I LOVE Glee. I was in choirs and show choirs and musicals my whole young life through Middle School and High School and we never did anything close to what they do on this show. What I wouldn’t have done to have a rock band available every day for choir practice (who wouldn’t).

Since the premise of the show is a glee club in High School, it’s easy to segue into the musical numbers. Most of them are super fun. But this one was extra special.

Towards the end of the second season there is a storyline about Artie (played by the lovely Kevin McHale) seeking procedures and therapies to help him walk. Now, Glee has taken heat for its famous “wheelchair episode” where they did “Proud Mary” with the entire cast in wheelchairs. I don’t pretend to know what a wheelchair bound person deals with every day. All I can say is that there are people in wheelchairs and they are people just like anyone else and should be treated with respect like any other person on this earth. I’m glad for Artie’s character because paraplegics don’t get enough screen time. TV just isn’t “real world” enough, and they sometimes don’t want to highlight the tougher issues that might just “bring us down”. How people deal with their confinement in the chairs and still express their art is what makes them unique. And everyone needs to play up their uniqueness, because there is only one YOU. (thanks Mia)

Artie talks with Emma Pilsbury (Jayma Mays) about the different experimental treatments they are doing to help people walk again. I really hate that her character discourages him from these, saying that they are in the first stages and would take years to perfect, let alone use. I actually don’t like her character all the time (now Sue Sylvester on the other hand I’ll take any day, considering how she treated the Down’s Syndrome girl, yea).

But then Artie is at the mall with his new girlfriend Tina (Jenna Ushkowitz) and tells her that he’s actually been doing the treatments, and he thinks they’re really working.

The dance is so completely awesome it makes you want to get up and dance with him. This is also the first time we see Kevin McHale out of the chair and moving. Hey–he can effin’ dance!! The song is a perfect choice for the scene as well, as 80′s one-hit-wonder pop tunes usually are (thank you Men Without Hats). You are so elated by the dance and Artie’s obvious joy that when the song abruptly ends and slams him back in his wheelchair your heart is pinched hard. Tears sprang to my eyes. You and empathize a bit more with Artie and his longings. If you were in a wheelchair, would you want to dance too? I would.

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It’s going to be a show packed with amazing dance–and we get to see all our favorite pieces from the entire season as well! All that before we find out who is America’s favorite dancer on season 7 of So You Think You Can Dance. Let’s get movin’!

First off, let me say that I love Cat’s dress, it’s very ballerina-ish. And I always love her hair. Her stylist manages with extreme precision to style it in a way that it does not look styled, just like she pushed a brush through it after a couple hot rollers and went. Brilliant.

What we are treated to first is a completely amazing, whirlwind, entrancing number to “RA” by Nathan Lanier. This is very high-concept and stylized and just great dancing. The top 11 dancers and all the all-stars are in it, and nothing makes me happier than to see Alex skate out on a chair with wheels and do an incredible solo with only his hands and arms. Makes me tear up. I begin to think this is looking a lot like an LDX piece when it’s announced that Christopher Scott, from yes, the LDX choreographed it. A great beginning to the night.

There are SEVEN choreographers/judged shoved in behind the microphones:
Nigel Lythgoe (we get a montage of his hair, very funny–and I want to see him do the full dance with the kids!)
Mia Michael (we get a montage of her making up words and sayings, I didn’t realize she did that)
Adam Shankman (great montage of all his funny and rico suave faces)
Tyce DiOrio
Stacey Tookey (Emmy nominated, btw)
Kenny Ortega (lahhhve)
Mary Murphy (Mary’s back! Mary’s back!)

First up is the judge’s pick for their faves of the season. Kenny Ortega picks Tyce’s “Shoeless Joe” from Damn Yankees with Kent and Neil. Kenny thought that Tyce’s piece was a great homage to Fosse and the the thing that Kent needed at that monent in the competition to push him forward. I would agree with the great Ortega.

Nigel’s pick is Stacey Tookey’s number with Billy and Ade, “Mad World”. A real moment for Billy, and he left the following week. An exceptional piece of art, and I am torn between this one and Travis Wall’s piece with Kent and Neil as my favorite of the season. I’m sure we’ll see that one later.

First special guest tonight is Quest–which happens to contain all-star Dominic. How does Dominic land on his back like that and not rupture countless vertebrae? Love the music for this, combination of hip hop, disco, and old fashioned vaudeville. Great fun.

Mia’s favorite pick is AdeChike and Comfort with their lyrical hip hop NappyTabs number. Very interesting, as I would have pegged her to pick Travis’ piece. As I recall AdeChike got really emotional afterwards the first time. I do love this piece, I always love it when hip hop can successfully tell a full story. I like it when it just jams, too.

Next is not a pick, but Kent and Anya doing their Cha Cha Cha to “My First Kiss”. I have to say that Kent still pulls the faces, but he’s got it down to an art and a science now. He knows exactly when to pull them, what type and how much. Watch the cha cha again and see what I mean.

Tyce’s pick is another NappyTabs, the clown piece with Robert and Dominic. I can’t decide whether this is ultra cool or ultra scary with the clown makeup. Oh well.

We get a peek around the US at National Dance Day from July 31st. I love that there is a national day for dance and that dance is being recognized as a physical and athletic pursuit, one that you can do to not only express your artistic creativity, but to exercise your body and get into shape, Yea Dance!

Next is a Tap number featuring none other than judge and exec. producer Nigel Lythgoe. And he walks out on crunches claiming a season 7 curse. Suddenly there’s a seven year old on stage saying he wants to tap dance. Well let him tap dance! And he does. Boy he does. I guess no Nigel tapping (sniff).

The next tap routine by a duo of brothers was probably the most entertaining tap I’ve seen since Gregory Hines. Nice treat!

Nigel’s second favorite pick is Lauren and Pasha’s Argentine Tango to “Oblivion”. Oh, Pasha, you haunt my dreams in skin tight black tuxedo pants and patent leather shoes. This is really an outstanding Tango and I love it even more the second time around.

Adam’s pick for the season is Travis Wall’s “Fix You” with Allison and Robert.

OMG. Is that RUSSELL FERGUSON???? Where the hell has he been? Rehearsing with Lil C, I guess! And C really gives the stage up to him for practically their entire Krump. This is a good pairing, they compleiment each other well. I love getting a dose of Russell’s power and energy through the TV. Fab ending slamming down on one knee and jumping back up. Then they flash their abs. Cute.

Mary’s favorite number is Dominic and Jose doing their duet to the music from District 9. I hardly remember this piece. Oh, it’s because I missed it the first time! Love Jose and hate to say I really didn’t care for this one.

Next special guest is the winner of SYTYCD UK Charlie, dancing with Neil. Great lyrical jazz piece, not sure if it shows her uniqueness, but good all the same.

Robert, Lauren and Kent are called on stage right now, in their next costumes. Can we tell what they are dancing next? Yes. One will be eliminated now. Third place goes to: Robert. A disappointed “awww” escapes my throat. Robert is a fantastic dancer who only got better as the show went on, more able, diversified, emotional and available. Congrats to him.

Blue Steel, AKA Adam’s next pick is another NappyTabs number, who are dubbed the “MVP”s of the season (I would agree with that). Lauren and Twitch dance like no tomorrow to “My Chick Bad”. I just love this song because it talks about how bad-ass a gal is.

We get one more look back at my early pick for the winner season seven, Alex. They replay a recording of his Sonya Tayah piece with Allison to Jeff Buckley’s “Hallelujah”. I remember not quite liking this as much the first time around, but I have such nostalgia for Alex that I can see it in a new unit of time and it’s really a heart-wrenching piece. I heart Alex.

Stacey Tookey’s favorite for the season was the Dev Nakul Bollywood danced by Billy and Robert. A harem pants, arm waving, foot slapping great Bollywood piece, Dev’s best for the season and amazingly done by Robert and Billy.

Mia gets to pick last and she picks the only one left to pick: Travis Wall’s “How It Ends” with Kent and Neil. Real perfection in storytelling through dance, excellent from Travis and amazingly well done emotion and moment to moment from the boys. A great way to end the performances.

The group Black Gold performs their fab single “Shine” and it’s too bad they do it through a video montage. Although I like the clips, I think the band deserves the full time on screen.

Ok, what is this super duper huge surprise fabulous guest Cat has been hyping the entire show (and who we have to wait for the results through)? Ellen DeGeneres??? Doing Alex’s part with Twitch for “Outta Your Mind”? Whoa! Ok, I have to say that I LOVE this. It’s light, totally un-serious, adorable and really fun. Ellen is such a fan of dance and of SYTYCD and this was a real treat to have her dance for us, and that she tells America that you can dance and have fun even if you’re not schooled. Alex is obviously thrilled.

Last up, the crowning. Kent and Lauren both deserve the title, and for different reasons. Kent for discovering his artistic roots and his emotional value, and Lauren for her womanly power and willingness to put it all on the line. I have no favorite, I have grown to love them both.

And the winner is: Lauren. I am shocked, but absolutely not disappointed. SO well deserved! And Russell brings her Gatorade bottle with her picture out for her (she of course also gets the exclusive Gatorade contract as they are now acknowledging dance as a sport!)

That’s it for Season 7 of So You Think You Can Dance everyone! So glad you could make it through the season with me. I’ll be there for Season 8 next May!

Until then, I have more dance videos, dance quotes, and of course the upcoming season 11 of Dancing With the Stars, so come back for more!

P.S.: I WILL get the performance night music up asap tomorrow, I promise ;o)

I’m still not certain how the new format for season 7 of So You Think You Can Dance is going to sit with me. All I know is, I had a frickin’ BLAST watching the introduction show, where all the dancers are showcased with their respective “all-stars”. No pressure this time around, no cutting this week, it’s all fun and hard work and lots of sparkling. The only thing I will say about cutting 20 down to 11 is that 9 new dancers lost out on the chance to be on the show. But we won’t get less dancing, so I guess I am satisfied.

The show stared off with a gigantic, explosive bang with a Wade (thank you gawd) Robson dance: Teaparty and Croquet anyone? Only Wade can turn something stuffy into a hawt, cutting edge dance. On grass. To “Fame” by David Bowie. I watched it three times in a row. Love. It. Let’s treat ourselves again, shall we?

This is most likely the last chance that we will get to see the Top 11 dance without (or nearly) a care with phone numbers or judges’ thoughts. And a dancer who dances with the knowledge that nothing negative will be said about their performance on prime-time TV is something special to see, ya’ll. Free expression and excitement on a level that is causing me to salivate in my Venti Iced Green Tea with 1PCL.

Let’s get going. First up is Lauren and Kent, dancing a Travis Wall number with all-stars Mark and Kathryn. How do you even describe this? The costumes are complicated and rock with parasols and cravats–and don’t upstage the dancers. Fierceness and grandness with fire in their eyes. Travis tells us it’s set in the 20′s in Paris and about the dark and twisted souls who come out at night, celebrating the fall of an empire. Totally got it. And Mr. Wall is now my favorite new choreographer for this season. I have my stand-bys with Wade and Mia, but am looking forward to much more Travis.

Alexie (finally made it!!) and Melinda are up next doing a Tyce DiOrio jazz number with all-stars Allison and Lauren. Ooo, and it’s a Sweet Charity number. A little predictable for four girls (or West Side Story), but he girls are pure pleasure to watch, and the song is so character driven how could they not get that much into it? The only thing I miss is the live singing (but that would be a different show). LOVE the dresses. The red one shouldered one on Allison is my favorite. Love that Cat wants to come up and pose with them on the stage. And even though I thought there would be no negative notes, Nigel felt the need for the critique for Melinda, shame.

Jose, the lone B-Boy in the top 11 is next doing a TappyTabs number with Comfort, Twitch and Dominic. What a crew. I love the beginning, bedcuase it’s Jose vs. the three all-stars, like they want him out, and it also makes it easy for him to dance solo. Sweet booty shake by Comfort! And OH what a move putting the feet inside the hoodie and doing a backwards somersault to reveal his shirt–he’s part of the group, ya’ll. Very cool, high, energy, great  stunts. Fresh NappyTabs, baby.

Did I just hear the words Jason Gilkison? Oh yes, I did, and it’s coming up for all-stars Pasha and Anya and newbie ballroom hottie Cristina. Two girls, one guy and a big competition. Amazing lift and flip of Anya over Pasha’s shoulder. Jason does it again with an incredibly hot ballroom number that breaks the mold. I’m getting chills. You get that they BOTH really want the guy and are fighting for him. Loved that they stretched out the ending and the girls led him on then pushed him to the floor. Go girls. (and another critique again, Nigel? Ugh.)

Celebrated returnees Alex and Billy are next dancing a Mia Michaels piece with Ade (love him). Mia gets to talk about the piece beforehand, and speaks about time and the journey of life for a man, from childhood to the infirm age. Billy is the boy, Alex is the man and Ade is the elder. Beautiful lines, amazing extension and a huge amount of emotion laced right in. “This Bitter Earth” plays and these three men dance their lives out on stage, this is a truly gorgeous piece and not overdone in any way, IMO. Storytelling at it’s best. Thanks, Mia.

Adechike, Ashley and Robert are the last three doing a Sonya Tayeh number with all-stars Neil and Courtney. The costumes leave a bit to be desired, but I love the combination of a little hip hop and classic jazz moves. Sony a knows how to do that best. Just plain fun. And I love Sonya because she loves dancers and loves making them give all they have.

Next week the competition stars for REAL. I hope my nails can grow a little more!  I’ll be there watching.

Didja love it, didja hate it? The stage is still the infernal new stage, but no video projections. What do you think? Let me know!

Ok. Classic Television happened on Sunday evening with the 2010 MTV Movie Awards. Who’s idea was it to have Les Grossman, Tom Cruise’s alter ego from Tropic Thunder “produce” the show? Utter Genius. To have Les dance a full number with none other than JLo? Uber Genius.

Who knew Tom could dance THAT well? I mean, I knew he could move, but huh? Plus, he’s probably got 15-20 lbs of makeup and padding and prosthetics on to boot. What a guy. What a dance number.

Finals night came in the blink of an eye on Dancing With the Stars last night. In fact, I was in the middle of a rousing rendition of “Ring My Bell” from the Wii game Just Dance with my family (we’re at a reunion) when I panicked and realized I was missing the show (DVR, I love you).

For the finals this year the stars need to perform an unprecedented FOUR dances (two on Monday, two on Tuesday). Tonight they must do a Redemption Dance, where they will attempt to redeem themselves for a dance the judges say they should have done better on, and the infamous Freestyle, who everyone says locks in the trophy.

SO! Were they redeemed or not? Let’s see…

First is Erin and Maks, and they must attempt to redeem themselves on the Samba. Ooh, tough one for the judges to pick for them. Bruno stops in to help her with her hip action, which (along with your arm work) is really the most important thing in the Samba (oh, along with the Par-Tay!). Bruno likes what he begins to see: “Look at the ass! So much better!”

As they begin the dance, Erin and Maks button UP Maks’ shirt. Very cute. Erin’s dress is fabulous, love the red flutters and her necklace. They did very well, but I feel this was not as earth-shaking as it needed to be. Improvement, yes, fantastic, no. Judges’ Scores: 10-10-9 (which will turn out for me to be the most surprising score of the night).

Evan and Anna is next. They get help from the Great Len Goodman for their Viennese Waltz, which they did all the way back in week one. Chemistry is what is needed here for the two of them here. Evan needs to put more focus and love on Anna, rather than thinking and going to the next move (yeah, Olympian).

Anna choreographed a really, really lovely intro for this Viennese Waltz (her dress is fab), and they kept the connection the entire time when not in hold. Truly lovely. Probably the best Viennese Waltz I’ve ever seen on DWTS. Great work and absolute redemption. Judges’ Scores: 10-9-9

Nicole and Derek have Carrie Ann come in and help out with their Rumba. When they did it the first time, Nicole’s nerves got the bes of her and it was probably her worst meltdown (among quite a few). Carrie Ann really pushes her to take the meltdown and convert it into vulnerability (so use it before rather than after). Really let go and show she’s more than a pretty face and a dancing machine.

Their Rumba is sensitive and beautiful. Nicole is vulnerable and connected to Derek, and Derek himself is more connected to any partner than I’ve ever seen. The choreography is solid and that hold at the end is new and very interesting (she wraps her leg around him and holds herself up, whew). They are completely redeemed here. Carrie Ann’s lift police rant is absolutely necessary here, and I wish she would have just shut up. Judges’ Score: 9-9-10

Freestyle: POP! or fizzzle…

I’ve said it before, and I’ll say it again. This is the most highly anticipated dance of the entire season, and somehow it is always a disappointment. Either the couples go crazy and do stuff that is just “not them”, or they play it safe and do stuff that they would normally do (like a pop star does hip-hop). What will happen for season 10?

For the first time ever, there is a Contemporary/Lyrical freestyle on DWTS. WHAT?? Erin has decided to do something different, and more of what she would do (she had years of ballet and jazz). They even call the lovely Ms. Mandy Moore (woo hoo) in to help out with the choreography. This is unprecedented (there’s that word again, she keeps on using it), and I am anticipating the performance highly.

I expected to love it, but I just…didn’t. And I’m really sorry I didn’t. Erin took a real risk with this and really showed what she wanted to do. I suppose it just looked too odd to me on the ballroom floor, and I felt that contemporary should just stay over on the Fox So You Think You Can Dance set. Plus, there was a bed AND a sofa. Too much, even for a contemporary piece. Off the mark for me personally. However, this dance gave us the best Tom Bergeron moment of the entire season: “In ten seasons, ‘It’s not the bed I rehearsed on’ is the my favorite excuse ever!” Judges’ Scores: 9-8-9

We see Evan and Anna butt heads for the first time this seaon, over the steps for their freestyle. Evan wants to take more chances, and Anna wants to stick to what they do best. They both really want to win, you can tell. Things smooth out when they bring in a choreographer in to help out and be the go-between.

Their freestyle is a prom theme from “Footloose” (this made me think what a great freestyle the prom scene from “Grease” would make). Lots of fun and a huge crowd please. They looked like they had a great time. Technically speaking (except for the impossible lift at the end) that the choreography was a little light, but still super fun. The judges, however, were uniformly disappointed. Judges’ Scores: 8-8-8 Boo.

What, oh what will Nicole bring? Her Pussycat Doll card or something new? I adore their sparkle-y tux outfits with the chartreuse shoes and ties. Really popped. They chose “Little Less Conversation” by Elvis (love it) for their song and they just brought it ALL. This was super-fantastic and absolutely perfect (with a slight hesitation on the lift at the end). Clearly the Winner of the Freestyle Round, and Len hit it right on the nose: He saw all different styles of ballroom dance used together in a new and inventive way. Now THAT’S a freestyle! Judges’ Scores: 9-9-9

So in a surprise on the leaderboard, Erin and Nicole are tied for first with 55 out of 60 points. Evan is second with 52 out of 60 points. The stars and their partners will do their third and fourth dances on the Results show. What will they do? My money is on one dance will be the stars pick and the other will be the judges’ pick. We’ll see. It’s shaping up to be an exciting and very interesting show Tuesday night. My early pick for the winner? Nicole Scherzinger. And she would deserve it. Tune in tonight!

BTW, Spoiler Alert for Season 11: Hugo “Hurley” Reyes wins!!! (thanks to Jimmy Kimmel’s Aloha to LOST show, which helped stop my tears over watching the final episode ;o)

I don’t know if anyone remembers watching the movie Napoleon Dynamite for the first time. I remember sitting in the dirty, small AMC theater in the Burbank Town Center Mall (this was the only theater that was showing it at the time) and laughing at the odd comedy. I also was thinking that I knew at least a couple of people exactly like Napoleon in my little High School in Kansas growing up (you know who you are out there). The other thing that I thought, reluctantly, was that there was a little Napoleon in ME. WHAT???

This is such an interesting character that was developed by Jon Heder and Jared and Jerusha Hess. An outsider, an introvert, sometimes a jerk, bullied, pushed around, abused, and just weird. But he also loves fantasy, is creative, befriends the new guy, is unaware that he’s really that much of a dweeb, and willing to take risks and just show what he’s got.

Then comes the true surprise in the last 10 minutes of the film. The SKIT. When Pedro’s opponent for student body president, Summer, does her dance/sign language ditty, I’m thinking “what does this have to do with a school election?” Come on, what high school election was EVER based on platforms and NOT popularity? None of the ones in my school, that’s for sure. Pedro is done for. No one even told him there was a “skit”.

Napoleon to the rescue. With no second thought, with no thought at ALL (add dependable friend to the list above), he gives his audio tape to the stage manager and steps out in front of the crowd.

My jaw was literally on the floor as I sat in the theater. And the music? “Canned Heat” by Jamiroquai. Singularly one of the most danceable songs out there (and also used in the fun dance romp “Center Stage”). Nothing will endear you more to me personally than just letting it all hang out and really having a moment of pure enjoyment for yourself while you move your body. And that dance is completely improvised. Jon is not a trained dancer nor was he helped by any pro. But you can tell dancing comes very naturally to him. Those loose hips are sometimes very hard to teach (watch any first time dancers on DWTS), and he’s got them in spades. I wanted to stand up and scream at the end, and when the auditorium crowd does just that after a long pause, you feel completely vindicated for loving Napoleon and his original dance.

Bonus? He gets the girl in the end.

Five couples are left on Season 10 of Dancing With the Stars:

Niecy and Louis
Nicole and Derek
Evan and Anna
Erin and Maks
Chad and Cheryl

Three couples stand out (ability-wise) as shoo-ins for the semis:

Nicole and Derek
Evan and Anna
Erin and Maks

It is really up in the air for the last spot. Who will survive the cut tomorrow night? As much as I love Niecy, she may just not make it based on her performances. Chad as well. BUT–who knows?? Last season I wished and hoped (and voted) and got my “dream finals”. Anything can happen with a big enough fan base holding their phones in their hands.

This week the stars learned two whole routines with their pros. Tonight was split up into the Ballroom round and the Latin round. The Latin round was to have it’s own slant: the couples drew decades out of the hat to see how they had to theme their Latin dance: 50s, 60s, 80s, 90s and Future (why no 70s?).

Each of the pros sized up each of the stars in segments before the rounds. This was great, I thought, and seemed candid and sometimes a bit harsh with the truth. What was great to hear from the pros mouths was not only notes on technique and precision, but heart, enjoyment, emotion and connection. I like hearing the pros opinions, and this is a segment that you would probably have not seen the first few seasons. The pros are now stars in their own right, and their opinion matters.

Tonight the dancing for most of the couples seemed to be a “two steps forward, one step back” kind of round. Last week was really fabulous all around, but this week seemed to lack a bit.There were three absolute standout dances this evening, and two of them were from the same couple. While everyone worked very hard, I’m going to focus on these three.

Even though they were in the bottom two last week, Erin and Maks’ Argentine Tango really sizzled. And yet Another dress that I’m totally stealing for my tango. The leap and catch off the stage into the upside-down extention was truly dazzling. Beautiful lines and very passionate hold. She just needs to stop making that funny pursing-thing with her lips to approximate anger. I know she’s capable of real emotion, huh? One thing for sure, those two are really good at the double-entendre (“Just jump on me woman!”).

I’m pretty sure we’re in for three more weeks of Nicole completely freaking out about every dance during rehearsals. If I were Derek, I would be pulling out my hair. Nicole, Nicole, Nicole. Let yourself off the hook puh-leeze. We get it that this is not easy for you. And we totally get that you want it to be good–perfect. And you care–LOTS. Bonus points, baby. Just check out this light, funny, charming and cute Foxtrot, full of chemistry and excellent precision dancing.

So that’s the first two stand out dances for me tonight. The second round, the Latin “decades” round is something that I can’t quite fathom and I’m wondering if the execs should just chuck it. I can’t remember it working that well last year, either. I just don’t think that trying to “force” a specific dance into a specific time period just doesn’t actually work. Well, Chad’s seemed to work. But then–a stroke of genius.

When Nicole drew 50s from the hat, Derek stood there, dumbfounded. How in the hell were they supposed to meld the 50s with the Paso Doble? It wouldn’t work. I had an idea that they could do it like the “cool beatniks” in all black and shades, that might work. But what they came up with was just pure brilliance, and at the same time revived the usual tired and overwrought dance that is the Paso.

So it was an interesting night to say the least. And the couple that originally I did not embrace for being a ringer are now fully in my heart. Will my underdog favorite make it into the semi-finals and beyond? We’ll find out tomorrow on the Results show (cross your fingers)!

I have to say, this was a pretty darn exciting night on Dancing With the Stars–and the Finals are only three weeks away! This week along with their individual dances the stars and their partners had to team up for the “Cha Cha Challenge” and put together group dances to wow the audiences and get an extra possible 30 points to add to their score.

Erin and Maks are up first with a pretty fancy and cute quickstep–in hot pink, no less. Her dress looked pretty dazzling. Oh, and Maks always looks fiiiiine. Their quickstep was fun and engaging, this is never an easy dance to make look great. I just wish in rehearsals they would stop nagging each other, it’s getting old. Len Goodman declares it’s Erin’s best dance to date. Judges’ Scores: 9-9-9

Chad and Cheryl pull out a pretty interesting Waltz this week. Chad gets an extra bonus with Tony Develani coming in to coach him, lucky him! However, they both look like they’re dressed for a Rumba as the music starts. But Chad comes out leading with grace and finesse. This is I think technically his best dance so far, aside from the Tango last week. But the Waltz is a whole other ball game and he really did well. Judges’ Scores: 8-9-8

Nicole and Derek also do a Waltz this week, to the sappiest song in creation, “You Light Up My Life”. But what a Waltz it is, very standard and traditional, with difficult choreography. Derek always knows how to wow. This was so pretty and graceful. The judges were very picky with her, even after Carrie Ann declares that she’s the best dancer they’ve ever had on the show. I guess the better you are the pickier they can be (that’s usually the way it is). Judges’ Scores:9-9-9

Pam and Damien are up next with their Waltz. And I’m super disappointed in this, it’s just unfortunately…boring. I feel like shaking my finger at Damian for not challenging her more, she’s so up to it. Too bad. Judges’ Scores: 8-8-8

Niecy and Louis are next and I have to say that if Niecy doesn’t make it to the finals I am SO going to miss her comic relief and light-heartedness. The show really needs it when the stars tend to take things too seriously (when you’re invested in something that makes you vulnerable it tends to make you serious, folks). This week they do a Quickstep. Mid-rehearsal Louis gets caught texting Kelly Osbourne and Niecy lays claim to her partner, telling him to put down the phone. Niecy is light, quick-footed, smooth and full of mirth in this fantastic dance. Plus she looks absolutely gorgeous (as she always does). Well done to the both of them on her best dance so far. Folks, let’s keep her out of the bottom two! Niecy is so excited about continuing to dance. Judges’ Scores: 9-8-8

Evan and Anna do the only Argentine Tango of the evening, and they are working super hard with him to not “submit” to the woman in this dance. He has to be sharp and not lyrical. Anna is demanding perfection from him and as an Olympic gold medalist, he can deliver. They do their Tango to “Bust Your Windows”, which is a fabulous choice with the tango thump behind it. Anna wears the most awesome dress ever that I am stealing when I do my Tango with my hubby. Love the black/gold sparkles in the stripes on the top into the velvet short, angled skirt and the big flowers at the hip and the side bun. Really stunning! Evan pulls out all the stops and turns in an amazing performance, full of force, passion, power, aggression and sex. Great chemistry between these two and a hot Argentine Tango. Judges’ Scores: 10-10-10!

Next up are the team cha cha cha dances. I have to hand it to the teams, these were really fantastic this year, and measurably conducted more professionally than last year. Plus, they waited to do this until there were 6 couples instead of 7 and have lop-sided teams. Dancing in teams like this is so hard, especially dancing in synch, much like singing in unison is so hard. If you’re off a little bit everyone can see it. You could really tell that the teams enjoyed working together and it also showed in their performances.

First was team GaGa: Nicole and Derek, Pam and Damian and Chad and Cheryl. This is great and for Nicole’s first cha cha, she hits it out of the park. Chad is super good as well. Pam unfortunately looks a tad lost, like she couldn’t remember her steps. Overall, this is a sex-y dance with 6 really sexy people. Judges’ Scores: 9-9-9

Last was team Madonna: Niecy and Louis, Evan and Anna and Erin and Maks. They get to do their cha cha to “Holiday”, which is a party song if there ever was one. And the costumes! I had to laugh out loud at the Madonna circa 1984 look with lace, bustier and bows. Really super fab, and so different on each girl. My pick for the winner is absolutely team Madonna for sheer fun, great moves and even better concept. Well done to them. Judges’ Scores: 8-8-8 (boo)

What an exciting night! Who has to go home tomorrow? I don’t want to see anyone go home… Tune in tomorrow!

If you’ve ever heard the opening piano riff from Bob Seger’s “Old Time Rock ‘n’ Roll” then surely the picture that comes to mind is of a stringy high school kid on the verge of manhood, sliding across the living room floor in his button down shirt and tightie-whities. Yes, I speak of Mr. Tom Cruise in the 1983 film Risky Business. “Princeton could use a guy like Joel.” Amen.

To continue where I left off with Jamie Oliver’s Food Revolution, I adore when dance is used in a non-dance movie. It’s just so real-life. When you are so excited you can’t contain yourself, you do a little jig. When you are completely alone and want to let loose, you pull out your hairbrush and sing “I Will Survive” at the top of your lungs while gyrating in front of the mirror. When you need to step in for your best friend to do a skit, you dance to “Canned Heat” (uh, what).

Here’s the original, that stands the test of time:

As all iconic images do, they spawn copies, spoofs and tributes. Here’s a quick one from the TV show “Scrubs”:

And another from “The Nanny”:

Here’s the sexiest version I’ve ever seen:

Wow, bazoombas…

How about a bunch of athletes? Kobe, don’t you think those shorts are a little long for tightie-whities??

Gotta love it. Thanks Tom, for the original.

This week on Dancing With the Stars, it’s “Double Score Showdown”–one score will be for technique and the other for overall dance performance (they also must do three specific moves). The dances this week are the sexy Rumba and passionate Tango. The Rumba can be hard if you don’t have chemistry with your partner, the Tango, too. But since the tango is more force, precision and passion and less pure sex (the Rumba is of course called “The bedroom dance”), usually there is less difficulty with that.

Let’s get started!

Erin and Maks are up first with the Tango. Erin is stressed because Len picked on her footwork, even though she’s very graceful. That, and she’s having severe back pain. I feel for her, and she’s going to push through it and dance. I wasn’t completely thrilled with the dance, which looked just fine but seemed to have no spark (interesting for a couple who I believe is now dating). She gets points from Len for the content, but still needs to handle the footwork. She still has the “deathgrip” on Maks according to Carrie. Too much thinking on the dance floor can be dangerous. To her credit, we learn in the fishtank that her heel got caught in the strap of her other shoe. Near miss!
Tech Scores: 6-6-6
Performance Scores: 7-7-7

Evan and Anna are next with the Tango as well. Immediately as the dance starts you see real passion here, real dynamics. I love the bit with Anna in the chair at the beginning. They’ve got it together and this is an amazing Tango, and technically super good. Evan and Anna are a winning pair.
Tech Scores: 9-8-9
Performance Scores: 9-8-9

Ok, Niecy (whose name I’ve been spelling wrong, sorry!) and Louis are up and I’m already tearing. Louis tells Niecy that the Rumba is also a spiritual dance–this I was not aware of, although it could make complete sense. Louis wants to dedicate it to Niecy and have her dance out her feelings for her brother, who died 17 years ago. This woman is full of emotion and I so hope she can put it right into the dance. The technique will take care of itself.

I just love this woman. She put all that emotion into the dance and even though she was really dancing for her brother, it really read so well as a sensual, celebratory dance of love and life with Louis. True emotional connection. Unfortunately, the judges really didn’t like it and were pretty hard on her. And I can always tell it’s so hard on the stars when they bare all and get no love from the judges. It’s tough. But to hell with them!
Tech Scores: 6-6-6
Performance Scores: 6-6-6

Aiden and Edyta are up next with a Rumba, and Edyta really wants to be felt up every time in rehearsal (sorry, my tee hee moment). The Rumba is all about feeling up, baby. I am so distracted by Edyta’s strategically placed bits of tinfoil for a dress that I can barely pay attention to their dance. It seems like they danced well and he was more comfortable, but he was very stiff in his shoulders. Bruno said he had the “Blue Steel” down, but there was no flow to the dance. Sigh.
Tech Scores: 5-5-5
Performance Scores: 6-6-6

Best Tom Bergeron Moment: “Would you guys like a candy bar or some orange juice to get the blood sugar levels back up?” Referring to the judges harsh scores during the evening. Thanks for the levity, Tom!

Derek and Nicole are up next and after their rule-breaking Quickstep last week we’ll see how they do on their Rumba. Can she quell her giggles during the dance of love? Once again, I am distracted by costumes. Why is she wearing an ill-fitting toga? Thank gawd Derek’s shirt is closed. Wow, great display of technique and dance ability and absolutely sexy. Mixed bag with the judges on comments, but better on the scores.
Tech Scores: 9-8-8
Performance Scores: 8-8-9

Jake and Chelsie are up next with the Tango, and for someone with as much trouble as he has in rehearsals, he usually looks pretty good. Very sharp, great attack, looked confident and they looked good moving together. Wow, up and down the stairs! That was a super move. They really looked damn good, even with some slight stumbling.
Tech Scores: 6-7-6
Performance Scores: 7-6-6

And now we come to Kate and Tony. And Tony looks…tired. Her world is just too big for this show. But good for Tony to try to get her to put it into the dance and just work and stop getting upset. She’s lamenting that she’s the most inexperienced and she has big self-doubt. I feel ya lady.

Their tango is just fine, but seems to be very on automatic and careful and stiff. And she still clomps a bit. A measurable improvement from the Paso Doble last week. The judges are positive that she is improving, and this is her best dance so far. She says she’s beginning to have fun and she wants to stay and do more. Hmmmm…..
Tech Scores: 4-5-5
Performance Scores: 6-6-6

Chad and Cheryl. Chad, oh Chad. I’ve never seen a guy be so full of himself yet be super charismatic. And I love him. And he gave Cheryl a ring?? Is that thing real? Their Rumba is very hot, even though he seemed to drag and throw her around the floor pretty hard (was that just me?). The judges loved it and praised his fluidity and improvement on posture. Well done to them.
Tech Scores: 7-6-8
Performance Scores: 8-7-8

Are Pam and Damien always last? What’s up with that? They’re doing the Rumba and she’s warned by Len to not be raunchy, a comment that I find unwarranted, because I have not found anything raunchy about any of her dances so far. Pam is my new underdog, she could go far.

You know what I realized, I really don’t like the costumes they do for the girls for the Rumba. They just don’t drape like clothing. It’s like half a sheet going down their bodies. Very unflattering on even the most flattering bodies. Ugh. Well, onward.

Damien and Pam are really truly lovely in the best Rumba of the night, just enough sex and sultryness, and even love thrown in. Technique was great and smooth. The song choice was really great for this (“I Can’t Make You Love Me”), as it helped tone the “come hither” down a bit and make it something more refined.
Tech Scores: 7-8-8
Performance Scores: 8-7-9

Wow, such a tough night for most of our dancing couples. Looks like Nicole/Derek and Evan/Anna came out on top, with many of the others dropping well below them. And what was up with the judges tonight? Take a happy pill, folks. Who will be eliminated tomorrow night? Tune in and find out!