June 11th, 2010 by soullldiva

I’m still not certain how the new format for season 7 of So You Think You Can Dance is going to sit with me. All I know is, I had a frickin’ BLAST watching the introduction show, where all the dancers are showcased with their respective “all-stars”. No pressure this time around, no cutting this week, it’s all fun and hard work and lots of sparkling. The only thing I will say about cutting 20 down to 11 is that 9 new dancers lost out on the chance to be on the show. But we won’t get less dancing, so I guess I am satisfied.

The show stared off with a gigantic, explosive bang with a Wade (thank you gawd) Robson dance: Teaparty and Croquet anyone? Only Wade can turn something stuffy into a hawt, cutting edge dance. On grass. To “Fame” by David Bowie. I watched it three times in a row. Love. It. Let’s treat ourselves again, shall we?

This is most likely the last chance that we will get to see the Top 11 dance without (or nearly) a care with phone numbers or judges’ thoughts. And a dancer who dances with the knowledge that nothing negative will be said about their performance on prime-time TV is something special to see, ya’ll. Free expression and excitement on a level that is causing me to salivate in my Venti Iced Green Tea with 1PCL.

Let’s get going. First up is Lauren and Kent, dancing a Travis Wall number with all-stars Mark and Kathryn. How do you even describe this? The costumes are complicated and rock with parasols and cravats–and don’t upstage the dancers. Fierceness and grandness with fire in their eyes. Travis tells us it’s set in the 20′s in Paris and about the dark and twisted souls who come out at night, celebrating the fall of an empire. Totally got it. And Mr. Wall is now my favorite new choreographer for this season. I have my stand-bys with Wade and Mia, but am looking forward to much more Travis.

Alexie (finally made it!!) and Melinda are up next doing a Tyce DiOrio jazz number with all-stars Allison and Lauren. Ooo, and it’s a Sweet Charity number. A little predictable for four girls (or West Side Story), but he girls are pure pleasure to watch, and the song is so character driven how could they not get that much into it? The only thing I miss is the live singing (but that would be a different show). LOVE the dresses. The red one shouldered one on Allison is my favorite. Love that Cat wants to come up and pose with them on the stage. And even though I thought there would be no negative notes, Nigel felt the need for the critique for Melinda, shame.

Jose, the lone B-Boy in the top 11 is next doing a TappyTabs number with Comfort, Twitch and Dominic. What a crew. I love the beginning, bedcuase it’s Jose vs. the three all-stars, like they want him out, and it also makes it easy for him to dance solo. Sweet booty shake by Comfort! And OH what a move putting the feet inside the hoodie and doing a backwards somersault to reveal his shirt–he’s part of the group, ya’ll. Very cool, high, energy, great  stunts. Fresh NappyTabs, baby.

Did I just hear the words Jason Gilkison? Oh yes, I did, and it’s coming up for all-stars Pasha and Anya and newbie ballroom hottie Cristina. Two girls, one guy and a big competition. Amazing lift and flip of Anya over Pasha’s shoulder. Jason does it again with an incredibly hot ballroom number that breaks the mold. I’m getting chills. You get that they BOTH really want the guy and are fighting for him. Loved that they stretched out the ending and the girls led him on then pushed him to the floor. Go girls. (and another critique again, Nigel? Ugh.)

Celebrated returnees Alex and Billy are next dancing a Mia Michaels piece with Ade (love him). Mia gets to talk about the piece beforehand, and speaks about time and the journey of life for a man, from childhood to the infirm age. Billy is the boy, Alex is the man and Ade is the elder. Beautiful lines, amazing extension and a huge amount of emotion laced right in. “This Bitter Earth” plays and these three men dance their lives out on stage, this is a truly gorgeous piece and not overdone in any way, IMO. Storytelling at it’s best. Thanks, Mia.

Adechike, Ashley and Robert are the last three doing a Sonya Tayeh number with all-stars Neil and Courtney. The costumes leave a bit to be desired, but I love the combination of a little hip hop and classic jazz moves. Sony a knows how to do that best. Just plain fun. And I love Sonya because she loves dancers and loves making them give all they have.

Next week the competition stars for REAL. I hope my nails can grow a little more!  I’ll be there watching.

Didja love it, didja hate it? The stage is still the infernal new stage, but no video projections. What do you think? Let me know!

June 9th, 2010 by soullldiva

Ok. Classic Television happened on Sunday evening with the 2010 MTV Movie Awards. Who’s idea was it to have Les Grossman, Tom Cruise’s alter ego from Tropic Thunder “produce” the show? Utter Genius. To have Les dance a full number with none other than JLo? Uber Genius.

Who knew Tom could dance THAT well? I mean, I knew he could move, but huh? Plus, he’s probably got 15-20 lbs of makeup and padding and prosthetics on to boot. What a guy. What a dance number.

May 18th, 2010 by soullldiva

There are only four couples left in season 10 of Dancing With the Stars: Erin and Maks, Cheryl and Chad, Evan and Anna and Nicole and Derek. I was very sad to see Niecy go, as she was definitely the highlight of this season and really fun to watch crack jokes. But onward!

Last night there were two rounds, the Ballroom Round and the Latin Round. In the Latin Round, each star will be doing their own solo! This is always fun to watch to see if they can really let go and get loose in the face of live TV and millions of viewers (I would certainly be hard-pressed to).

First up was Erin and Maks with their Viennese Waltz. Man, that girl can do amazing things with those legs, really pretty extension. And although I really didn’t care for her dress/pantsuit, it certainly made her legs look even longer. Unfortunately, I think she was super nervous (you see her say that at the end of the dance), she had a chronic issue with trembling ankles. Judges’ Scores 9-9-9 (well, if you don’t include Bruno Tonioli’s “premature” 10 paddle).

Next was Nicole and Derek’s Argentine Tango. Hot, sexy, sharp, passionate, amazing. Really fun to watch and well danced! And the walk down the stairs with her legs wrapped around his was really awesome. Oh yeah, and the move where he lifted her up on his FOOT. This was really a master-choreographed piece. I am going to call Derek out for using the same stag lift move that he used with Lil Kim, though. It’s the first time I have ever seen him re-use a really specific move. Good one, though! Judges’ Scores: 10-10-10

Chad and Cheryl were next with a rather nice and different Waltz. This guy has improved a LOT, and is now able to use that fantastic body of his to the fullest and lengthen and show off those lines. Plus he has an amazing smile and beautiful skin, oh, and that light pink color looks great against it. Ooh, I kinda just fell in love with him there! The did really nicely. Judges’ Scores: 9-9-9

Evan and Anna are next with a Foxtrot. It’s time for Evan to open up a little bit and show some real personality and boy doe he come out of the gate with it with the beginning of this foxtrot. Lots of clicking the heels four feet off the floor! Their dance is peppy, cute and just fantastic and full of chemistry. It’s like this is a new version of Evan, very sparkly (which is a perfect description for a figure skater). Judges’ Scores: 10-9-10

That’s it for the Ballroom round, next up is the Latin round with (dum dum dum) SOLOS. And along with these solos, the stars get to be even more vulnerable with a personal interview. Hmmmmm.

Erin and Maks are first. Erin talks about her childhood and being very tall and skinny, and her fast track onto national ESPN. Then she found out she had a stalker. I thought it was very interesting that she talked about this event (THE video), I actually thought it would have been better to not bring it up. But she was brave to talk about it, good for her.

Their latin dance is a creative Paso Doble. I liked her costume, how the skirt was wrapped up in a top at first and then revealed later on. Her solo was pretty good, she definitely committed to the movement. The Paso as a whole was really fresh, I thought, although non-traditional as Len pointed out. Who cares? Anything to inject new life into the Paso.
Judges’ Scores: 10-9-10

Nicole and Derek are next. Nicole talks about her origins in Hawaii, and being one of 14 in a small house, then moving to Kentucky when her mom met her new husband. She of course didn’t look like anyone in the town, and threw herself into the performing arts to stand out even more!

They do a super cha cha cha to “Kiss” by Prince. She’s even dressed up like him with a purple jacket and “puffy shirt”. Very cheeky, very cute and very well done. Another great piece of choreography by Derek. Her solo was great, but that is her forte, so I felt like it was second nature for her. Judges’ Scores: 10-9-10

Chad and Cheryl are up next. Chad says his first words were “child, please.” His father was in prison and his mother raised him alone. He grew up in a very urban, dangerous community. Football was his outlet, and served him very well. His friends and family talk about how hard DWTS has been for him, and he was surprised at how hard.

Their dance is a Samba. Chad doesn’t let anything hold him back and really enjoys himself out there, especially during his solo. and he has amazing skin. He had the hardest Latin dance and he did well. Big charisma from this guy. Judges’ Scores: 8-8-9

Evan is last. He talks about his Grandmother buying him skates because she wanted to be in the Ice Capades. Once he discovered he could go fast he fell in love. He discovered the lure of competition early on and that he had to work harder to be better. And he’s shy (that we knew). And he’s a great learner (definitely).

Their dance is the Paso Doble to that great Evanescence song. With all the leaps and posing, it’s a cinch that this would be a great dance for Evan. He comes out the box kicking like a wild horse and we really see the skating training come out. But it doesn’t overshadow the dance. Great blend of the Paso and his native abilities. Dramatic kiss at the end! Very well done and big commitment from him. Judges’ Scores: 10-10-10

The Results are TONIGHT!! Who will make it to the Finals? Tune in with me and find out. Try not to bite your nails too much..

May 11th, 2010 by soullldiva

I don’t know if anyone remembers watching the movie Napoleon Dynamite for the first time. I remember sitting in the dirty, small AMC theater in the Burbank Town Center Mall (this was the only theater that was showing it at the time) and laughing at the odd comedy. I also was thinking that I knew at least a couple of people exactly like Napoleon in my little High School in Kansas growing up (you know who you are out there). The other thing that I thought, reluctantly, was that there was a little Napoleon in ME. WHAT???

This is such an interesting character that was developed by Jon Heder and Jared and Jerusha Hess. An outsider, an introvert, sometimes a jerk, bullied, pushed around, abused, and just weird. But he also loves fantasy, is creative, befriends the new guy, is unaware that he’s really that much of a dweeb, and willing to take risks and just show what he’s got.

Then comes the true surprise in the last 10 minutes of the film. The SKIT. When Pedro’s opponent for student body president, Summer, does her dance/sign language ditty, I’m thinking “what does this have to do with a school election?” Come on, what high school election was EVER based on platforms and NOT popularity? None of the ones in my school, that’s for sure. Pedro is done for. No one even told him there was a “skit”.

Napoleon to the rescue. With no second thought, with no thought at ALL (add dependable friend to the list above), he gives his audio tape to the stage manager and steps out in front of the crowd.

My jaw was literally on the floor as I sat in the theater. And the music? “Canned Heat” by Jamiroquai. Singularly one of the most danceable songs out there (and also used in the fun dance romp “Center Stage”). Nothing will endear you more to me personally than just letting it all hang out and really having a moment of pure enjoyment for yourself while you move your body. And that dance is completely improvised. Jon is not a trained dancer nor was he helped by any pro. But you can tell dancing comes very naturally to him. Those loose hips are sometimes very hard to teach (watch any first time dancers on DWTS), and he’s got them in spades. I wanted to stand up and scream at the end, and when the auditorium crowd does just that after a long pause, you feel completely vindicated for loving Napoleon and his original dance.

Bonus? He gets the girl in the end.

May 10th, 2010 by soullldiva

Five couples are left on Season 10 of Dancing With the Stars:

Niecy and Louis
Nicole and Derek
Evan and Anna
Erin and Maks
Chad and Cheryl

Three couples stand out (ability-wise) as shoo-ins for the semis:

Nicole and Derek
Evan and Anna
Erin and Maks

It is really up in the air for the last spot. Who will survive the cut tomorrow night? As much as I love Niecy, she may just not make it based on her performances. Chad as well. BUT–who knows?? Last season I wished and hoped (and voted) and got my “dream finals”. Anything can happen with a big enough fan base holding their phones in their hands.

This week the stars learned two whole routines with their pros. Tonight was split up into the Ballroom round and the Latin round. The Latin round was to have it’s own slant: the couples drew decades out of the hat to see how they had to theme their Latin dance: 50s, 60s, 80s, 90s and Future (why no 70s?).

Each of the pros sized up each of the stars in segments before the rounds. This was great, I thought, and seemed candid and sometimes a bit harsh with the truth. What was great to hear from the pros mouths was not only notes on technique and precision, but heart, enjoyment, emotion and connection. I like hearing the pros opinions, and this is a segment that you would probably have not seen the first few seasons. The pros are now stars in their own right, and their opinion matters.

Tonight the dancing for most of the couples seemed to be a “two steps forward, one step back” kind of round. Last week was really fabulous all around, but this week seemed to lack a bit.There were three absolute standout dances this evening, and two of them were from the same couple. While everyone worked very hard, I’m going to focus on these three.

Even though they were in the bottom two last week, Erin and Maks’ Argentine Tango really sizzled. And yet Another dress that I’m totally stealing for my tango. The leap and catch off the stage into the upside-down extention was truly dazzling. Beautiful lines and very passionate hold. She just needs to stop making that funny pursing-thing with her lips to approximate anger. I know she’s capable of real emotion, huh? One thing for sure, those two are really good at the double-entendre (“Just jump on me woman!”).

I’m pretty sure we’re in for three more weeks of Nicole completely freaking out about every dance during rehearsals. If I were Derek, I would be pulling out my hair. Nicole, Nicole, Nicole. Let yourself off the hook puh-leeze. We get it that this is not easy for you. And we totally get that you want it to be good–perfect. And you care–LOTS. Bonus points, baby. Just check out this light, funny, charming and cute Foxtrot, full of chemistry and excellent precision dancing.

So that’s the first two stand out dances for me tonight. The second round, the Latin “decades” round is something that I can’t quite fathom and I’m wondering if the execs should just chuck it. I can’t remember it working that well last year, either. I just don’t think that trying to “force” a specific dance into a specific time period just doesn’t actually work. Well, Chad’s seemed to work. But then–a stroke of genius.

When Nicole drew 50s from the hat, Derek stood there, dumbfounded. How in the hell were they supposed to meld the 50s with the Paso Doble? It wouldn’t work. I had an idea that they could do it like the “cool beatniks” in all black and shades, that might work. But what they came up with was just pure brilliance, and at the same time revived the usual tired and overwrought dance that is the Paso.

So it was an interesting night to say the least. And the couple that originally I did not embrace for being a ringer are now fully in my heart. Will my underdog favorite make it into the semi-finals and beyond? We’ll find out tomorrow on the Results show (cross your fingers)!