I’m still not certain how the new format for season 7 of So You Think You Can Dance is going to sit with me. All I know is, I had a frickin’ BLAST watching the introduction show, where all the dancers are showcased with their respective “all-stars”. No pressure this time around, no cutting this week, it’s all fun and hard work and lots of sparkling. The only thing I will say about cutting 20 down to 11 is that 9 new dancers lost out on the chance to be on the show. But we won’t get less dancing, so I guess I am satisfied.

The show stared off with a gigantic, explosive bang with a Wade (thank you gawd) Robson dance: Teaparty and Croquet anyone? Only Wade can turn something stuffy into a hawt, cutting edge dance. On grass. To “Fame” by David Bowie. I watched it three times in a row. Love. It. Let’s treat ourselves again, shall we?

This is most likely the last chance that we will get to see the Top 11 dance without (or nearly) a care with phone numbers or judges’ thoughts. And a dancer who dances with the knowledge that nothing negative will be said about their performance on prime-time TV is something special to see, ya’ll. Free expression and excitement on a level that is causing me to salivate in my Venti Iced Green Tea with 1PCL.

Let’s get going. First up is Lauren and Kent, dancing a Travis Wall number with all-stars Mark and Kathryn. How do you even describe this? The costumes are complicated and rock with parasols and cravats–and don’t upstage the dancers. Fierceness and grandness with fire in their eyes. Travis tells us it’s set in the 20′s in Paris and about the dark and twisted souls who come out at night, celebrating the fall of an empire. Totally got it. And Mr. Wall is now my favorite new choreographer for this season. I have my stand-bys with Wade and Mia, but am looking forward to much more Travis.

Alexie (finally made it!!) and Melinda are up next doing a Tyce DiOrio jazz number with all-stars Allison and Lauren. Ooo, and it’s a Sweet Charity number. A little predictable for four girls (or West Side Story), but he girls are pure pleasure to watch, and the song is so character driven how could they not get that much into it? The only thing I miss is the live singing (but that would be a different show). LOVE the dresses. The red one shouldered one on Allison is my favorite. Love that Cat wants to come up and pose with them on the stage. And even though I thought there would be no negative notes, Nigel felt the need for the critique for Melinda, shame.

Jose, the lone B-Boy in the top 11 is next doing a TappyTabs number with Comfort, Twitch and Dominic. What a crew. I love the beginning, bedcuase it’s Jose vs. the three all-stars, like they want him out, and it also makes it easy for him to dance solo. Sweet booty shake by Comfort! And OH what a move putting the feet inside the hoodie and doing a backwards somersault to reveal his shirt–he’s part of the group, ya’ll. Very cool, high, energy, great  stunts. Fresh NappyTabs, baby.

Did I just hear the words Jason Gilkison? Oh yes, I did, and it’s coming up for all-stars Pasha and Anya and newbie ballroom hottie Cristina. Two girls, one guy and a big competition. Amazing lift and flip of Anya over Pasha’s shoulder. Jason does it again with an incredibly hot ballroom number that breaks the mold. I’m getting chills. You get that they BOTH really want the guy and are fighting for him. Loved that they stretched out the ending and the girls led him on then pushed him to the floor. Go girls. (and another critique again, Nigel? Ugh.)

Celebrated returnees Alex and Billy are next dancing a Mia Michaels piece with Ade (love him). Mia gets to talk about the piece beforehand, and speaks about time and the journey of life for a man, from childhood to the infirm age. Billy is the boy, Alex is the man and Ade is the elder. Beautiful lines, amazing extension and a huge amount of emotion laced right in. “This Bitter Earth” plays and these three men dance their lives out on stage, this is a truly gorgeous piece and not overdone in any way, IMO. Storytelling at it’s best. Thanks, Mia.

Adechike, Ashley and Robert are the last three doing a Sonya Tayeh number with all-stars Neil and Courtney. The costumes leave a bit to be desired, but I love the combination of a little hip hop and classic jazz moves. Sony a knows how to do that best. Just plain fun. And I love Sonya because she loves dancers and loves making them give all they have.

Next week the competition stars for REAL. I hope my nails can grow a little more!  I’ll be there watching.

Didja love it, didja hate it? The stage is still the infernal new stage, but no video projections. What do you think? Let me know!

I’ve been tuning in here and there on America’s Best Dance Crew and seen some pretty nice stuff. Crew dancing is not usually my bag (although the kids are certainly talented), so I don’t normally jump up and down about it.

But last week was Disco Week on ABDC, and first that made me perk up. The crews were going to be given a disco song, and they had to incorporate some movement from the song/video clip AND put in a disco dance lift. Easy peasy, right? Well, just tell that to the Heavy Impact Crew who are just that–heavy. AND sooooo much fun to watch!! Just look at these guys. They embrace their differences, rub the bellies and just get to work. Sincerely, although there were great things about all the dances that night, I don’t think I enjoyed any group as much as Heavy Impact. Plus their song was “You Should Be Dancing” by the Bee Gees. Nuff said.

Just watch them tear up the dance floor. That is passion, enthusiasm, and love for dance:

I HEART me some Heavy Impact boys.

Very cute and very fun. Thanks John for the clip!!

I read a couple of reviews of the Oscars performance last night, and I don’t agree with all of them. There are a bit of naysayers about the hosting, the dancing, the choice to honor John Hughes (as opposed to other Honorary awards recipients), having “NPH” sing for the opening, etc. etc.

I thought it was a good show. For gawd’s sake, people, it’s nearly four hours of awards and presentations! How is Mr. Adam Shankman (director of the Oscars show) going to please everybody, all the time? He’s not, so there.

I thought two hosts, especially such as Steve Martin and Alec Baldwin was a super idea. Hey guys, I loved Chris Rock even more and I’m sure they paid Shankman NOT to hire him again. His first choice was actually Sacha Baron Cohen–a revelation even beyond Chris Rock. But they pulled back on the idea, thinking that it would just be too much for most of the people in the room (much less the rest of the US, who are quite more conservative than us here in Hollywood) to handle. Darn.

But Steve and Alec did a great job. Steve’s quip about both himself and “Gabby” Sidibe’s first starring movie roles were as a “poor black child” made me roll. Too young to know what he’s talking about? Check out Steve Martin in The Jerk,it’s a comedy classic. This was still when Steve was a “wild and crazy guy.”

Now, I do get the protests about honoring John Hughes instead of one or more of the Honorary Awards recipients (lovely Lauren Bacall, bigger than life Roger Corman and outstanding cinematographer Gordon Willis). But, as a child of the 80′s, it was really great to look back at all his films and really know that he knew who I was as a teenager. He knew and was able to display it, with charm, humor, grace and humility, for those of us suffering from teenage-itis to share. He was a great filmmaker and I’m so sad that he had to depart too soon.

And then there’s Adam’s choice to have the John M. Chu’s Legion of Extraordinary Dancers perform to each of the movie score nominees. Popping and locking to the theme from a war movie??–was the protest I heard.

Look. I get it that it was a bit different than your usual fare. But doncha get it? Music–any and all music–inspires movement. And that can be any movement of any kind. So yes, music from a movie about the war in the middle east can inspire LXD to move. And that they did amazingly well. And actually, the piece to “The Hurt Locker” score was my favorite of all of them (and the stunts done for the “Avatar” score were crazy good). Face it, naysayers. Popping, locking, b-boying, breakdancing, hip-hop, krumping, freestyle. It’s all here to stay and they are ALL legitimate art forms.

Yea for Dance! And Yea for a great Oscars night!

The Legion of Extraordinary Dancers’ director Jon M. Chu, along with choreographers Harry Shum Jr. and Chris Scott made a video announcement today on their YouTube page that they have officially been invited to perform on the telecast of the 82nd Academy Awards March 7th on ABC. Sa-weeeeeeeet!

Thank gawd for Mr. Adam Shankman, director of the presentation this year. Seeing as he has a vested interest in dance, he is certainly making it way more interesting for those who love dance. Can’t wait to see what he’s concocted for the viewers.

Meanwhile, Jon also said the LXD had been invited to perform on Ted Talks (ted.com) next week. Tune in for that online!

Here’s to a fantastic Oscars 2010!

…where there is some pretty darn great crew dancing going on. Now, I admit it, I’m not usually a stand up and cheer fan of this type of group dancing, I tend to prefer more contemporary-style dancing where more communication of emotion is involved. But that absolutely does not discount this type of high-energy, super complicated, tricky-tricks, high rhythm and syncopated dancing. It’s pretty amazing at times to watch, you just go “wow, how did they do that?” In addition, there’s the necessity for everyone to be completely in-synch with each other and look exactly the same. Also not something I’m a huge fan of (I like it when people dance and look like individuals). But then, that would defeat the idea of a “crew” right??? Of course. I’ve learned to love the synchronicity. ;o)

When the show first debuted on MTV, I loved the commercial for it, which showed a kind of a “melting pot” of dance: cloggers, ballerinas in toe shoes, break dancers, hip hoppers, etc. etc. I looked and looked for this video online and had no luck >o(. Oh well, onward!

Of course the most famous of the crews to come out of America’s Best Dance Crew is the Jabbawokees. You can’t turn on a dance show without seeing them. And rightly so, they are super skilled and really fun to watch.

The are so recognizable as a unit, as a team, the masks really contribute to that so all you are aware of is the movement, sometimes as one. They’re style is just really interesting, very almost laid-back, relaxed, easy going. But still full of energy. I also like this commercial for ABDC season 2 (right after they won). This is Jabbawokeez cranked up, dramatic and full of force:

I love the camera work on that bit as well, really added to their dance.

Another crew that’s made their name from ABDC is Quest Crew, they are super. Here’s their commercial for ABDC after they won:

Pretty snazzy, huh? Ok, that move where the guy flips in the air while two other guys pass above and below him? C-R-A-Z-Y. Nuts. Slammin! And I really dig the whole church theme. Didja see the pictures of the other crews in the stained glass?

OK and finally, a bunch o Girrrrlz won the competition last season, We are Heroes. And they give it as good as the guys do:

Was that enough hoppin’ videos for ya? Hope you had fun. Do you have any other ABDC faves? Let me know!