I LOVE Glee. I was in choirs and show choirs and musicals my whole young life through Middle School and High School and we never did anything close to what they do on this show. What I wouldn’t have done to have a rock band available every day for choir practice (who wouldn’t).
Since the premise of the show is a glee club in High School, it’s easy to segue into the musical numbers. Most of them are super fun. But this one was extra special.
Towards the end of the second season there is a storyline about Artie (played by the lovely Kevin McHale) seeking procedures and therapies to help him walk. Now, Glee has taken heat for its famous “wheelchair episode” where they did “Proud Mary” with the entire cast in wheelchairs. I don’t pretend to know what a wheelchair bound person deals with every day. All I can say is that there are people in wheelchairs and they are people just like anyone else and should be treated with respect like any other person on this earth. I’m glad for Artie’s character because paraplegics don’t get enough screen time. TV just isn’t “real world” enough, and they sometimes don’t want to highlight the tougher issues that might just “bring us down”. How people deal with their confinement in the chairs and still express their art is what makes them unique. And everyone needs to play up their uniqueness, because there is only one YOU. (thanks Mia)
Artie talks with Emma Pilsbury (Jayma Mays) about the different experimental treatments they are doing to help people walk again. I really hate that her character discourages him from these, saying that they are in the first stages and would take years to perfect, let alone use. I actually don’t like her character all the time (now Sue Sylvester on the other hand I’ll take any day, considering how she treated the Down’s Syndrome girl, yea).
But then Artie is at the mall with his new girlfriend Tina (Jenna Ushkowitz) and tells her that he’s actually been doing the treatments, and he thinks they’re really working.
The dance is so completely awesome it makes you want to get up and dance with him. This is also the first time we see Kevin McHale out of the chair and moving. Hey–he can effin’ dance!! The song is a perfect choice for the scene as well, as 80′s one-hit-wonder pop tunes usually are (thank you Men Without Hats). You are so elated by the dance and Artie’s obvious joy that when the song abruptly ends and slams him back in his wheelchair your heart is pinched hard. Tears sprang to my eyes. You and empathize a bit more with Artie and his longings. If you were in a wheelchair, would you want to dance too? I would.
It’s going to be a show packed with amazing dance–and we get to see all our favorite pieces from the entire season as well! All that before we find out who is America’s favorite dancer on season 7 of So You Think You Can Dance. Let’s get movin’!
First off, let me say that I love Cat’s dress, it’s very ballerina-ish. And I always love her hair. Her stylist manages with extreme precision to style it in a way that it does not look styled, just like she pushed a brush through it after a couple hot rollers and went. Brilliant.
What we are treated to first is a completely amazing, whirlwind, entrancing number to “RA” by Nathan Lanier. This is very high-concept and stylized and just great dancing. The top 11 dancers and all the all-stars are in it, and nothing makes me happier than to see Alex skate out on a chair with wheels and do an incredible solo with only his hands and arms. Makes me tear up. I begin to think this is looking a lot like an LDX piece when it’s announced that Christopher Scott, from yes, the LDX choreographed it. A great beginning to the night.
There are SEVEN choreographers/judged shoved in behind the microphones:
Nigel Lythgoe (we get a montage of his hair, very funny–and I want to see him do the full dance with the kids!)
Mia Michael (we get a montage of her making up words and sayings, I didn’t realize she did that)
Adam Shankman (great montage of all his funny and rico suave faces)
Tyce DiOrio
Stacey Tookey (Emmy nominated, btw)
Kenny Ortega (lahhhve)
Mary Murphy (Mary’s back! Mary’s back!)
First up is the judge’s pick for their faves of the season. Kenny Ortega picks Tyce’s “Shoeless Joe” from Damn Yankees with Kent and Neil. Kenny thought that Tyce’s piece was a great homage to Fosse and the the thing that Kent needed at that monent in the competition to push him forward. I would agree with the great Ortega.
Nigel’s pick is Stacey Tookey’s number with Billy and Ade, “Mad World”. A real moment for Billy, and he left the following week. An exceptional piece of art, and I am torn between this one and Travis Wall’s piece with Kent and Neil as my favorite of the season. I’m sure we’ll see that one later.
First special guest tonight is Quest–which happens to contain all-star Dominic. How does Dominic land on his back like that and not rupture countless vertebrae? Love the music for this, combination of hip hop, disco, and old fashioned vaudeville. Great fun.
Mia’s favorite pick is AdeChike and Comfort with their lyrical hip hop NappyTabs number. Very interesting, as I would have pegged her to pick Travis’ piece. As I recall AdeChike got really emotional afterwards the first time. I do love this piece, I always love it when hip hop can successfully tell a full story. I like it when it just jams, too.
Next is not a pick, but Kent and Anya doing their Cha Cha Cha to “My First Kiss”. I have to say that Kent still pulls the faces, but he’s got it down to an art and a science now. He knows exactly when to pull them, what type and how much. Watch the cha cha again and see what I mean.
Tyce’s pick is another NappyTabs, the clown piece with Robert and Dominic. I can’t decide whether this is ultra cool or ultra scary with the clown makeup. Oh well.
We get a peek around the US at National Dance Day from July 31st. I love that there is a national day for dance and that dance is being recognized as a physical and athletic pursuit, one that you can do to not only express your artistic creativity, but to exercise your body and get into shape, Yea Dance!
Next is a Tap number featuring none other than judge and exec. producer Nigel Lythgoe. And he walks out on crunches claiming a season 7 curse. Suddenly there’s a seven year old on stage saying he wants to tap dance. Well let him tap dance! And he does. Boy he does. I guess no Nigel tapping (sniff).
The next tap routine by a duo of brothers was probably the most entertaining tap I’ve seen since Gregory Hines. Nice treat!
Nigel’s second favorite pick is Lauren and Pasha’s Argentine Tango to “Oblivion”. Oh, Pasha, you haunt my dreams in skin tight black tuxedo pants and patent leather shoes. This is really an outstanding Tango and I love it even more the second time around.
Adam’s pick for the season is Travis Wall’s “Fix You” with Allison and Robert.
OMG. Is that RUSSELL FERGUSON???? Where the hell has he been? Rehearsing with Lil C, I guess! And C really gives the stage up to him for practically their entire Krump. This is a good pairing, they compleiment each other well. I love getting a dose of Russell’s power and energy through the TV. Fab ending slamming down on one knee and jumping back up. Then they flash their abs. Cute.
Mary’s favorite number is Dominic and Jose doing their duet to the music from District 9. I hardly remember this piece. Oh, it’s because I missed it the first time! Love Jose and hate to say I really didn’t care for this one.
Next special guest is the winner of SYTYCD UK Charlie, dancing with Neil. Great lyrical jazz piece, not sure if it shows her uniqueness, but good all the same.
Robert, Lauren and Kent are called on stage right now, in their next costumes. Can we tell what they are dancing next? Yes. One will be eliminated now. Third place goes to: Robert. A disappointed “awww” escapes my throat. Robert is a fantastic dancer who only got better as the show went on, more able, diversified, emotional and available. Congrats to him.
Blue Steel, AKA Adam’s next pick is another NappyTabs number, who are dubbed the “MVP”s of the season (I would agree with that). Lauren and Twitch dance like no tomorrow to “My Chick Bad”. I just love this song because it talks about how bad-ass a gal is.
We get one more look back at my early pick for the winner season seven, Alex. They replay a recording of his Sonya Tayah piece with Allison to Jeff Buckley’s “Hallelujah”. I remember not quite liking this as much the first time around, but I have such nostalgia for Alex that I can see it in a new unit of time and it’s really a heart-wrenching piece. I heart Alex.
Stacey Tookey’s favorite for the season was the Dev Nakul Bollywood danced by Billy and Robert. A harem pants, arm waving, foot slapping great Bollywood piece, Dev’s best for the season and amazingly done by Robert and Billy.
Mia gets to pick last and she picks the only one left to pick: Travis Wall’s “How It Ends” with Kent and Neil. Real perfection in storytelling through dance, excellent from Travis and amazingly well done emotion and moment to moment from the boys. A great way to end the performances.
The group Black Gold performs their fab single “Shine” and it’s too bad they do it through a video montage. Although I like the clips, I think the band deserves the full time on screen.
Ok, what is this super duper huge surprise fabulous guest Cat has been hyping the entire show (and who we have to wait for the results through)? Ellen DeGeneres??? Doing Alex’s part with Twitch for “Outta Your Mind”? Whoa! Ok, I have to say that I LOVE this. It’s light, totally un-serious, adorable and really fun. Ellen is such a fan of dance and of SYTYCD and this was a real treat to have her dance for us, and that she tells America that you can dance and have fun even if you’re not schooled. Alex is obviously thrilled.
Last up, the crowning. Kent and Lauren both deserve the title, and for different reasons. Kent for discovering his artistic roots and his emotional value, and Lauren for her womanly power and willingness to put it all on the line. I have no favorite, I have grown to love them both.
And the winner is: Lauren. I am shocked, but absolutely not disappointed. SO well deserved! And Russell brings her Gatorade bottle with her picture out for her (she of course also gets the exclusive Gatorade contract as they are now acknowledging dance as a sport!)
That’s it for Season 7 of So You Think You Can Dance everyone! So glad you could make it through the season with me. I’ll be there for Season 8 next May!
Until then, I have more dance videos, dance quotes, and of course the upcoming season 11 of Dancing With the Stars, so come back for more!
P.S.: I WILL get the performance night music up asap tomorrow, I promise ;o)
It’s the first of two finale nights on Season 7 of So You Think You Can Dance, and while I regret Alex not being here with all my heart, I wish Kent, Lauren and Robert luck as we launch into the first night of the Top 3 Performances! Who will win America’s Favor? Let’s find out.
First up is All-Star Lauren and Kent with a Nakul Dev Mahajan Bollywood routine. Can Kent deliver the cheese? And the lightning-fast hand gestures? Oh most definitely. There could have been even more cheese in my opinion, but the dance moves were simply too fast to deliver it. I LOVED the bit where they clapped hands together while Kent was behind her. Great visually, and lots of fun. Judges loved it but did not have too much to say.
Next is Lauren with Twitch doing a political NappyTabs Hip Hop routine. I’m sure she can hold her own against Twitch, so I’m looking forward to this. The first moment with them smiling and shaking hands is funny and very accurate for dueling politicians. Their movements at the podium are super brilliant, I think, and Nappy Tabs has come up with a very cerebral Hip Hop number. Probably not a fave with those who love old school, but a great piece overall. And well danced! Lauren is praised for her strength and trustworthiness as a dancer with a choreographer’s steps. High praise from Mia Michaels. And I love Twitch, he was a cutie-pie with his shaved face and glasses.
Robert drew a Tyce Jazz number with All-Star Mark, and they do it to one of the best songs of the early 80′s, “Whip It” by Devo (I’m still a Mark Mothersbaugh fan, and he’s appeared with Devo very recently on one of my son’s favorite shows, “Yo! Gabba! Gabba!”). Kitschy, flashy, hand shaking, silly, hair-sprayed hair, jazzy fun. And I actually thought that Robert was better than Mark and stood out by a mile. For Mia, Robert is the most improved dancer on the show. Adam Shankman “threw up” with happiness that he danced for the joy and not for the competition (the things that come out of Adam’s mouth…).
Kent’s interview one-on-one with Cat was very cute and funny, just like him. They talked about the “faces” and we got to see a lot of them through a little tape. He does a hilarious bit for Cat where she asked him for happy and he gives her his happy face. Then she asks him for sad and he doesn’t change it. Very Kent.
Kent’s solo is pretty amazing technically and full of pauses within his leaps and jumps and throwing himself on the ground, but I found it very frenetic and desperate. Something he doesn’t really need. Super powerful dancer, though.
The contestants are now paired up with each other (how are they going to do that, is one person going to dance twice?), and Lauren and Robert are doing a Dee Caspary Contemporary. Prop Alert!! Looks like they are dancing with a pillow. Let’s see if they are overshadowed by their prop or are able to integrate it seamlessly. The golden lighting on them is beautiful. And I like the concept of them as a couple just trying to get home, and there are some moves with the pillow (like the last move, and the move where she threw the pillow to him and jumped to him) that are really fantastic. Well done to both of them. Judges love them. I have a feeling that there will not be much negative commenting tonight and I am intrigued by this.
Lauren is now paired up with Kent (I guess they’re all dancing with each other, so how many dances is that, I’m no math major) for a Mandy Moore Jazz number and they are playing the kooky weirdos that they really are and dancing to “Hip To Be Square”, which I always loved for the Tower of Power horns. Fun, simple, silly. And I could have used even more silliness, over the top would have been completely fine with me. Nothing super remarkable about this dance, didn’t seem to be enough of a challenge for both of them, which is echoed by Nigel Lythgoe.
Robert’s sit-down with Cat, he cites his favorite dance as the Travis Wall piece with Allison, which I will concur. He found the hardest thing to be all the ballroom stuff (which he did amazingly flawlessly, btw). His solo was a great mix of everything that got him on the show to begin with, and a nice cohesion with the music.
To now confuse me further, Kent is paired up with Allison for a Stacey Tookey contemporary about a couple having difficulty with maintaining their “perfect” relationship. This is such an interesting piece. You see the love, the hate, the manipulation, the desperation and the emotion from both of them. Emotion Kent, way to go, very real. In fact, he’s still affected into the judges’ interview and I am very moved by him. Mia tells him she loves him. When he tells Adam “you get so invested with the movement and the story, that the steps don’t even matter, ” Adam tells him he just became an artist. CAN I GET AN AMEN???!!! I am very impressed with this kid.
Last woman standing Lauren talks with Cat, and says her favorite dance was the prom dance with Kent. She had never shared and experience like that with someone on the stage before (and she’s not just talking about the very real kiss at the end). Her solo is the most satisfying of the night for me, from the Mary J. Blige music to the to the luxuriously sensual movement and declaration of her womanhood and her saying “I’m here and I want you.” was simply perfection. Bravo. I just also love that Lauren has an affinity for the classic soul. My kind of gal.
Robert is up next with Kathryn for a Spencer Liff Broadway routine to “Cool”. Ooh, I just love that song. It’s so interesting to see this concept for this song since it’s really the Jet’s gang song (and one of the most awesome pieces ever written/choreographed). But SOOOOOOO cooooool. Amazing choreography and amazingly danced (so well, Robert split his pants). Kathryn and Robert shine like neon pennies and Robert once again proves that he can pretty much do anything they throw at him.
Lauren gets to do a Cha Cha Cha with Pasha! Oooh, good, we get to see Pasha again. And coincidentally, the dance is about Lauren seeing Pasha and not being able to contain herself. Pasha shakes his hips like NO ONE can as usual. Lauren is hot and strong and does a damn impressive body roll (I know that’s an odd thing to pick out, but it stuck out to me). Plus, where she jumped with her knee on his shoulder and then he flipped her completely over then set her down so softly–that thing you know? Crazy amazing. Mia said that if she was still dancing, she would want to dance like Lauren. Whoa. I think Mia is making up for a whole season of some really harsh comments tonight.
The last dance of the night I something new, I believe. A “Malevos” dance, which means “gangster” dance, but Miriam Larici and Leonardo Barrionnuevo (yea! I get to say his name twice this season). The guys are in zoot suits and spats and black hats as they do this. And it’s not what I expect, as they hold each other’s shoulder’s a lot and do some tango like-looking steps. The one moment where Kent jumps up on Robert and then he flips him over was spectacular. Interesting and new, huh. Very powerful from the two of them. Apparently, this is the dance the men do together to practice their tango before they go do it with their women. Even more interesting!
Well that is it, let the voting commence! Who will be crowned America’s Favorite Dancer? We’ll be tuning in tomorrow night to find out!
We’re here, the Top Four before the Finale to crown America’s Favorite Dancer! Let’s get started. Music Recap to follow this post, so if I don’t mention choreographers, don’t worry, I will!
All four start out in a Tyce DiOrio Broadway routine from Guys and Dolls. And they are excited to work with Tyce! This piece was decent, but nobody seemed to really shine in it. I also was constantly distracted by Lauren’s dress which looked like it was unbuttoned in the back, but I figured out it was just the design. This was a complete dud for me, unfortunately. I did like, however having all four of them perform together. Not much commenting from the judges on this one.
Lauren is up next with an Argentine Tango with Sexy Mr. Pasha. Argentine Tango is my favorite ballroom dance, so I’m anticipating this one. This dance is slow, so it’s deceptively simple (it is NOT, btw). It’s very smoldering, intricate, intense and long moments are taken. The one moment where lifts her up in a sweeping motion and her legs work a little dance was simply exquisite. Lauren does very well in this, I think, but I have to say Pasha is the eye catcher for me, just because he’s Pasha. He really gives on the dance floor.
We look back on where Lauren was before she started SYTYCD, and I didn’t realize she was SOOOOO young! I thought she was at least 23 or something. I give her even more props for growing up on the spot and being mature beyond her years.
AdeChike takes the stage next with All-Star Lauren for an Afro-Jazz number. I instantly love their outfits, that terra cotta color looks so great on them. The song is very interesting and tribal. Unfortunately, other than the beginning moments, this was a low-key dance for me as well, it wasn’t especially sparkly. AdeChike gets the note again to loosen up some more, especially in his back. I just remember his solo to “Woman’s Work” and I don’t agree with that note, but maybe he could let go some more. I didn’t see the celebration that Sean Cheesman’s piece needed here.
Robert gets to do the season’s first Viennese Waltz with Anya. And we get to see Dancing with the Stars’ Jonathan Roberts as a new choreographer! Yea! I love the dragging splits move. Once again, my opinion is that Robert actually LOOKS like a ballroom dancer. He also looks somehow older in this piece, more mature. I really liked this, the movement, the exciting moves that I’ve never seen, really pretty. They also had a great connection, very lovely. Judges marvel at the “straight arm” lift that he did and I realized how hard that was. Robert is good at ballroom!
Taking a look back at Robert, he really loves his mom and Step Dad. He also lives with Season 6′s Channing in North Hollywood and it’s fun to see them move all the furniture back and dance in their apartment.
Next, Kent gets a Dori Sanchez Disco with Courtney. Yea! I think there’s only been one disco routine this season and I’ve missed it dearly. Dori knows how to do it hard, hard, hard and fast, fast, fast, so I am anxious to see how Kent copes. There needs to be fun, party and hot moves for sure. I have to really admit that Kent is a good partner, very very strong for a smaller guy. This is a much slower Dori Disco than I’m used to and I’m wondering why! BUT–Kent’s super fast spin with Courtney across his shoulders is jaw-dropping. Crazyness! Kent’s comment about not being very big was cute. And Judge Nigel Lithgoe was right, there was no cheesiness from Kent in this dance. Amazing. Mia and Adam thinks it’s his worst performance.
Kent seems to not have changed at all since right before he came to the show, he’s still a ball of crazy energy. And a great dancer.
Lauren is paired with Ade to do a Sean Cheesman Jazz number, and she’s playing the part of a black widow. The lights are too bright again here, as they were for Sean’s first number. This is an interesting Jazz piece, I’ve never seen anything quite like it, mix of African and Jazz and Hip Hop. Lauren was incredible, though, and Ade’s lift of her from her upside down was mind-blowing. Could have used a smidge more sexual chemistry between her and Ade, as Tyce echoes. Nigel proclaims that Lauren will be in the finale. She gets extra points for dancing jazz in heels.
AdeChike and Kathryn are put into a Desmond and Dwight (Complexions) Contemporary piece. Desmond is AdeChike’s inspiration for becoming a dancer. This was a great piece that really showed their love for dance and their enjoyment of dancing together. Who wouldn’t love dancing with Kathryn McCormick? AdeChike is spanked again for not going to the limit of his abilities the whole time. The judges really want more more more from him. But it looks like unless America comes through, he won’t be in the finale.
As we look back on AdeChike, we see that it is not cool to be a male dancer when you come from Brooklyn. Glad he flourished and prospered and did not give up. He’s a doll and he deserves success.
Robert and Dominic pair up for a NappyTabs Hip Hop routine. They play two clowns in a circus who find out they’ve been fired, and it looks like this is a perfect opportunity for Dominic to cut it up and Robert to join. But this is also the “darker side” of clowning! This is super fun and I love the integration of clowns with hip hop, plus the balloon, very cool. Not super technical, but Robert does well. Judges love it and him. Mia loves the “Hip Hop Theater”. I love that term!
Last up, Kent joined Neil in a Travis Wall Contemporary. This is a story of friendship and betrayal. I adore male dances, so this should be good. I really, really loved this piece. It told such a story about friendship and love and what we can do to each other when the degree of love is so high that it can also be as equal the degree of hate. Very heart-wrenching and real and personal from these two dancers (and Travis). Excellent. Kent shows up with all heart and no cheese and inspires Mia to tears (wow). Kent is my late choice for the winner of season seven.
With that said! We move on to the elimination show tonight. Which dancer will NOT make it to the finale? Tune in tonight and find out!
Aaaaaaaaand Billy Bell is back IN! After getting spanked for not dancing on the results show, that is. Seems that he was better on Thursday and said he wanted to wait it out. Good for him, I say. Gave America a chance to drool over some other dancers for a change. Don’t get me wrong, I am a Billy Bell fan. It’s just…whatever–what happened last night you ask?
The top six performed again on SYTYCD, after the judges made a never before made decision to NOT cut anyone last week because they couldn’t make up their frackin minds. I don’t blame them, really, but in the back of my mind I’m thinking: “how much longer does Casanova Jose have? I mean really?”
Cat looked luscious in a drape-y python print number, much better than last week. Good work, kitty! This week the contestants get to talk and reveal secrets they now know about each other–which I find intriguing.
First up is little Kent, who has a Jean-Marc and France Cha Cha Cha with lovely Anya. His second Cha Cha! And I have to say, all face-pulling aside, the kid is an amazing dancer. Lots of head popping, though. And looks like a little slip in the lift near the end. The camera angle was wide, though, I could be mistaken. But a pretty exciting dance with a great song choice. Mia spanks Kent again for his face–which he still really needs to work on. He defends himself a little (guts, babe), but he agrees that he needs to change it.
Next on the floor is Robert, who drew a Contemporary with sweetie Kathryn and choreographer Stacey Tookey. I absolutely loved the very first movement of this piece with Kathryn’s leg coming up over the army bag (crazy extension) and Robert coming up behind her. Very tender and desperate. Very well danced by both and the story and emotion was right there for us to see. Robert is a super strong partner and this piece really showcased that. Did LOVE the twist at the end that it’s HER going off to war and not him. Great moment. Nigel praises Robert for his growth and maturity and I would have to heartily agree with him. He’s fab and definitely my second fave to win this season.
And then Mia went further with Robert to say this delicious item that pretty much all dancers should listen to: “Allow your emotions and the reality of what you feel be the catalyst of your movement. Allow that to let you begin to move from there. And then it won’t look like you’re dancing steps to then try to conform and speak through steps, you’re speaking through your soul. And then your steps are secondary. And that will take it even to another level.” Thank you, Miss Mia for that lovely Mia Michaels Dance Quote, that’s why I heart ya.
Jose’s solo is the first of the night, and here’s what his fellow competitors have to say about him:
clueless in the cutest way (this is Lauren’s comment)
he’s a fighter and like my brother
smooth, explosive and kind hearted
the most focused and determined person
he’s like a wise tortoise
Pretty interesting. Safe to say they like him a lot. There’s that personality again. His solo is good and I love the music, but it’s so much more about his personality than his dancing now. I feel like his solos are exactly the same. Maybe that’s my unfamiliarity with break dancing but…
AdeChike picked a Tyce DiOrio Jazz routine with Courtney and Tyce says it’s the nightclub up in Spanish Harlem. Yummy! Dizzy Gillespie is the music, so here we go! This is fun and super well dance with a ton of sparks flying between the two. I think this some of Tyce’s finest Jazz choreography. I feel like I’m watching an early 60′s B movie with fantastic music and hot , out of control dancing where everyone wears shades and is possibly toking in the back room (you know those movies). And they looked like they had a ball. AdeChike is my babe, and his note from Nigel was to just let go. Have abandon and not make it look like moves. It’s a good note from him, because it’s what will give him the edge to win.
Lauren’s solo is next and here’s what her peers had to say about her:
she’s the only girl
she’s crazy, hyper, loving
she has two bunny slippers she’s named Joshua and Leviticus
she’s the baby sister, everyone wants to look after her
she’s a ball of energy, hyperactive
Looks like Lauren is definitely the baby of the bunch that everyone wants to take care of. That’s good for the only girl in a group of guys. She does her “Natural Woman” dance, which is a great choice after all the things that were said about her. I love her when she dances to Aretha, she becomes part of the music and part of Aretha’s voice. Lovely.
Jose very luckily pulls a Hip Hop with Comfort choreographed by Marty Kudelka and Dana Wilson. From the video before you can see that Jose and Comfort have a great chase game kind of dynamic which should be great for the piece. They use “Try a Little Tenderness” by the great Otis Redding which goes right to my soul. Hip Hop to Otis? Love it more than words can say. Their costumes are just awesome, straight out of the late 60s old school, you think they just left a blues club and are ready to hook up or get a ride home. This is a great new spin on Hip Hop that is so refreshing. Low on tricks, high on story and charisma. I really loved this piece. As usual Jose loves and wants the girl, and his tone with her is very much the spirit of the dance. He does get smacked for the flappiness of his arms by Nigel, Mia thought there was no swag in him and Adam said dance from the intention of the piece (meaning Jose changed it). Ouch.
Now here’s what everyone says about Mr. Billy:
he’s messy, leaves clothing all over the place
he’s helpful and willing to lend a hand
he’s focused but can crack a joke
he’s loud
he is a crazy, sarcastic, outgoing, nutjob
Hmmmm…interesting. I would have not thought all that of him. But then I see his solo and I get that extra layer of him with those comments. Can’t quite explain it, but there it is.
Now we get to hear what’s been said bout Kent:
he is the cutest little competitive farmboy
silly and oblivious
kind, generous and a great person to have around
(Billy has to think of something nice to say)
he’s a cool kid and a ladies man
he’s a baby brother to me
He dances solo to “A Song For You” covered by Eliott Yamin, which I didn’t know he did. Very nice and the best since the original done by Donnie Hathaway. No face pulling here for Kent. This is a damn good solo. It just kinda goes to show how a dancer can really fully connect with a piece of music. Really, really good, I was moved.
Lauren draws a Broadway number by Tyce with All-Star Allison. Yea! A two gal piece, been waiting for this. And Lauren needs to really pull it all out, Allison is really the queen of Broadway. Lauren is great here, but I just can’t take my eyes off Allison, she’s really got the Broadway style and feeling down and gives it all. Fun piece, but not my fave of the evening. Judges gush over her, they love it. Nigel thinks she’ll be in the finale.
**Side note: has anyone noticed that Mia is much, much harder on the guys than on the girls? Not that Lauren ever deserved a beating, but I’ve never heard Mia say one negative thing about her. Agree? Disagree? Let me know!**
Now here we go, listen to what the contestants had to say about Robert:
the songbird of our generation
always singing and surprisingly well
arrogant sideburns (what?)
the class clown of the group
goofy
Now, class clown is way different than a crazy nutjob and it makes me like Robert even more. His solo is great once again, he really knows how to channel the music and express it. Well done.
Billy gets to dance this week with Ade to a Stacey Tookey Contemporary. Yea, I love Ade! This is the story of a homeless man and a high-powered business man. And then they realize they are old friends. I’m very interested. This was an outstanding piece and I really loved it. The moment when they realized they knew each other could have been longer, but their discovery of each other and the emotions and frustration and anger that came out of them after the moment of discovery were really wonderful. There are far more girl and boy in love routines than something like this, which is another thing that makes it so special. Nigel notes that he’s glad they made their non-decision last week and kept him. I agree.
What does everyone say about AdeChike?
a man of many names (Cheeky is one)
Mr. personality, best friends with everyone
ladies man
flirtatious, loves to compliment the ladies
a magician, puts a spell on the ladies
So AdeChike is the lady killer. Cheeky does his solo in jeans and I am wondering how do dancers dance like that in JEANS? Will someone tell me, please? Because I sure as heck can’t do lateral splits in my Gap 1969 jeans.
Next Jose draws Kent to do a Spencer Liff Broadway dance where the two of them are girl watching. Jose claims Kent has no game but is jealous of how he can simply turn his head and the girls scream. Very cute. And the piece is very cute as well, no doubt. I love this 50s style Donald O’Connor/Gene Kelly stuff. I can’t keep from looking at Jose, but for all the wrong reasons. Kent kills this piece and Jose, while his personality is completely present, dances the entire thing like a break dancer, which is not really what the piece calls for. All of Jose’s jumps were very compact, with his legs very close and bent towards his body, instead of length and air underneath them. And oddly enough, I am harder on Jose than Mia is this time around. Kent is named a contender for the title.
Lauren draws AdeChike to do a Foxtrot by Jean-Marc and France. Is this the first Foxtrot of the season? Will it be the kiss of death? We’ll see. It’s a sexy Foxtrot to “Fever” covered by Beyonce, so it’s not the normal dance. Definitely not your normal Foxtrot, but it just didn’t light my fire as much. I liked the last few moments though. I think the judges were right in that it wasn’t danced like a ballroom dance and so it just didn’t go right.
Robert picks Billy and they get a Bollywood dance choreographed by Nakul Dev Mahajaan (love that name). This is Indian fused with western dance and the story is two actors vying for the same role in a Bollywood movie. The music is from “Bombay Dreams”, which I am excited to hear. They have to dance in sync in throughout nearly the whole dance and they are not always exactly together which is a little distracting. The two are super cute together and really attack the moves and this is a super challenging and endurance-testing dance form which they do really well. And apparently Robert is a big, cheesy hamburger. I will concur.
Hamburgers and Pizza aside, it’s not hard to deduce who will be going home tonight. Well, one at least. And I will be sorry to see him go. Who will be the second? Who? Who? ;o)
