August 13th, 2010 by soullldiva

It’s going to be a show packed with amazing dance–and we get to see all our favorite pieces from the entire season as well! All that before we find out who is America’s favorite dancer on season 7 of So You Think You Can Dance. Let’s get movin’!

First off, let me say that I love Cat’s dress, it’s very ballerina-ish. And I always love her hair. Her stylist manages with extreme precision to style it in a way that it does not look styled, just like she pushed a brush through it after a couple hot rollers and went. Brilliant.

What we are treated to first is a completely amazing, whirlwind, entrancing number to “RA” by Nathan Lanier. This is very high-concept and stylized and just great dancing. The top 11 dancers and all the all-stars are in it, and nothing makes me happier than to see Alex skate out on a chair with wheels and do an incredible solo with only his hands and arms. Makes me tear up. I begin to think this is looking a lot like an LDX piece when it’s announced that Christopher Scott, from yes, the LDX choreographed it. A great beginning to the night.

There are SEVEN choreographers/judged shoved in behind the microphones:
Nigel Lythgoe (we get a montage of his hair, very funny–and I want to see him do the full dance with the kids!)
Mia Michael (we get a montage of her making up words and sayings, I didn’t realize she did that)
Adam Shankman (great montage of all his funny and rico suave faces)
Tyce DiOrio
Stacey Tookey (Emmy nominated, btw)
Kenny Ortega (lahhhve)
Mary Murphy (Mary’s back! Mary’s back!)

First up is the judge’s pick for their faves of the season. Kenny Ortega picks Tyce’s “Shoeless Joe” from Damn Yankees with Kent and Neil. Kenny thought that Tyce’s piece was a great homage to Fosse and the the thing that Kent needed at that monent in the competition to push him forward. I would agree with the great Ortega.

Nigel’s pick is Stacey Tookey’s number with Billy and Ade, “Mad World”. A real moment for Billy, and he left the following week. An exceptional piece of art, and I am torn between this one and Travis Wall’s piece with Kent and Neil as my favorite of the season. I’m sure we’ll see that one later.

First special guest tonight is Quest–which happens to contain all-star Dominic. How does Dominic land on his back like that and not rupture countless vertebrae? Love the music for this, combination of hip hop, disco, and old fashioned vaudeville. Great fun.

Mia’s favorite pick is AdeChike and Comfort with their lyrical hip hop NappyTabs number. Very interesting, as I would have pegged her to pick Travis’ piece. As I recall AdeChike got really emotional afterwards the first time. I do love this piece, I always love it when hip hop can successfully tell a full story. I like it when it just jams, too.

Next is not a pick, but Kent and Anya doing their Cha Cha Cha to “My First Kiss”. I have to say that Kent still pulls the faces, but he’s got it down to an art and a science now. He knows exactly when to pull them, what type and how much. Watch the cha cha again and see what I mean.

Tyce’s pick is another NappyTabs, the clown piece with Robert and Dominic. I can’t decide whether this is ultra cool or ultra scary with the clown makeup. Oh well.

We get a peek around the US at National Dance Day from July 31st. I love that there is a national day for dance and that dance is being recognized as a physical and athletic pursuit, one that you can do to not only express your artistic creativity, but to exercise your body and get into shape, Yea Dance!

Next is a Tap number featuring none other than judge and exec. producer Nigel Lythgoe. And he walks out on crunches claiming a season 7 curse. Suddenly there’s a seven year old on stage saying he wants to tap dance. Well let him tap dance! And he does. Boy he does. I guess no Nigel tapping (sniff).

The next tap routine by a duo of brothers was probably the most entertaining tap I’ve seen since Gregory Hines. Nice treat!

Nigel’s second favorite pick is Lauren and Pasha’s Argentine Tango to “Oblivion”. Oh, Pasha, you haunt my dreams in skin tight black tuxedo pants and patent leather shoes. This is really an outstanding Tango and I love it even more the second time around.

Adam’s pick for the season is Travis Wall’s “Fix You” with Allison and Robert.

OMG. Is that RUSSELL FERGUSON???? Where the hell has he been? Rehearsing with Lil C, I guess! And C really gives the stage up to him for practically their entire Krump. This is a good pairing, they compleiment each other well. I love getting a dose of Russell’s power and energy through the TV. Fab ending slamming down on one knee and jumping back up. Then they flash their abs. Cute.

Mary’s favorite number is Dominic and Jose doing their duet to the music from District 9. I hardly remember this piece. Oh, it’s because I missed it the first time! Love Jose and hate to say I really didn’t care for this one.

Next special guest is the winner of SYTYCD UK Charlie, dancing with Neil. Great lyrical jazz piece, not sure if it shows her uniqueness, but good all the same.

Robert, Lauren and Kent are called on stage right now, in their next costumes. Can we tell what they are dancing next? Yes. One will be eliminated now. Third place goes to: Robert. A disappointed “awww” escapes my throat. Robert is a fantastic dancer who only got better as the show went on, more able, diversified, emotional and available. Congrats to him.

Blue Steel, AKA Adam’s next pick is another NappyTabs number, who are dubbed the “MVP”s of the season (I would agree with that). Lauren and Twitch dance like no tomorrow to “My Chick Bad”. I just love this song because it talks about how bad-ass a gal is.

We get one more look back at my early pick for the winner season seven, Alex. They replay a recording of his Sonya Tayah piece with Allison to Jeff Buckley’s “Hallelujah”. I remember not quite liking this as much the first time around, but I have such nostalgia for Alex that I can see it in a new unit of time and it’s really a heart-wrenching piece. I heart Alex.

Stacey Tookey’s favorite for the season was the Dev Nakul Bollywood danced by Billy and Robert. A harem pants, arm waving, foot slapping great Bollywood piece, Dev’s best for the season and amazingly done by Robert and Billy.

Mia gets to pick last and she picks the only one left to pick: Travis Wall’s “How It Ends” with Kent and Neil. Real perfection in storytelling through dance, excellent from Travis and amazingly well done emotion and moment to moment from the boys. A great way to end the performances.

The group Black Gold performs their fab single “Shine” and it’s too bad they do it through a video montage. Although I like the clips, I think the band deserves the full time on screen.

Ok, what is this super duper huge surprise fabulous guest Cat has been hyping the entire show (and who we have to wait for the results through)? Ellen DeGeneres??? Doing Alex’s part with Twitch for “Outta Your Mind”? Whoa! Ok, I have to say that I LOVE this. It’s light, totally un-serious, adorable and really fun. Ellen is such a fan of dance and of SYTYCD and this was a real treat to have her dance for us, and that she tells America that you can dance and have fun even if you’re not schooled. Alex is obviously thrilled.

Last up, the crowning. Kent and Lauren both deserve the title, and for different reasons. Kent for discovering his artistic roots and his emotional value, and Lauren for her womanly power and willingness to put it all on the line. I have no favorite, I have grown to love them both.

And the winner is: Lauren. I am shocked, but absolutely not disappointed. SO well deserved! And Russell brings her Gatorade bottle with her picture out for her (she of course also gets the exclusive Gatorade contract as they are now acknowledging dance as a sport!)

That’s it for Season 7 of So You Think You Can Dance everyone! So glad you could make it through the season with me. I’ll be there for Season 8 next May!

Until then, I have more dance videos, dance quotes, and of course the upcoming season 11 of Dancing With the Stars, so come back for more!

P.S.: I WILL get the performance night music up asap tomorrow, I promise ;o)

June 11th, 2010 by soullldiva

I’m still not certain how the new format for season 7 of So You Think You Can Dance is going to sit with me. All I know is, I had a frickin’ BLAST watching the introduction show, where all the dancers are showcased with their respective “all-stars”. No pressure this time around, no cutting this week, it’s all fun and hard work and lots of sparkling. The only thing I will say about cutting 20 down to 11 is that 9 new dancers lost out on the chance to be on the show. But we won’t get less dancing, so I guess I am satisfied.

The show stared off with a gigantic, explosive bang with a Wade (thank you gawd) Robson dance: Teaparty and Croquet anyone? Only Wade can turn something stuffy into a hawt, cutting edge dance. On grass. To “Fame” by David Bowie. I watched it three times in a row. Love. It. Let’s treat ourselves again, shall we?

This is most likely the last chance that we will get to see the Top 11 dance without (or nearly) a care with phone numbers or judges’ thoughts. And a dancer who dances with the knowledge that nothing negative will be said about their performance on prime-time TV is something special to see, ya’ll. Free expression and excitement on a level that is causing me to salivate in my Venti Iced Green Tea with 1PCL.

Let’s get going. First up is Lauren and Kent, dancing a Travis Wall number with all-stars Mark and Kathryn. How do you even describe this? The costumes are complicated and rock with parasols and cravats–and don’t upstage the dancers. Fierceness and grandness with fire in their eyes. Travis tells us it’s set in the 20′s in Paris and about the dark and twisted souls who come out at night, celebrating the fall of an empire. Totally got it. And Mr. Wall is now my favorite new choreographer for this season. I have my stand-bys with Wade and Mia, but am looking forward to much more Travis.

Alexie (finally made it!!) and Melinda are up next doing a Tyce DiOrio jazz number with all-stars Allison and Lauren. Ooo, and it’s a Sweet Charity number. A little predictable for four girls (or West Side Story), but he girls are pure pleasure to watch, and the song is so character driven how could they not get that much into it? The only thing I miss is the live singing (but that would be a different show). LOVE the dresses. The red one shouldered one on Allison is my favorite. Love that Cat wants to come up and pose with them on the stage. And even though I thought there would be no negative notes, Nigel felt the need for the critique for Melinda, shame.

Jose, the lone B-Boy in the top 11 is next doing a TappyTabs number with Comfort, Twitch and Dominic. What a crew. I love the beginning, bedcuase it’s Jose vs. the three all-stars, like they want him out, and it also makes it easy for him to dance solo. Sweet booty shake by Comfort! And OH what a move putting the feet inside the hoodie and doing a backwards somersault to reveal his shirt–he’s part of the group, ya’ll. Very cool, high, energy, great  stunts. Fresh NappyTabs, baby.

Did I just hear the words Jason Gilkison? Oh yes, I did, and it’s coming up for all-stars Pasha and Anya and newbie ballroom hottie Cristina. Two girls, one guy and a big competition. Amazing lift and flip of Anya over Pasha’s shoulder. Jason does it again with an incredibly hot ballroom number that breaks the mold. I’m getting chills. You get that they BOTH really want the guy and are fighting for him. Loved that they stretched out the ending and the girls led him on then pushed him to the floor. Go girls. (and another critique again, Nigel? Ugh.)

Celebrated returnees Alex and Billy are next dancing a Mia Michaels piece with Ade (love him). Mia gets to talk about the piece beforehand, and speaks about time and the journey of life for a man, from childhood to the infirm age. Billy is the boy, Alex is the man and Ade is the elder. Beautiful lines, amazing extension and a huge amount of emotion laced right in. “This Bitter Earth” plays and these three men dance their lives out on stage, this is a truly gorgeous piece and not overdone in any way, IMO. Storytelling at it’s best. Thanks, Mia.

Adechike, Ashley and Robert are the last three doing a Sonya Tayeh number with all-stars Neil and Courtney. The costumes leave a bit to be desired, but I love the combination of a little hip hop and classic jazz moves. Sony a knows how to do that best. Just plain fun. And I love Sonya because she loves dancers and loves making them give all they have.

Next week the competition stars for REAL. I hope my nails can grow a little more!  I’ll be there watching.

Didja love it, didja hate it? The stage is still the infernal new stage, but no video projections. What do you think? Let me know!

March 16th, 2010 by soullldiva

I’ve been tuning in here and there on America’s Best Dance Crew and seen some pretty nice stuff. Crew dancing is not usually my bag (although the kids are certainly talented), so I don’t normally jump up and down about it.

But last week was Disco Week on ABDC, and first that made me perk up. The crews were going to be given a disco song, and they had to incorporate some movement from the song/video clip AND put in a disco dance lift. Easy peasy, right? Well, just tell that to the Heavy Impact Crew who are just that–heavy. AND sooooo much fun to watch!! Just look at these guys. They embrace their differences, rub the bellies and just get to work. Sincerely, although there were great things about all the dances that night, I don’t think I enjoyed any group as much as Heavy Impact. Plus their song was “You Should Be Dancing” by the Bee Gees. Nuff said.

Just watch them tear up the dance floor. That is passion, enthusiasm, and love for dance:

I HEART me some Heavy Impact boys.

March 8th, 2010 by soullldiva

Very cute and very fun. Thanks John for the clip!!

March 8th, 2010 by soullldiva

I read a couple of reviews of the Oscars performance last night, and I don’t agree with all of them. There are a bit of naysayers about the hosting, the dancing, the choice to honor John Hughes (as opposed to other Honorary awards recipients), having “NPH” sing for the opening, etc. etc.

I thought it was a good show. For gawd’s sake, people, it’s nearly four hours of awards and presentations! How is Mr. Adam Shankman (director of the Oscars show) going to please everybody, all the time? He’s not, so there.

I thought two hosts, especially such as Steve Martin and Alec Baldwin was a super idea. Hey guys, I loved Chris Rock even more and I’m sure they paid Shankman NOT to hire him again. His first choice was actually Sacha Baron Cohen–a revelation even beyond Chris Rock. But they pulled back on the idea, thinking that it would just be too much for most of the people in the room (much less the rest of the US, who are quite more conservative than us here in Hollywood) to handle. Darn.

But Steve and Alec did a great job. Steve’s quip about both himself and “Gabby” Sidibe’s first starring movie roles were as a “poor black child” made me roll. Too young to know what he’s talking about? Check out Steve Martin in The Jerk,it’s a comedy classic. This was still when Steve was a “wild and crazy guy.”

Now, I do get the protests about honoring John Hughes instead of one or more of the Honorary Awards recipients (lovely Lauren Bacall, bigger than life Roger Corman and outstanding cinematographer Gordon Willis). But, as a child of the 80′s, it was really great to look back at all his films and really know that he knew who I was as a teenager. He knew and was able to display it, with charm, humor, grace and humility, for those of us suffering from teenage-itis to share. He was a great filmmaker and I’m so sad that he had to depart too soon.

And then there’s Adam’s choice to have the John M. Chu’s Legion of Extraordinary Dancers perform to each of the movie score nominees. Popping and locking to the theme from a war movie??–was the protest I heard.

Look. I get it that it was a bit different than your usual fare. But doncha get it? Music–any and all music–inspires movement. And that can be any movement of any kind. So yes, music from a movie about the war in the middle east can inspire LXD to move. And that they did amazingly well. And actually, the piece to “The Hurt Locker” score was my favorite of all of them (and the stunts done for the “Avatar” score were crazy good). Face it, naysayers. Popping, locking, b-boying, breakdancing, hip-hop, krumping, freestyle. It’s all here to stay and they are ALL legitimate art forms.

Yea for Dance! And Yea for a great Oscars night!