May 25th, 2010 by soullldiva

Finals night came in the blink of an eye on Dancing With the Stars last night. In fact, I was in the middle of a rousing rendition of “Ring My Bell” from the Wii game Just Dance with my family (we’re at a reunion) when I panicked and realized I was missing the show (DVR, I love you).

For the finals this year the stars need to perform an unprecedented FOUR dances (two on Monday, two on Tuesday). Tonight they must do a Redemption Dance, where they will attempt to redeem themselves for a dance the judges say they should have done better on, and the infamous Freestyle, who everyone says locks in the trophy.

SO! Were they redeemed or not? Let’s see…

First is Erin and Maks, and they must attempt to redeem themselves on the Samba. Ooh, tough one for the judges to pick for them. Bruno stops in to help her with her hip action, which (along with your arm work) is really the most important thing in the Samba (oh, along with the Par-Tay!). Bruno likes what he begins to see: “Look at the ass! So much better!”

As they begin the dance, Erin and Maks button UP Maks’ shirt. Very cute. Erin’s dress is fabulous, love the red flutters and her necklace. They did very well, but I feel this was not as earth-shaking as it needed to be. Improvement, yes, fantastic, no. Judges’ Scores: 10-10-9 (which will turn out for me to be the most surprising score of the night).

Evan and Anna is next. They get help from the Great Len Goodman for their Viennese Waltz, which they did all the way back in week one. Chemistry is what is needed here for the two of them here. Evan needs to put more focus and love on Anna, rather than thinking and going to the next move (yeah, Olympian).

Anna choreographed a really, really lovely intro for this Viennese Waltz (her dress is fab), and they kept the connection the entire time when not in hold. Truly lovely. Probably the best Viennese Waltz I’ve ever seen on DWTS. Great work and absolute redemption. Judges’ Scores: 10-9-9

Nicole and Derek have Carrie Ann come in and help out with their Rumba. When they did it the first time, Nicole’s nerves got the bes of her and it was probably her worst meltdown (among quite a few). Carrie Ann really pushes her to take the meltdown and convert it into vulnerability (so use it before rather than after). Really let go and show she’s more than a pretty face and a dancing machine.

Their Rumba is sensitive and beautiful. Nicole is vulnerable and connected to Derek, and Derek himself is more connected to any partner than I’ve ever seen. The choreography is solid and that hold at the end is new and very interesting (she wraps her leg around him and holds herself up, whew). They are completely redeemed here. Carrie Ann’s lift police rant is absolutely necessary here, and I wish she would have just shut up. Judges’ Score: 9-9-10

Freestyle: POP! or fizzzle…

I’ve said it before, and I’ll say it again. This is the most highly anticipated dance of the entire season, and somehow it is always a disappointment. Either the couples go crazy and do stuff that is just “not them”, or they play it safe and do stuff that they would normally do (like a pop star does hip-hop). What will happen for season 10?

For the first time ever, there is a Contemporary/Lyrical freestyle on DWTS. WHAT?? Erin has decided to do something different, and more of what she would do (she had years of ballet and jazz). They even call the lovely Ms. Mandy Moore (woo hoo) in to help out with the choreography. This is unprecedented (there’s that word again, she keeps on using it), and I am anticipating the performance highly.

I expected to love it, but I just…didn’t. And I’m really sorry I didn’t. Erin took a real risk with this and really showed what she wanted to do. I suppose it just looked too odd to me on the ballroom floor, and I felt that contemporary should just stay over on the Fox So You Think You Can Dance set. Plus, there was a bed AND a sofa. Too much, even for a contemporary piece. Off the mark for me personally. However, this dance gave us the best Tom Bergeron moment of the entire season: “In ten seasons, ‘It’s not the bed I rehearsed on’ is the my favorite excuse ever!” Judges’ Scores: 9-8-9

We see Evan and Anna butt heads for the first time this seaon, over the steps for their freestyle. Evan wants to take more chances, and Anna wants to stick to what they do best. They both really want to win, you can tell. Things smooth out when they bring in a choreographer in to help out and be the go-between.

Their freestyle is a prom theme from “Footloose” (this made me think what a great freestyle the prom scene from “Grease” would make). Lots of fun and a huge crowd please. They looked like they had a great time. Technically speaking (except for the impossible lift at the end) that the choreography was a little light, but still super fun. The judges, however, were uniformly disappointed. Judges’ Scores: 8-8-8 Boo.

What, oh what will Nicole bring? Her Pussycat Doll card or something new? I adore their sparkle-y tux outfits with the chartreuse shoes and ties. Really popped. They chose “Little Less Conversation” by Elvis (love it) for their song and they just brought it ALL. This was super-fantastic and absolutely perfect (with a slight hesitation on the lift at the end). Clearly the Winner of the Freestyle Round, and Len hit it right on the nose: He saw all different styles of ballroom dance used together in a new and inventive way. Now THAT’S a freestyle! Judges’ Scores: 9-9-9

So in a surprise on the leaderboard, Erin and Nicole are tied for first with 55 out of 60 points. Evan is second with 52 out of 60 points. The stars and their partners will do their third and fourth dances on the Results show. What will they do? My money is on one dance will be the stars pick and the other will be the judges’ pick. We’ll see. It’s shaping up to be an exciting and very interesting show Tuesday night. My early pick for the winner? Nicole Scherzinger. And she would deserve it. Tune in tonight!

BTW, Spoiler Alert for Season 11: Hugo “Hurley” Reyes wins!!! (thanks to Jimmy Kimmel’s Aloha to LOST show, which helped stop my tears over watching the final episode ;o)

May 18th, 2010 by soullldiva

There are only four couples left in season 10 of Dancing With the Stars: Erin and Maks, Cheryl and Chad, Evan and Anna and Nicole and Derek. I was very sad to see Niecy go, as she was definitely the highlight of this season and really fun to watch crack jokes. But onward!

Last night there were two rounds, the Ballroom Round and the Latin Round. In the Latin Round, each star will be doing their own solo! This is always fun to watch to see if they can really let go and get loose in the face of live TV and millions of viewers (I would certainly be hard-pressed to).

First up was Erin and Maks with their Viennese Waltz. Man, that girl can do amazing things with those legs, really pretty extension. And although I really didn’t care for her dress/pantsuit, it certainly made her legs look even longer. Unfortunately, I think she was super nervous (you see her say that at the end of the dance), she had a chronic issue with trembling ankles. Judges’ Scores 9-9-9 (well, if you don’t include Bruno Tonioli’s “premature” 10 paddle).

Next was Nicole and Derek’s Argentine Tango. Hot, sexy, sharp, passionate, amazing. Really fun to watch and well danced! And the walk down the stairs with her legs wrapped around his was really awesome. Oh yeah, and the move where he lifted her up on his FOOT. This was really a master-choreographed piece. I am going to call Derek out for using the same stag lift move that he used with Lil Kim, though. It’s the first time I have ever seen him re-use a really specific move. Good one, though! Judges’ Scores: 10-10-10

Chad and Cheryl were next with a rather nice and different Waltz. This guy has improved a LOT, and is now able to use that fantastic body of his to the fullest and lengthen and show off those lines. Plus he has an amazing smile and beautiful skin, oh, and that light pink color looks great against it. Ooh, I kinda just fell in love with him there! The did really nicely. Judges’ Scores: 9-9-9

Evan and Anna are next with a Foxtrot. It’s time for Evan to open up a little bit and show some real personality and boy doe he come out of the gate with it with the beginning of this foxtrot. Lots of clicking the heels four feet off the floor! Their dance is peppy, cute and just fantastic and full of chemistry. It’s like this is a new version of Evan, very sparkly (which is a perfect description for a figure skater). Judges’ Scores: 10-9-10

That’s it for the Ballroom round, next up is the Latin round with (dum dum dum) SOLOS. And along with these solos, the stars get to be even more vulnerable with a personal interview. Hmmmmm.

Erin and Maks are first. Erin talks about her childhood and being very tall and skinny, and her fast track onto national ESPN. Then she found out she had a stalker. I thought it was very interesting that she talked about this event (THE video), I actually thought it would have been better to not bring it up. But she was brave to talk about it, good for her.

Their latin dance is a creative Paso Doble. I liked her costume, how the skirt was wrapped up in a top at first and then revealed later on. Her solo was pretty good, she definitely committed to the movement. The Paso as a whole was really fresh, I thought, although non-traditional as Len pointed out. Who cares? Anything to inject new life into the Paso.
Judges’ Scores: 10-9-10

Nicole and Derek are next. Nicole talks about her origins in Hawaii, and being one of 14 in a small house, then moving to Kentucky when her mom met her new husband. She of course didn’t look like anyone in the town, and threw herself into the performing arts to stand out even more!

They do a super cha cha cha to “Kiss” by Prince. She’s even dressed up like him with a purple jacket and “puffy shirt”. Very cheeky, very cute and very well done. Another great piece of choreography by Derek. Her solo was great, but that is her forte, so I felt like it was second nature for her. Judges’ Scores: 10-9-10

Chad and Cheryl are up next. Chad says his first words were “child, please.” His father was in prison and his mother raised him alone. He grew up in a very urban, dangerous community. Football was his outlet, and served him very well. His friends and family talk about how hard DWTS has been for him, and he was surprised at how hard.

Their dance is a Samba. Chad doesn’t let anything hold him back and really enjoys himself out there, especially during his solo. and he has amazing skin. He had the hardest Latin dance and he did well. Big charisma from this guy. Judges’ Scores: 8-8-9

Evan is last. He talks about his Grandmother buying him skates because she wanted to be in the Ice Capades. Once he discovered he could go fast he fell in love. He discovered the lure of competition early on and that he had to work harder to be better. And he’s shy (that we knew). And he’s a great learner (definitely).

Their dance is the Paso Doble to that great Evanescence song. With all the leaps and posing, it’s a cinch that this would be a great dance for Evan. He comes out the box kicking like a wild horse and we really see the skating training come out. But it doesn’t overshadow the dance. Great blend of the Paso and his native abilities. Dramatic kiss at the end! Very well done and big commitment from him. Judges’ Scores: 10-10-10

The Results are TONIGHT!! Who will make it to the Finals? Tune in with me and find out. Try not to bite your nails too much..

April 6th, 2010 by soullldiva

Tonight on Dancing With the Stars, the judges submitted a NEW challenge to the stars and their pros: Telling a Story! This is so up my alley I can barely contain myself. Dance as a Story is MY BAG.

Whew! Let’s start the show.

Ooh! We get examples of the Waltz, the Paso Doble and the Quickstep from our beautiful pros, what the stars should aspire to do. And THERE’S Lacey Schwimmer! So fantastic to see her on the DWTS floor.

First up is Evan and Anna, doing the Quickstep to the “Hot Honey Rag” from Chicago. OMG the Quickstep is really a super, super hard dance and Evan did wonderfully. I didn’t see a tremendous story except in the very beginning. The lady kept the man waiting. But then they just danced. Ok, not an A+ in my book, but really great on the dancing! OH, and just to add to that: THEN we find out in the fishtank that Evan has two broken toes. Cripes boy, what a pro! Judges’ scores: 9-8-8

Before we go to commercial, they give us previews of what’s to come in the rehearsal rooms: stress stress stress, drama drama drama, tears tears tears. Looks like we’re in for it, folks!

Next is Buzz Aldrin, who is hangin’ in there and promoting the space program, by gum! They have a story that could really be a tear-jerker; a daughter greeting her father back from war. Ashly his pro is so really sweet to him and just keeps him on the right track. He did a great job and he looked good. The judges try to be as kind as possible, but he knows that he’s not really that great and it’s all good. Judge’s scores: 5-4-4

Jake and Chelsie are up after the break, and they’re doing the Quickstep to “Walk Like an Egyptian”. What? Ok, gotta see if this can work. And there is stress in the rehearsal room. Frustration! Put it into the dance, folks. Seems like the frustration paid off, they do very well. Lots of props, too, which I thought they weren’t supposed to use. Anyway, they are super fast across the floor and the performance and storytelling is good. The judges pick at his frame and legs, which are a bit soft. Judges’ scores: 7-7-7

Nicey and Louis are next and they choose a story that is close to both of them (if I’m not mistaken, Louis is gay), a interracial couple falling in love in the 60′s, a time when in some places it was actually still illegal. This is a different side to Nicey, and very genuine and sweet. It affected her to put herself in the place of the role she was playing. ACTING! BRILLIANT! Louis did a fantastic job on choreography, and her ivory dress with the various panels really brought the most out of it during the spins. I felt that she was very graceful, even in the face of a stumble at the beginning. Their song was a world class duet from Billy Preston and Syreeta (“With You I’m Born Again”) and really added to the story. The judges really love Nicey, but were picky about the stumble and her technique, which she needs to work on. I disagreed with Carrie Ann that the story was confusing, and it didn’t have a happy ending. But that wasn’t the point of the story. I felt Nicey’s intoxication with a love that fills her heart, but the danger of knowing how society will react and possibly retaliate. She was super vulnerable, and Louis, too. This is first-rate dance as a story. Judges’ scores: 7-7-7

Mr. Ochocinco and Cheryl are next with the fiery Paso Doble, set to this fantastic song sung by Antonio Bandaras in the beginning of the movie “Desperado” (love it). Chad does pretty darn well with it (even after the rehearsal drama). Very powerful and dynamic. He really focused on Cheryl and wanted the girl. Great comeback from last week! Judges’ scores: 7-6-7

Miss Pam and Damien are next. They were the surprise in the bottom two last week, since she was such a crowd-pleaser. This week they’re back with the Paso Doble–their story is of a woman and the bull-fighter. She loves him, but she hates what he does as an animal activist (they are very cruel to the bulls in bullfighting). She looked fabulous and did a great job telling the story. She’s not just a blonde bombshell, that’s not all she can do. The routing seemed at times a little sloppy, but I think that was just her passion. She did great. Judges’ scores: 7-7-7 (lots of 21s tonight)

Aiden and Edyta are next and we see that even though he had a comeback last week, he was super nervous and actually vomited backstage (thanks ABC for blurring the gross stuff out). They are doing the Quickstep tonight and things are lighter for the two of them as they celebrate his birthday and his wife and beautiful 7 month old girl come in with cake (Edyta eats cake?). Their dance is pretty good, but I realize that I completely missed what their story was supposed to be. Len says that he was a bit careful, and I didn’t see that, but I did see his shoulders way up by his ears. I’m sure he’s nervous as hell, with a stomach to match. Judges’ scores: 7-6-7

Erin and Maks are next with a Waltz telling a story of trust: Erin has to dance over half of their waltz while BLINDFOLDED. It was pointed out to me by a reader that Erin actually does have prior dance experience, so I’m not looking at her in quite the same way this week, but she really is graceful. I thought it was a really beautifully done by both of them. Judges’ scores: 8-7-8

Kate and Tony are next with a Paso Doble done to “Paparazzi” by Lady Gaga, a song that speaks directly to Kate, because they follow her wherever she goes. Kate can’t seem to connect with Tony for the passion and anger, and he calls in an acting coach. She sees a lot of emotion that is bottled up inside, and it needs to come out. Do we really want Kate Gosselin letting all her emotions out? Hmmm…During the dance she comes at Tony with intention and anger, but she steps around the floor like she has clogs on her feet. Not a lot of grace. Tons better than last week, though. Carrie Ann said it was “odd”. Judges’ scores: 5-5-5

Nicole and Derek have the Quickstep and their story is two sailors slacking off to “Anything Goes”. Nicole freaks out a little at the difficulty of the dance, she’s scared. The dance is A-MA-ZING. Really first rate. And I love that this wasn’t Nicole’s “Pussy Cat Doll” card. It was completely opposite of what she is used to doing. Super cute and technically hard as hell. And…not a Quickstep, according to the judges. Too bad. But true. Loved it. Judges’ scores: 8-6-9

And who will be the surprise elimination this week? Tune in tonight to ABC and find out! (then be like me and watch LOST, because you just can’t get enough suspense) ;o)

March 22nd, 2010 by soullldiva

Ugh, after waiting and waiting and listening to all the rumors and guessing which ones might be true–premiere night had arrived for season 10 of Dancing With the Stars!

And, after doing numbers 1, 7 and 9 on this great list from EW.com (thanks Doxietrek!), I settled down for the night.

What a night it was. The red room is officially out–we now have the balcony instead for after dance interviews with new co-host Brooke Burke. I miss the red room and all the antics of the other couples in the background.

It is a little taxing to do a dance-by-dance rundown, so I thought I would change it up a bit. You always have expectations for the first show, and I thought I would give “DWTS First Night” awards. Here are my categories:

Biggest Potential: Shannen Doherty. Shannen handled really difficult choreography that Mark gave to her with a ton of enthusiasm and all the finesse she could give. And after all the gossip about her supposedly bad attitude, I didn’t see it anywhere in the footage. She seemed sweet, and boy does she love her dad.

Biggest Surprise: Pam Anderson. I thought she was going to be stiff as a board, but she surprised me with a lot of grace and ability to smoothly walk across the floor and shimmy those hips. Now if she could just work on that extension…

Biggest Disappointment: Aiden Turner. For some reason I thought that he would bring more dance ability to the party. Oh well. Good try, hopefully he’ll get better. I’m still holding my breath for Edyta Sliwinska. It’s her time to win a mirror ball.

Favorite Couple: (not technical) “If I lose my jiggly parts you gon’ git it,” big girl Niecy Nash tells her partner Louis Van Amstel. This gal is a hoot. After being made wrong all her young life in performances for being the chubby girl, Niecy has come to embrace her body, jiggly parts and all. I love this gal, and Louis is the perfect partner for her, he’s willing to train her hard and really play with her. Love them both.

Best Couple: Cheryl Burke and Chad Ochocinco. They pretty much rock together. Very well done on a hot Cha Cha Cha!

Best Choreography: Mark Ballas’ Viennese Waltz to “The Killing Moon” by Nouvelle Vague. This was such an interesting take to put a goth twist on the Viennese Waltz, and have Shannon be like a doll or a puppet. I liked it, very fresh!

Best Outfit: Anna Trebunskaya’s beautiful lavender Grecian style dress with velvet burn-out pattern. And the flowers in the hair to match were nice, too.

I-Don’t-Get-It Outfit: Cheryl Burke’s drop waist, bubble bottom dress. I really liked the grey/peach color and tulle on the outside, but I just didn’t get the whole thing as a concept, nor did it match the music she picked for their Cha Cha (“It’s Just Begun” by the Jimmy Castor Bunch, a really funky groove song).

Craziest Judge Comment: “At times it was a sassy ol mamma, and at times it was a born again virgin.” Bruno Tonioli (of course) speaking about Niecy Nash’s Cha Cha Cha.

Best Tom Bergeron Moment: “Ok…for those of you who do not believe in parallel universes…” (referring to Len Goodman’s tirade on Nicole Scherzinger’s really good Viennese Waltz)

Season Ringer: Nicole Scherzinger. Pussy. Cat. Doll. Need I say more? They’re all practically (if not really) professional dancers. But she really was super lovely in the dance, I have to say, and although Evan Lysacek was super good, I have a feeling that he won’t fare as well in the Latin dances as Nicole will.

Go For It Award: Buzz Aldrin. You still got it, Buzz. Nicely done.

All in all, it was a pretty fun night. But NOW–the competition begins!

November 24th, 2009 by soullldiva

I always have mixed feelings about the finals.  I think I expect too much out of everyone, and maybe get disappointed. But I forget that these are the same people as before, just one more week along.  So logically, they are not going to turn into full-fledged pro dancers in 7 days (or really 5 days because that’s all the time they get). Tonight I watched with that in mind so I could really enjoy myself.  These three stars (and their pros) have really busted ass to get in the Finals and they deserved it!  Now I wanted them to show me the stuff!

First the stars did one last regular-style dance by themselves.  Kelly Osbourne was first with her Argentine Tango.  Now this is my favorite Ballrooom/Latin dance, and I was crossing my fingers that she would do well, and better than her last effort.  Fortunately, Carrie Ann Inaba made a visit to their rehearsal to give her some coaching specifically on her emotional connection with her partner.  This is something she has always needed to work on, even though Kelly is really “The Transformer” of the show.  She’s the one that’s come the farthest and really discovered dance.  But she has never quite had that connect with Louis Van Amstel that would allow them to play lovers.

Let me tell you she did NOT disappoint. Her footwork was excellent, lines were beautiful and they really smoldered when looking into each other’s eyes. It was the real connection this time, yea!  Strangely, this was the lowest scoring first dance of the night, with a 9-9-8, and I sincerely believe it was the best first dance of all three.  Maybe the judges were warming up or something.  The only big criticism that I heard was from Bruno Tonioli who said that Kelly’s “free hand” was doing odd things while she danced.  Ugh, whatever.

Next up was Mya. Len Goodman paid her and Dmitry Chaplin a visit as they rehearsed. Len’s intention as they practiced was to really push Mya to her limits in the Paso Doble. He even yelled at her about her kicks, that she could kick his upper hand out of the way. This is a great thing, because I have thought through pretty much the whole season that Mya was too cool of a cucumber, and never really revealing much or reaching her limits.

Technically, the dance looked good and had that measure of anger and sharpness that the Paso calls for.  But I really didn’t feel the passion that it needs.  The Paso is such a difficult dance to pull off and make look super spectacular in my opinion, you really need a variety of great moves coupled with a really great passionate anger with your partner. Nothing can hold a candle to Mel B. and Maks Chmerkovskiy’s Paso in season 7. Incidentally, Len mentions Mel’s dance in his critique of Mya, saying hers was up there. As you can guess, I do not agree. Judges scores: 10-10-10.

Donny Osmond was next with his Cha Cha Cha. Bruno made a visit to him and partner Kym Johnson to help sharpen up his technique enough to match his showmanship. This is great because Donny can always pull out a crowd-pleasing performance, but not be technically perfect. Bruno took him to task and really put him through his paces. Oddly enough, I didn’t see much evidence of this in his Cha Cha, where he did what seemed as little actual dancing as possible.  I thought I might be wrong, but my friend sitting next to me echoed my thoughts exactly. The judges seemed quite happy with it, so it’s possible I don’t understand the man’s role in the Cha Cha. Judges scores: 9-9-9.

A new element this season was the Megamix, where all three couples danced a “superdance” at the same time.  Three dances, same choreography (by Nick Kosovich from seasons 2 and 3). This, in theory, is a great idea, I always love the pro dances where up to 5 couples dance at the same time–but those are not PRO dancers.  Do you know how hard it is to have six people dancing in complete synchronization and stay in a specific formation?  HARD. I personally thought that the Megamix was a mess, and the girls outfits were rather unflattering and distracting. They combined Viennese Waltz, Samba and Jive which to me was rather jarring.

In any case, the stars seemed to enjoy themselves, which makes it all ok in the end. Mya came in first, Donny second and Kelly third for 30, 28 and 26 points respectively.

Lastly was the most anticipated dance: the Freestyle. They kept on saying that the Freestyle can make or break a dancer and they could win or lose the trophy with it.  I have to say, I completely disagree, and the Freestyle is always interesting to me, but NOT my favorite. I feel that the Freestyle is some odd excuse to trot out every single trick, lift and leap you’ve ever wanted to do.  It’s never simply been about dancing. Freestyles usually do not live up to expectations and don’t always get the best scores.

Kelly and Louis were up first with a disco Freestyle to Gloria Gaynor’s “I Will Survive”,which she had adopted as her theme song, just because her DWTS trip has definitely been an up and down one for her. Yet she still came out shining. Her dance was fun and free, with lots of smiling and singing along from her (which I love). Also thrown in were lots of tricks, not all of which were completely pulled off. But she smiled and laughed the whole way along and never gave up. This got her kudos from the judges if not high paddles. Judges scores: 8-8-8.

Mya and Dmitry did a puzzling Freestyle to “Can’t Stop the Beat” from Hairspray. I liked it a lot, mostly for the reason that they didn’t pull out every trick in the book.  It was good dancing, but not show-stopping.  And her outfit was super cute.  I think they should have gone with Mya’s out-of-the-box idea. Judges scores: 9-9-9.

Donny and Kym were last with what was the most entertaining Freestyle of the evening. Donny did what Donny does the best: entertain us with energy, enthusiasm and style (why didn’t everyone do that?). “Hollywood at it’s best, ” yelled Bruno.  Agreed. Carrie said his Broadway number went down into history with the best, including Drew Lachey’s “Save a Horse Ride a Cowboy” and Shawn Johnson’s Jabbawokeez-inspired Freestyle. Two really great ones in a sea of not really memorable Freestyles. Judges scores: 10-10-10. Well deserved.

The voting has been unpredictable this season. Almost as unpredictable as this season’s predictable winner. But the probability of Mya winning the mirror-ball trophy does not take away from the suspense.  Will the obviously enormous fan bases of Kelly’s and Donny’s come out screaming overnight to deliver an upset?  Even though all three stars have delivered a fantastic season (Mya included), I am keeping my fingers crossed for Miss Osbourne.  Nobody deserves the win more.

Agree? Disagree?  Lemme have it!!