Aaaaaaaaand Billy Bell is back IN! After getting spanked for not dancing on the results show, that is. Seems that he was better on Thursday and said he wanted to wait it out. Good for him, I say. Gave America a chance to drool over some other dancers for a change. Don’t get me wrong, I am a Billy Bell fan. It’s just…whatever–what happened last night you ask?

The top six performed again on SYTYCD, after the judges made a never before made decision to NOT cut anyone last week because they couldn’t make up their frackin minds. I don’t blame them, really, but in the back of my mind I’m thinking: “how much longer does Casanova Jose have? I mean really?”

Cat looked luscious in a drape-y python print number, much better than last week. Good work, kitty! This week the contestants get to talk and reveal secrets they now know about each other–which I find intriguing.

First up is little Kent, who has a Jean-Marc and France Cha Cha Cha with lovely Anya. His second Cha Cha! And I have to say, all face-pulling aside, the kid is an amazing dancer. Lots of head popping, though. And looks like a little slip in the lift near the end. The camera angle was wide, though, I could be mistaken. But a pretty exciting dance with a great song choice. Mia spanks Kent again for his face–which he still really needs to work on. He defends himself a little (guts, babe), but he agrees that he needs to change it.

Next on the floor is Robert, who drew a Contemporary with sweetie Kathryn and choreographer Stacey Tookey. I absolutely loved the very first movement of this piece with Kathryn’s leg coming up over the army bag (crazy extension) and Robert coming up behind her. Very tender and desperate. Very well danced by both and the story and emotion was right there for us to see. Robert is a super strong partner and this piece really showcased that. Did LOVE the twist at the end that it’s HER going off to war and not him. Great moment. Nigel praises Robert for his growth and maturity and I would have to heartily agree with him. He’s fab and definitely my second fave to win this season.

And then Mia went further with Robert to say this delicious item that pretty much all dancers should listen to: “Allow your emotions and the reality of what you feel be the catalyst of your movement. Allow that to let you begin to move from there. And then it won’t look like you’re dancing steps to then try to conform and speak through steps, you’re speaking through your soul. And then your steps are secondary. And that will take it even to another level.” Thank you, Miss Mia for that lovely Mia Michaels Dance Quote, that’s why I heart ya.

Jose’s solo is the first of the night, and here’s what his fellow competitors have to say about him:

• clueless in the cutest way (this is Lauren’s comment)
• he’s a fighter and like my brother
• smooth, explosive and kind hearted
• the most focused and determined person
• he’s like a wise tortoise

Pretty interesting. Safe to say they like him a lot. There’s that personality again. His solo is good and I love the music, but it’s so much more about his personality than his dancing now. I feel like his solos are exactly the same. Maybe that’s my unfamiliarity with break dancing but…

AdeChike picked a Tyce DiOrio Jazz routine with Courtney and Tyce says it’s the nightclub up in Spanish Harlem. Yummy! Dizzy Gillespie is the music, so here we go! This is fun and super well dance with a ton of sparks flying between the two. I think this some of Tyce’s finest Jazz choreography. I feel like I’m watching an early 60′s B movie with fantastic music and hot , out of control dancing where everyone wears shades and is possibly toking in the back room (you know those movies). And they looked like they had a ball. AdeChike is my babe, and his note from Nigel was to just let go. Have abandon and not make it look like moves. It’s a good note from him, because it’s what will give him the edge to win.

Lauren’s solo is next and here’s what her peers had to say about her:

• she’s the only girl
• she’s crazy, hyper, loving
• she has two bunny slippers she’s named Joshua and Leviticus
• she’s the baby sister, everyone wants to look after her
• she’s a ball of energy, hyperactive

Looks like Lauren is definitely the baby of the bunch that everyone wants to take care of. That’s good for the only girl in a group of guys. She does her “Natural Woman” dance, which is a great choice after all the things that were said about her. I love her when she dances to Aretha, she becomes part of the music and part of Aretha’s voice. Lovely.

Jose very luckily pulls a Hip Hop with Comfort choreographed by Marty Kudelka and Dana Wilson. From the video before you can see that Jose and Comfort have a great chase game kind of dynamic which should be great for the piece. They use “Try a Little Tenderness” by the great Otis Redding which goes right to my soul. Hip Hop to Otis? Love it more than words can say. Their costumes are just awesome, straight out of the late 60s old school, you think they just left a blues club and are ready to hook up or get a ride home. This is a great new spin on Hip Hop that is so refreshing. Low on tricks, high on story and charisma. I really loved this piece. As usual Jose loves and wants the girl, and his tone with her is very much the spirit of the dance. He does get smacked for the flappiness of his arms by Nigel, Mia thought there was no swag in him and Adam said dance from the intention of the piece (meaning Jose changed it). Ouch.

Now here’s what everyone says about Mr. Billy:

• he’s messy, leaves clothing all over the place
• he’s helpful and willing to lend a hand
• he’s focused but can crack a joke
• he’s loud
• he is a crazy, sarcastic, outgoing, nutjob

Hmmmm…interesting. I would have not thought all that of him. But then I see his solo and I get that extra layer of him with those comments. Can’t quite explain it, but there it is.

Now we get to hear what’s been said bout Kent:

• he is the cutest little competitive farmboy
• silly and oblivious
• kind, generous and a great person to have around
• (Billy has to think of something nice to say)
• he’s a cool kid and a ladies man
• he’s a baby brother to me

He dances solo to “A Song For You” covered by Eliott Yamin, which I didn’t know he did. Very nice and the best since the original done by Donnie Hathaway. No face pulling here for Kent. This is a damn good solo. It just kinda goes to show how a dancer can really fully connect with a piece of music. Really, really good, I was moved.

Lauren draws a Broadway number by Tyce with All-Star Allison. Yea! A two gal piece, been waiting for this. And Lauren needs to really pull it all out, Allison is really the queen of Broadway. Lauren is great here, but I just can’t take my eyes off Allison, she’s really got the Broadway style and feeling down and gives it all. Fun piece, but not my fave of the evening. Judges gush over her, they love it. Nigel thinks she’ll be in the finale.

**Side note: has anyone noticed that Mia is much, much harder on the guys than on the girls? Not that Lauren ever deserved a beating, but I’ve never heard Mia say one negative thing about her. Agree? Disagree? Let me know!**

Now here we go, listen to what the contestants had to say about Robert:

• the songbird of our generation
• always singing and surprisingly well
• arrogant sideburns (what?)
• the class clown of the group
• goofy

Now, class clown is way different than a crazy nutjob and it makes me like Robert even more. His solo is great once again, he really knows how to channel the music and express it. Well done.

Billy gets to dance this week with Ade to a Stacey Tookey Contemporary. Yea, I love Ade! This is the story of a homeless man and a high-powered business man. And then they realize they are old friends. I’m very interested. This was an outstanding piece and I really loved it. The moment when they realized they knew each other could have been longer, but their discovery of each other and the emotions and frustration and anger that came out of them after the moment of discovery were really wonderful. There are far more girl and boy in love routines than something like this, which is another thing that makes it so special. Nigel notes that he’s glad they made their non-decision last week and kept him. I agree.

What does everyone say about AdeChike?

• a man of many names (Cheeky is one)
• Mr. personality, best friends with everyone
• ladies man
• flirtatious, loves to compliment the ladies
• a magician, puts a spell on the ladies

So AdeChike is the lady killer. Cheeky does his solo in jeans and I am wondering how do dancers dance like that in JEANS? Will someone tell me, please? Because I sure as heck can’t do lateral splits in my Gap 1969 jeans.

Next Jose draws Kent to do a Spencer Liff Broadway dance where the two of them are girl watching. Jose claims Kent has no game but is jealous of how he can simply turn his head and the girls scream. Very cute. And the piece is very cute as well, no doubt. I love this 50s style Donald O’Connor/Gene Kelly stuff. I can’t keep from looking at Jose, but for all the wrong reasons. Kent kills this piece and Jose, while his personality is completely present, dances the entire thing like a break dancer, which is not really what the piece calls for. All of Jose’s jumps were very compact, with his legs very close and bent towards his body, instead of length and air underneath them. And oddly enough, I am harder on Jose than Mia is this time around. Kent is named a contender for the title.

Lauren draws AdeChike to do a Foxtrot by Jean-Marc and France. Is this the first Foxtrot of the season? Will it be the kiss of death? We’ll see. It’s a sexy Foxtrot to “Fever” covered by Beyonce, so it’s not the normal dance. Definitely not your normal Foxtrot, but it just didn’t light my fire as much. I liked the last few moments though. I think the judges were right in that it wasn’t danced like a ballroom dance and so it just didn’t go right.

Robert picks Billy and they get a Bollywood dance choreographed by Nakul Dev Mahajaan (love that name). This is Indian fused with western dance and the story is two actors vying for the same role in a Bollywood movie. The music is from “Bombay Dreams”, which I am excited to hear. They have to dance in sync in throughout nearly the whole dance and they are not always exactly together which is a little distracting. The two are super cute together and really attack the moves and this is a super challenging and endurance-testing dance form which they do really well. And apparently Robert is a big, cheesy hamburger. I will concur.

Hamburgers and Pizza aside, it’s not hard to deduce who will be going home tonight. Well, one at least. And I will be sorry to see him go. Who will be the second? Who? Who? ;o)

I have to say, this was a pretty darn exciting night on Dancing With the Stars–and the Finals are only three weeks away! This week along with their individual dances the stars and their partners had to team up for the “Cha Cha Challenge” and put together group dances to wow the audiences and get an extra possible 30 points to add to their score.

Erin and Maks are up first with a pretty fancy and cute quickstep–in hot pink, no less. Her dress looked pretty dazzling. Oh, and Maks always looks fiiiiine. Their quickstep was fun and engaging, this is never an easy dance to make look great. I just wish in rehearsals they would stop nagging each other, it’s getting old. Len Goodman declares it’s Erin’s best dance to date. Judges’ Scores: 9-9-9

Chad and Cheryl pull out a pretty interesting Waltz this week. Chad gets an extra bonus with Tony Develani coming in to coach him, lucky him! However, they both look like they’re dressed for a Rumba as the music starts. But Chad comes out leading with grace and finesse. This is I think technically his best dance so far, aside from the Tango last week. But the Waltz is a whole other ball game and he really did well. Judges’ Scores: 8-9-8

Nicole and Derek also do a Waltz this week, to the sappiest song in creation, “You Light Up My Life”. But what a Waltz it is, very standard and traditional, with difficult choreography. Derek always knows how to wow. This was so pretty and graceful. The judges were very picky with her, even after Carrie Ann declares that she’s the best dancer they’ve ever had on the show. I guess the better you are the pickier they can be (that’s usually the way it is). Judges’ Scores:9-9-9

Pam and Damien are up next with their Waltz. And I’m super disappointed in this, it’s just unfortunately…boring. I feel like shaking my finger at Damian for not challenging her more, she’s so up to it. Too bad. Judges’ Scores: 8-8-8

Niecy and Louis are next and I have to say that if Niecy doesn’t make it to the finals I am SO going to miss her comic relief and light-heartedness. The show really needs it when the stars tend to take things too seriously (when you’re invested in something that makes you vulnerable it tends to make you serious, folks). This week they do a Quickstep. Mid-rehearsal Louis gets caught texting Kelly Osbourne and Niecy lays claim to her partner, telling him to put down the phone. Niecy is light, quick-footed, smooth and full of mirth in this fantastic dance. Plus she looks absolutely gorgeous (as she always does). Well done to the both of them on her best dance so far. Folks, let’s keep her out of the bottom two! Niecy is so excited about continuing to dance. Judges’ Scores: 9-8-8

Evan and Anna do the only Argentine Tango of the evening, and they are working super hard with him to not “submit” to the woman in this dance. He has to be sharp and not lyrical. Anna is demanding perfection from him and as an Olympic gold medalist, he can deliver. They do their Tango to “Bust Your Windows”, which is a fabulous choice with the tango thump behind it. Anna wears the most awesome dress ever that I am stealing when I do my Tango with my hubby. Love the black/gold sparkles in the stripes on the top into the velvet short, angled skirt and the big flowers at the hip and the side bun. Really stunning! Evan pulls out all the stops and turns in an amazing performance, full of force, passion, power, aggression and sex. Great chemistry between these two and a hot Argentine Tango. Judges’ Scores: 10-10-10!

Next up are the team cha cha cha dances. I have to hand it to the teams, these were really fantastic this year, and measurably conducted more professionally than last year. Plus, they waited to do this until there were 6 couples instead of 7 and have lop-sided teams. Dancing in teams like this is so hard, especially dancing in synch, much like singing in unison is so hard. If you’re off a little bit everyone can see it. You could really tell that the teams enjoyed working together and it also showed in their performances.

First was team GaGa: Nicole and Derek, Pam and Damian and Chad and Cheryl. This is great and for Nicole’s first cha cha, she hits it out of the park. Chad is super good as well. Pam unfortunately looks a tad lost, like she couldn’t remember her steps. Overall, this is a sex-y dance with 6 really sexy people. Judges’ Scores: 9-9-9

Last was team Madonna: Niecy and Louis, Evan and Anna and Erin and Maks. They get to do their cha cha to “Holiday”, which is a party song if there ever was one. And the costumes! I had to laugh out loud at the Madonna circa 1984 look with lace, bustier and bows. Really super fab, and so different on each girl. My pick for the winner is absolutely team Madonna for sheer fun, great moves and even better concept. Well done to them. Judges’ Scores: 8-8-8 (boo)

What an exciting night! Who has to go home tomorrow? I don’t want to see anyone go home… Tune in tomorrow!

Ugh, after waiting and waiting and listening to all the rumors and guessing which ones might be true–premiere night had arrived for season 10 of Dancing With the Stars!

And, after doing numbers 1, 7 and 9 on this great list from EW.com (thanks Doxietrek!), I settled down for the night.

What a night it was. The red room is officially out–we now have the balcony instead for after dance interviews with new co-host Brooke Burke. I miss the red room and all the antics of the other couples in the background.

It is a little taxing to do a dance-by-dance rundown, so I thought I would change it up a bit. You always have expectations for the first show, and I thought I would give “DWTS First Night” awards. Here are my categories:

Biggest Potential: Shannen Doherty. Shannen handled really difficult choreography that Mark gave to her with a ton of enthusiasm and all the finesse she could give. And after all the gossip about her supposedly bad attitude, I didn’t see it anywhere in the footage. She seemed sweet, and boy does she love her dad.

Biggest Surprise: Pam Anderson. I thought she was going to be stiff as a board, but she surprised me with a lot of grace and ability to smoothly walk across the floor and shimmy those hips. Now if she could just work on that extension…

Biggest Disappointment: Aiden Turner. For some reason I thought that he would bring more dance ability to the party. Oh well. Good try, hopefully he’ll get better. I’m still holding my breath for Edyta Sliwinska. It’s her time to win a mirror ball.

Favorite Couple: (not technical) “If I lose my jiggly parts you gon’ git it,” big girl Niecy Nash tells her partner Louis Van Amstel. This gal is a hoot. After being made wrong all her young life in performances for being the chubby girl, Niecy has come to embrace her body, jiggly parts and all. I love this gal, and Louis is the perfect partner for her, he’s willing to train her hard and really play with her. Love them both.

Best Couple: Cheryl Burke and Chad Ochocinco. They pretty much rock together. Very well done on a hot Cha Cha Cha!

Best Choreography: Mark Ballas’ Viennese Waltz to “The Killing Moon” by Nouvelle Vague. This was such an interesting take to put a goth twist on the Viennese Waltz, and have Shannon be like a doll or a puppet. I liked it, very fresh!

Best Outfit: Anna Trebunskaya’s beautiful lavender Grecian style dress with velvet burn-out pattern. And the flowers in the hair to match were nice, too.

I-Don’t-Get-It Outfit: Cheryl Burke’s drop waist, bubble bottom dress. I really liked the grey/peach color and tulle on the outside, but I just didn’t get the whole thing as a concept, nor did it match the music she picked for their Cha Cha (“It’s Just Begun” by the Jimmy Castor Bunch, a really funky groove song).

Craziest Judge Comment: “At times it was a sassy ol mamma, and at times it was a born again virgin.” Bruno Tonioli (of course) speaking about Niecy Nash’s Cha Cha Cha.

Best Tom Bergeron Moment: “Ok…for those of you who do not believe in parallel universes…” (referring to Len Goodman’s tirade on Nicole Scherzinger’s really good Viennese Waltz)

Season Ringer: Nicole Scherzinger. Pussy. Cat. Doll. Need I say more? They’re all practically (if not really) professional dancers. But she really was super lovely in the dance, I have to say, and although Evan Lysacek was super good, I have a feeling that he won’t fare as well in the Latin dances as Nicole will.

Go For It Award: Buzz Aldrin. You still got it, Buzz. Nicely done.

All in all, it was a pretty fun night. But NOW–the competition begins!

Whew! What a night! Nine, count ‘em, nine dances: bam, bam, bam, bam! Very exciting and breathtaking, I could barely take it all in. For sure there was absolutely no bad dancing tonight, just a lot of shining, and some instances of brilliance. Shall I recount? Let’s get to it then.

With absolutely no pomp and circumstance at the intro, we went directly into an absolutely sizzling Samba from Ryan and Kathryn. They crackled like they did last week with their Cha Cha Cha, again with choreography from Jason Gilkison. Fantastic, exciting and dynamic with the slow lifts and arabesques in the intro that flowed right into the frenetic sexy gyrations for the main part of the dance. And the lift/throw of Kathryn over Ryan’s head to land on his back was completely jaw dropping. Bravo.

Next was Ellenore and Jakob with a Tyce DiOrio Broadway routine, a classic Fosse number “I Gotcha.” A classic, was classy and had a ton of class and style. Fosse choreography is a fave of mine just because Bob thumbed his nose at the dance establishment when he started as a dancer. He didn’t have perfect turnout, so he turned his toes IN. Ellenore’s style really matched this dance and she and Jakob oozed charisma, almost like a machine. It was quite mesmerizing to watch. This piece was hip and happening.

Ashleigh and Russell came next with a Sonya Tayeh Lyrical Jazz piece that was beautiful and flowy, with Russell playing a troubled man with his guardian angel Ashleigh helping guide him. I really liked this piece conceptually, because there was a great reverse flow with Ashleigh doing much of the catching/lifting/throwing/carrying as she attempted to help Russell. And Russell was also just stunning with his portrayal of anger and passionate frustration. There was a measure of Russell’s “style” thrown in to pique interest. Great story and excellently danced.

Ellenore and Ryan had what was my least favorite piece of the evening, a very odd yet facinating Jazz routine from Gary Stewart. This dance once again suited Ellenore’s style as it was quite robotic and quirky in it’s movements. I saw what the choreographer was trying to do with the interesting way the dancers would connect with their legs and arms into the next movement, but it was completely devoid of any emotion. A for effort!

Ashleigh and Jakob were up next with a really solid Fox Trot. Nothing extraordinary here, just really great fox trotting by both of them. It always seems like Jakob wouldn’t be able to be a good lifting partner, just because his body seems a tad slight, but he is always a really fine and strong partner for the girls. Looks can be deceiving, I guess. They both sparkled in this and looked like they had a lot of fun. Plus, any time you use a song with the singular voice of Eva Cassidy (unfortunately no longer with us) I’m happy as a clam.

Next was a fantastic Paso Doble from Jason Gilkinson for Ellenore and Russell. Ellenore had fire from the get go with her silohette against the red screen background (the one good use of that damn screen that I wanted them to just completely turn off this entire season), arching backwards and doing the Spanish hands. This was a great choice in music as well, from the Blood Diamond soundtrack. The two of them danced it fast and hard and were right there with each other for that push and pull the Paso calls for. The last moment was milked for every dramatic second as he landed over her on the ground. Solid work by both!

Then–Kathryn and Jakob practically stopped the show with their Contemporary number (choreographed by Desmond Richardson and Dwight Rhoden of Complexions Dance fame). Their music was “At This Moment”, covered by Michael Buble. The beginning seemed to be reminiscent of a slow dance with all it’s continual swaying lifts in the beginning. Then it broke out of that and told a story of a frustrated and heart-wrenching relationship. The choreography was phenomenal and VERY physical. They had this great moment where they stopped and looked across the stage at each other, really made contact, then proceeded to fall to the ground on top of each other and roll across the floor. Emotion was translated directly into movement and I love to see that. Bravissimo.

Then came the dance I was waiting for: married couple Ashleigh and Ryan doing a Travis Wall Contemporary. I was glad they drew this, because it was a very special dance for them. It was pure love and pure loveliness. I mean really, you could see joy oozing from them from getting to dance together again after so many weeks of being paired with others. They danced the beautiful, flowy movements like they were alone in the studio together and had only eyes for each other, no distractions. Perfectly synchronous and completely in touch with each other. I don’t think I was paying particular attention to the choreography itself, which to me means that it was perfect because it simply conveyed the emotional, tender moment between these two. Sentimental sigh. Ok, I’m done with that, if you’re allergic to sugar ;o)

Russell and Kathryn were the last of the evening with a NappyTabs Hip-Hop number. All I can say is Russell f-in’ R-O-C-K-E-D!!! AND-and Kathryn was with him there every step of the way, giving it as fast and hard, down and dirty and street as he did (this is the girl who at the beginning would cry at the drop of a hat, her voice going up all way high and annoying? NO!). Russell was able to put the most of his Krumping style into the movement, and I’m sure Tabetha and Napoleon encouraged him in this, because it just made him shine like the sun. They were perfectly in synch with each other and kept eye contact the entire dance, and seemed to say to each other “woo hoo, SOOOO fun!” Really exceptional, probably the best NappyTabs number of the season, and a great way to end the night.

At the end, I perculated. I didn’t want to limit myself in voting, I thought the entire night was fantastic and everyone did amazing things and danced better than they ever had. I originally had thought that nine dances was overkill and the top 6 instead of top 4 kinda ruined things. Not so. I salivated for every dance and was exited at the dance after dance after dance way the show was presented. What a treat to get to just see so many different stylels of dance, choreographed by masters and danced by the next wave of stars. You don’t get that every day.

Last week I voted for everyone. But this week I said to myself, just off the cuff, which guy and which girl would you vote for? And my answer came fast and easy: Russell and Kathryn. And there you have it, my votes. And if you pinned me down to choose MY winner? Russell. I have a feeling though, from America. I think Kathryn McCormick is America’s Favorite Dancer. And she would absolutely deserve it.

Aside from my musings, who will win tonight? Who knows? You have to tune in and watch the 2 friggin’ hour, star-studded finale to find out. And I’ll be right there with ya.

(Images courtesy of FOX Television)

W-O-W, what an evening last night on So You Think You Can Dance!

The Top 8 were set to perform, and right off the bat I was super confused. Wait, what’s going on? Something’s wrong. Then I saw it: Ashleigh did not do her beginning solo. What had happened? Host Cat Deely took a few moments before calling Ashleigh to the stage, and she walked on with her arm in a sling. Oh, injury. How really, really sucky. Apparently she completely dislocated her shoulder that very day doing a dress rehearsal, and was not being cleared by the doctors to dance. And boy, did she want to dance. But she kept it together, and after the next break she came back on stage to give her 888 number, asking for votes. This is really a sad predicament for her. Can her performances and hard work from the past weeks keep her in this competition? I put her in my “long haul” list, and I really hope so. It will be very interesting to see how the results unfold tonight.

On with the night, Ryan and Kathryn were up first with a Dori Disco routine. This is another great pairing, with a fun and difficult routine (and the Discos are usually ball busters). Kathryn looked SO gorgeous in her skimpy halter dress (which, interestingly enough was Dori’s doing, I didn’t realize that the choreographers had a huge hand in the costuming, interesting!). Ryan looked…well, disco-y. They did excellent work together and looked like they were having a ball, especially Ryan. He’s such a great partner-ing partner. Kathryn kicked butt and did super well in this new style for her.

Next was Molle and Jakob with my favorite Viennese Waltz–EVER. I’m serious, here, this is a wonder to behold. Fresh, young, full of breath and life. Thank you choreographer Jason Gilkison!!! And thank you to Mollee and Jakob for dancing a picture of young love in springtime, with very intricate steps, fast and energetic (not your usual Viennese Waltz, I’m telling you). They had a beautiful connection, and looked beautiful, Jakob in his white pants/vest/shirt and Mollee in her white blouse and ankle-length sunny yellow pleated skirt, complete with a bow in the back. Fantastic, on all sides, and even though this was only the second of 8 dances, I am not afraid to say my favorite of the night!

Another potential power couple was next: Ellenore and Legacy. They got Travis Wall and a Contemporary number that I was SO excited to see from the rehearsal footage I could taste it. Travis had a concept of two killers that are married and want to kill each other at the dinner table. Very “Mr. and Mrs. Smith.” Unfortunately, for me this was a little to literal in the fight choreography and a bit one note. I saw a lot of hate and anger and not much lust/love, which it absolutely could have had (would have made for a better dynamic). They used a napkin for most of the dance and traded it back and forth during moves, which I thought was just distracting. And Ellenore’s dress was awful, just looked like two strips of fabric. OK! That said, they danced it extremely well, were very fearless with difficult moves and nearly impossible timing, and they did have a good connection.

Then came Russell and Ashleigh’s Shane Sparks Hip-Hop number. The rehearsal footage showed fantastic clips of Shane teaching Ashleigh how to shake her booty. Super funny! Looking back ( I watched it a couple times), this was probably the BEST Hip-Hop dance of the entire season, very “old school” as judge Nigel Lythgoe said. Russell just exploded off the stage with energy, enthusiasm and smiles. He shines like a star and does excellently. Unfortunately, his partner was so distracting because she was not nearly the caliber of dancer that Russell is (or Ashleigh for that matter). And I thought that was odd, considering she’s Shane’s assistant. Oh well.

Mollee’s solo is the only solo I’m going to mention in this post. And why? Because SHE ARRIVED. To the show, to her womanhood, to the party. I saw this girl for the first time this season with her solo to Alicia Keys’ “Heartburn”, which she also sang along to during her dance. Now, I will say that she had improved last week with Russell and was stunning in her Waltz with Jakob earlier in the night. But this is a dancer who made an entrance here, and I was riveted. She flirted, had fun, flipped and twirled and had me wrapped around her finger. Yeah, this is what dance is all about! Well done to her.

Whew. I get no downtime as Kathryn and Ryan are next with a Jason Gilkison Cha Cha Cha. I learn that Jason is responsible for Burn the Floor, currently on Broadway (where have I been?), no wonder he’s standing out for me. And know how I said his Viennese Waltz was the best I’ve ever seen? This Cha Cha Cha is the BEST Cha Cha Cha I’ve ever seen (enough Cha’s for ya?). Jason rocks the Casbah, baby, I’m in love. I was glued to the screen during this dance, it amazed me. Kathryn and Ryan had a hot chemistry and connection, flirt-y sultriness. Ryan looked so hot in his hat and suspenders, and Kathryn was SO sexy in her fishnets and feathers–great use of feathers, by the way, long straight ones as a skirt instead of the fluffy emu-type. Ryan and Kathryn attacked the choreography with great relish, which was syncopated so well with Joss Stone’s song “Put Your Hands On Me”, great choice. Can I have a cigarette, please? They climb on judge Mary Murphy’s Hot Tamale Train, which she has only done one or two times this season.

Mollee and Jakob once again wipe up the dance floor with a Joey Bowling Broadway number to “Easy Street” from Annie (excellent music choices for this show, that is one of my faves). They are lovely and amazing and cute and mischievous. Did I mention they danced amazingly? This style also suited them well, and Nigel encouraged Mollee to get over to Broadway, they were waiting for her. This looked easy and joyous for them. Brilliant.

Ellenore and Legacy were up once again with a Nappy Tabs Hip Hop dance about aliens. This was good fun, but not fantastic, like I was hoping. The choreography didn’t really push them to their limits of what they could do, although it started off well, with the backwards masks. Shame on Tabetha and Napoleon for not really challenging these two.

After Ryan’s solo, he interrupts Cat while she’s giving his number to give Ashleigh’s number. This is a man who loves his woman. I was touched. What a mensch.

Last is Russell (and Ashleigh’s) Bollywood. And Bollywood it was, with a bit of funk and soul injected from Russell. You could just see it in his movement. Bollywood is so relentless in it’s movements and hand/head/finger/foot positioning (we learn that a wrong hand position can offend in India), and Russell was right there the entire time, never looking tired, and always having that sparkling smile ready. The execution was superb, and judge Adam Shankman said that he radiated pure joy for the art of dance. I whole-heartedly agree. Bonus that Russell’s partner was up-to-speed with him, and when I saw the move that dislocated Ashleigh’s shoulder (leap and swing over the head and around to in front of his legs), my shoulder hurt a little, too.

Needless to say, I am very torn about the finale. They all deserve to be there, including Ashleigh. I want everyone to win. But then, it wouldn’t be a competition, would it? Well, I voted for everyone and put a few extra votes in for my favorites.  Who will be in the finale for season 6? Tune in tonight and find out!

(Images courtesy of FOX Television)

I’m sitting here watching the results show of So You Think You Can Dance and really looking.  Looking at these dancers. On the eve of ‘THE TOP 10″ who has it to make it? Who has real talent, and more than that, who has real heart? Because when it all comes down to it form me, Soullldiva, the Dancemomma, it is about heart. How big is it?  How much do they share of it? Watching the top 10 being revealed tonight (and of course, that ever popular carrot of the TOUR), this is what I’m contemplating.  Let’s see how this unfurls and if I am correct on any of my choices?

Ellenore. This girl is quirky, fun, beautiful and talented. Her emotional range is projected all over the place. From her lustful tango to a hip-hop where her swagger and bravado shows with humor, to her portrayal to a young, impressionable starlet, she has heart and she’s not afraid to show it.

Ryan. It will be interesting to see if my pull to Ryan continues without Ellenore.  But I now recall him immediately catching my eye when I saw him waiting, in agony, to see if his gorgeous wife was in the original top 20. Stunning. Such feeling and heart.  And he absolutely brings it to his dance, and his technical expertise seems to stretch beyond ballroom.

Legacy. I hope this gem can really step it up for his ballroom pieces, because he’ll need it for the long haul. This guy is nothing BUT heart, as he discovered how much more dancing could fulfill him as he performed Mia Michaels moves in Las Vegas. Beautiful. And he’s still experiencing it, seeing how emotional he got last night after his second dance. There is something so special and sensitive about this tough B-Boy. He’s an artist to the core and he’s just now realizing that he can live up to his potential and give so much more in his work. He’s absolutely doing it.

Russell. I’ve said it before and I’ll say it again: this guy could walk across the stage and smile and I’d be riveted. He enjoys every single second of what he does and for me that’s what it’s all about. You have to love what you’re doing, right? And like Nigel, I’ve completely forgotten that he’s a Krumper–a dance style that can be quite harsh, but I totally get with it when he does it. Russell, like Legacy, needs to pull it out for his ballroom pieces, but he’s done pretty darn good with them so far.

Ashleigh. And this is not just because I’ve put my vote in for Ryan. This woman can hold her own. She’s able to very easily portray her love and attraction for her partner, which is an absolute must. And very interestingly, Ashleigh is someone who’s actual body portrays her emotion. The movement of her legs, curve of her arms.  I just get that from her. I dunno. I keep feeling like she has some secret that she’s slowly either letting out or letting go of, and this fires her passion.

Jakob. It will also be interesting to see if Jakob, as with Ryan, will hold my interest when he’s separated from Ashleigh. He has technical out the wazoo and can leap into any type of formation that a choreographer could want. But is the heart there? I watched him last night connect with his partner in their Cha Cha Cha. He absolutely luxuriated in Ashleigh, her body and her movement. But it had emotion, too.  Lust with heart, huh? It’s there and he’s got what it takes.

Those are the few that I have chosen to make it beyond the top 10.  Who will make it to the final performance?  Well…I’m not ready to  speculate on that short list, give me a couple of weeks ;o)

*SPOILER ALERT*

I’ve just watched  Karen be sent home, and I knew that was coming.  Hotness only goes so far, and it took her to the top 12.  As well, a very sad Victor was just eliminated. Neither of them were on my list, so we’ll see how long it can stand up as the dancers are whittled down.

Care to comment, object, offer your own opinion?  I welcome it!

(Images courtesy of FOX Television)

I always have mixed feelings about the finals.  I think I expect too much out of everyone, and maybe get disappointed. But I forget that these are the same people as before, just one more week along.  So logically, they are not going to turn into full-fledged pro dancers in 7 days (or really 5 days because that’s all the time they get). Tonight I watched with that in mind so I could really enjoy myself.  These three stars (and their pros) have really busted ass to get in the Finals and they deserved it!  Now I wanted them to show me the stuff!

First the stars did one last regular-style dance by themselves.  Kelly Osbourne was first with her Argentine Tango.  Now this is my favorite Ballrooom/Latin dance, and I was crossing my fingers that she would do well, and better than her last effort.  Fortunately, Carrie Ann Inaba made a visit to their rehearsal to give her some coaching specifically on her emotional connection with her partner.  This is something she has always needed to work on, even though Kelly is really “The Transformer” of the show.  She’s the one that’s come the farthest and really discovered dance.  But she has never quite had that connect with Louis Van Amstel that would allow them to play lovers.

Let me tell you she did NOT disappoint. Her footwork was excellent, lines were beautiful and they really smoldered when looking into each other’s eyes. It was the real connection this time, yea!  Strangely, this was the lowest scoring first dance of the night, with a 9-9-8, and I sincerely believe it was the best first dance of all three.  Maybe the judges were warming up or something.  The only big criticism that I heard was from Bruno Tonioli who said that Kelly’s “free hand” was doing odd things while she danced.  Ugh, whatever.

Next up was Mya. Len Goodman paid her and Dmitry Chaplin a visit as they rehearsed. Len’s intention as they practiced was to really push Mya to her limits in the Paso Doble. He even yelled at her about her kicks, that she could kick his upper hand out of the way. This is a great thing, because I have thought through pretty much the whole season that Mya was too cool of a cucumber, and never really revealing much or reaching her limits.

Technically, the dance looked good and had that measure of anger and sharpness that the Paso calls for.  But I really didn’t feel the passion that it needs.  The Paso is such a difficult dance to pull off and make look super spectacular in my opinion, you really need a variety of great moves coupled with a really great passionate anger with your partner. Nothing can hold a candle to Mel B. and Maks Chmerkovskiy’s Paso in season 7. Incidentally, Len mentions Mel’s dance in his critique of Mya, saying hers was up there. As you can guess, I do not agree. Judges scores: 10-10-10.

Donny Osmond was next with his Cha Cha Cha. Bruno made a visit to him and partner Kym Johnson to help sharpen up his technique enough to match his showmanship. This is great because Donny can always pull out a crowd-pleasing performance, but not be technically perfect. Bruno took him to task and really put him through his paces. Oddly enough, I didn’t see much evidence of this in his Cha Cha, where he did what seemed as little actual dancing as possible.  I thought I might be wrong, but my friend sitting next to me echoed my thoughts exactly. The judges seemed quite happy with it, so it’s possible I don’t understand the man’s role in the Cha Cha. Judges scores: 9-9-9.

A new element this season was the Megamix, where all three couples danced a “superdance” at the same time.  Three dances, same choreography (by Nick Kosovich from seasons 2 and 3). This, in theory, is a great idea, I always love the pro dances where up to 5 couples dance at the same time–but those are not PRO dancers.  Do you know how hard it is to have six people dancing in complete synchronization and stay in a specific formation?  HARD. I personally thought that the Megamix was a mess, and the girls outfits were rather unflattering and distracting. They combined Viennese Waltz, Samba and Jive which to me was rather jarring.

In any case, the stars seemed to enjoy themselves, which makes it all ok in the end. Mya came in first, Donny second and Kelly third for 30, 28 and 26 points respectively.

Lastly was the most anticipated dance: the Freestyle. They kept on saying that the Freestyle can make or break a dancer and they could win or lose the trophy with it.  I have to say, I completely disagree, and the Freestyle is always interesting to me, but NOT my favorite. I feel that the Freestyle is some odd excuse to trot out every single trick, lift and leap you’ve ever wanted to do.  It’s never simply been about dancing. Freestyles usually do not live up to expectations and don’t always get the best scores.

Kelly and Louis were up first with a disco Freestyle to Gloria Gaynor’s “I Will Survive”,which she had adopted as her theme song, just because her DWTS trip has definitely been an up and down one for her. Yet she still came out shining. Her dance was fun and free, with lots of smiling and singing along from her (which I love). Also thrown in were lots of tricks, not all of which were completely pulled off. But she smiled and laughed the whole way along and never gave up. This got her kudos from the judges if not high paddles. Judges scores: 8-8-8.

Mya and Dmitry did a puzzling Freestyle to “Can’t Stop the Beat” from Hairspray. I liked it a lot, mostly for the reason that they didn’t pull out every trick in the book.  It was good dancing, but not show-stopping.  And her outfit was super cute.  I think they should have gone with Mya’s out-of-the-box idea. Judges scores: 9-9-9.

Donny and Kym were last with what was the most entertaining Freestyle of the evening. Donny did what Donny does the best: entertain us with energy, enthusiasm and style (why didn’t everyone do that?). “Hollywood at it’s best, ” yelled Bruno.  Agreed. Carrie said his Broadway number went down into history with the best, including Drew Lachey’s “Save a Horse Ride a Cowboy” and Shawn Johnson’s Jabbawokeez-inspired Freestyle. Two really great ones in a sea of not really memorable Freestyles. Judges scores: 10-10-10. Well deserved.

The voting has been unpredictable this season. Almost as unpredictable as this season’s predictable winner. But the probability of Mya winning the mirror-ball trophy does not take away from the suspense.  Will the obviously enormous fan bases of Kelly’s and Donny’s come out screaming overnight to deliver an upset?  Even though all three stars have delivered a fantastic season (Mya included), I am keeping my fingers crossed for Miss Osbourne.  Nobody deserves the win more.

Agree? Disagree?  Lemme have it!!

This is it!  The final performances before the finale next week on Dancing With the Stars.  The final four couples are really exciting this year: Donny Osmond and Kym Johnson, Joanna Krupa and Derek Hough, Kelly Osbourne and Louis Van Amstel, and Mya and Dmitry Chaplin.

I was super super sad to see Aaron Carter go, I felt he could have really stuck it in there for the long run, but unfortunately his fan base was just not as strong as some others.  But big kudos go out to him for his big heart and enthusiasm, and penchant for tremendous improvement in his dance technique.  He entered the show a boy, and exited a man.

Tonight for the first time in Dancing With the Stars history, the final four couples perform three times for the audience.  They finally get a chance to perform that “last chance dance” they’ve been working on for the past few weeks in the event they landed in the bottom two.  Needless to say, these dances are so short (geeze, I think about 30 seconds), that I don’t really even consider them more than a post script for their other two dances.

Even the coaching from Gilles Marini couldn’t help Donny and Kym’s unfortunate Tango. Not only was the song selection terrible (it just didn’t scream “tango”), the whole dance just never got off the ground, and Donny’s face surely gave away the fact. Safe to say he had nowhere to go but up. Judges’ scores: 7-7-7

Fortunately, he redeemed himself with his fantastic Samba.  Donny’s solo completely smoked when he broke out in moves directly from his Osmond Brothers days on stage.  Plus, he had an absolute ball, which made up for him berating himself after his Tango. I think most people might disagree, but I really love the way that he cheers for himself when he knows he did a good job.  He likes to celebrate when he nails it. I think more artists should do that for themselves.  Judges scores: 8-9-9

Their third dance was the Jitterbug which was short but sweet.  Very energetic and fun. And surprisingly, their best scores of night. Judges scores: 9-9-9

Joanna and Derek’s first dance of the night was a Viennese Waltz.  I have not been a big Joanna fan all these weeks, but this waltz caught me completely off guard.  The beginning was really beautiful and I actually believed her when she acted the romance in the dance.  Except for one odd move where she was posed in a kind of dip with her knees bent, this was super good.  And the song was an excellent match as well.  Judges scores: 9-9-9

Second for Joanna was a Cha Cha Cha, which I was excited to see after her great Viennese Waltz.  Unfortunately, it wasn’t as “cheeky” as it could have been, although it was fun to watch her sing along with the song while she danced.  It shows just how much she enjoys herself when she dances, and that always endears me to a dancer. Judges scores: 9-9-9

Their last dance was the Salsa which was cute, but I was surprised that I didn’t enjoy it as much as I wanted to. Plus Derek stumbled in the hold at the end.  Shame!  Judges scores: 9-9-9

Kelly is my underdog, and I loooooove rooting for the underdog.  She has this magical ability to capture an audience with her joy and enthusiasm.  Plus she has a radiant smile.  Not a bad dancer, either! Her first dance of the night was a Rumba, and although she and Louis didn’t really capture the sensual feeling that is really needed in the Rumba, they did a really great job.  Kelly’s lines were great, and she moved with great precision and control. Judges scores: 8-8-8

Kelly and Louis busted out of the starting gate with their second dance, a Quickstep.  This is Kelly’s real forte and she did not disappoint. Their movements were super quick, super precise and energetic.  Once again she completely lit up the entire room with that smile while she glided across the floor in Louis’ arms.  Plus her dress was fabulous. Judges scores: 9-9-9

The judges onces again continued to praise Kelly for her third dance, the Cha Cha Cha, which was so quick it was really hard to get anything but just a taste. Her technique was excellent and precise, and she really put a finish on all her moves. Judges scores: 9-9-9

Mya also has not been a favorite of mine through this season, for no reason other than I never really got that she enjoyed herself at all on the dance floor. It all looked like work for her to me, and she looked kinda bored at times. However she, like Joanna, pulled it out tonight, and impressed me with her Waltz which had a good measure of feeling in it.  I believed it.  Their moves were very smooth, lines excellent and their romance was very sweet.  The Waltz has always been a ho-hum dance for me, you really have to capture my attention for me to get into it and Mya and Dmitry succeeded. Judges scores: 9-9-10

Mya and Dmitry broke away from the pack again with their Salsa, which was just excellent, excellent, crazy good. Mya did the best solo I’ve ever seen from a star in a Latin dance.  Ok, who cares about her “prior dance experience” when she gives it this good?  Her Salsa had fun, party, speed, precision, everything. Judges scores: 10-10-10

Mya’s third dance was also the Cha Cha Cha, and it was amazingly exciting and dynamic, and was full of content. Not an easy feat for a 30 second (ok, 29) dance. This was absolutely the best last dance of the evening. Judges scores: 9-10-10

SO! The leader board stands like this:

1st: Mya/Dmitry with 87

2nd: Joanna/Derek with 81

3rd: Kelly/Louis with 78

4th: Donny/Kym with 74

The suspense will be over tomorrow night when we find out who makes it to the finals next week.  My picks are Kelly, Donny for sentimental, artistic reasons, and Mya just because she’s good.  Will I be right or wrong?  Tune in and find out!!