shane’s assistant. Oh well.

Mollee’s solo is the only solo I’m going to mention in this post. And why? Because SHE ARRIVED. To the show, to her womanhood, to the party. I saw this girl for the first time this season with her solo to Alicia Keys’ “Heartburn”, which she also sang along to during her dance. Now, I will say that she had improved last week with Russell and was stunning in her Waltz with Jakob earlier in the night. But this is a dancer who made an entrance here, and I was riveted. She flirted, had fun, flipped and twirled and had me wrapped around her finger. Yeah, this is what dance is all about! Well done to her.

Whew. I get no downtime as Kathryn and Ryan are next with a Jason Gilkison Cha Cha Cha. I learn that Jason is responsible for Burn the Floor, currently on Broadway (where have I been?), no wonder he’s standing out for me. And know how I said his Viennese Waltz was the best I’ve ever seen? This Cha Cha Cha is the BEST Cha Cha Cha I’ve ever seen (enough Cha’s for ya?). Jason rocks the Casbah, baby, I’m in love. I was glued to the screen during this dance, it amazed me. Kathryn and Ryan had a hot chemistry and connection, flirt-y sultriness. Ryan looked so hot in his hat and suspenders, and Kathryn was SO sexy in her fishnets and feathers–great use of feathers, by the way, long straight ones as a skirt instead of the fluffy emu-type. Ryan and Kathryn attacked the choreography with great relish, which was syncopated so well with Joss Stone’s song “Put Your Hands On Me”, great choice. Can I have a cigarette, please? They climb on judge Mary Murphy’s Hot Tamale Train, which she has only done one or two times this season.

Mollee and Jakob once again wipe up the dance floor with a Joey Bowling Broadway number to “Easy Street” from Annie (excellent music choices for this show, that is one of my faves). They are lovely and amazing and cute and mischievous. Did I mention they danced amazingly? This style also suited them well, and Nigel encouraged Mollee to get over to Broadway, they were waiting for her. This looked easy and joyous for them. Brilliant.

Ellenore and Legacy were up once again with a Nappy Tabs Hip Hop dance about aliens. This was good fun, but not fantastic, like I was hoping. The choreography didn’t really push them to their limits of what they could do, although it started off well, with the backwards masks. Shame on Tabetha and Napoleon for not really challenging these two.

After Ryan’s solo, he interrupts Cat while she’s giving his number to give Ashleigh’s number. This is a man who loves his woman. I was touched. What a mensch.

Last is Russell (and Ashleigh’s) Bollywood. And Bollywood it was, with a bit of funk and soul injected from Russell. You could just see it in his movement. Bollywood is so relentless in it’s movements and hand/head/finger/foot positioning (we learn that a wrong hand position can offend in India), and Russell was right there the entire time, never looking tired, and always having that sparkling smile ready. The execution was superb, and judge Adam Shankman said that he radiated pure joy for the art of dance. I whole-heartedly agree. Bonus that Russell’s partner was up-to-speed with him, and when I saw the move that dislocated Ashleigh’s shoulder (leap and swing over the head and around to in front of his legs), my shoulder hurt a little, too.

Needless to say, I am very torn about the finale. They all deserve to be there, including Ashleigh. I want everyone to win. But then, it wouldn’t be a competition, would it? Well, I voted for everyone and put a few extra votes in for my favorites.  Who will be in the finale for season 6? Tune in tonight and find out!

(Images courtesy of FOX Television)