Aaaaaaaaand Billy Bell is back IN! After getting spanked for not dancing on the results show, that is. Seems that he was better on Thursday and said he wanted to wait it out. Good for him, I say. Gave America a chance to drool over some other dancers for a change. Don’t get me wrong, I am a Billy Bell fan. It’s just…whatever–what happened last night you ask?

The top six performed again on SYTYCD, after the judges made a never before made decision to NOT cut anyone last week because they couldn’t make up their frackin minds. I don’t blame them, really, but in the back of my mind I’m thinking: “how much longer does Casanova Jose have? I mean really?”

Cat looked luscious in a drape-y python print number, much better than last week. Good work, kitty! This week the contestants get to talk and reveal secrets they now know about each other–which I find intriguing.

First up is little Kent, who has a Jean-Marc and France Cha Cha Cha with lovely Anya. His second Cha Cha! And I have to say, all face-pulling aside, the kid is an amazing dancer. Lots of head popping, though. And looks like a little slip in the lift near the end. The camera angle was wide, though, I could be mistaken. But a pretty exciting dance with a great song choice. Mia spanks Kent again for his face–which he still really needs to work on. He defends himself a little (guts, babe), but he agrees that he needs to change it.

Next on the floor is Robert, who drew a Contemporary with sweetie Kathryn and choreographer Stacey Tookey. I absolutely loved the very first movement of this piece with Kathryn’s leg coming up over the army bag (crazy extension) and Robert coming up behind her. Very tender and desperate. Very well danced by both and the story and emotion was right there for us to see. Robert is a super strong partner and this piece really showcased that. Did LOVE the twist at the end that it’s HER going off to war and not him. Great moment. Nigel praises Robert for his growth and maturity and I would have to heartily agree with him. He’s fab and definitely my second fave to win this season.

And then Mia went further with Robert to say this delicious item that pretty much all dancers should listen to: “Allow your emotions and the reality of what you feel be the catalyst of your movement. Allow that to let you begin to move from there. And then it won’t look like you’re dancing steps to then try to conform and speak through steps, you’re speaking through your soul. And then your steps are secondary. And that will take it even to another level.” Thank you, Miss Mia for that lovely Mia Michaels Dance Quote, that’s why I heart ya.

Jose’s solo is the first of the night, and here’s what his fellow competitors have to say about him:

• clueless in the cutest way (this is Lauren’s comment)
• he’s a fighter and like my brother
• smooth, explosive and kind hearted
• the most focused and determined person
• he’s like a wise tortoise

Pretty interesting. Safe to say they like him a lot. There’s that personality again. His solo is good and I love the music, but it’s so much more about his personality than his dancing now. I feel like his solos are exactly the same. Maybe that’s my unfamiliarity with break dancing but…

AdeChike picked a Tyce DiOrio Jazz routine with Courtney and Tyce says it’s the nightclub up in Spanish Harlem. Yummy! Dizzy Gillespie is the music, so here we go! This is fun and super well dance with a ton of sparks flying between the two. I think this some of Tyce’s finest Jazz choreography. I feel like I’m watching an early 60′s B movie with fantastic music and hot , out of control dancing where everyone wears shades and is possibly toking in the back room (you know those movies). And they looked like they had a ball. AdeChike is my babe, and his note from Nigel was to just let go. Have abandon and not make it look like moves. It’s a good note from him, because it’s what will give him the edge to win.

Lauren’s solo is next and here’s what her peers had to say about her:

• she’s the only girl
• she’s crazy, hyper, loving
• she has two bunny slippers she’s named Joshua and Leviticus
• she’s the baby sister, everyone wants to look after her
• she’s a ball of energy, hyperactive

Looks like Lauren is definitely the baby of the bunch that everyone wants to take care of. That’s good for the only girl in a group of guys. She does her “Natural Woman” dance, which is a great choice after all the things that were said about her. I love her when she dances to Aretha, she becomes part of the music and part of Aretha’s voice. Lovely.

Jose very luckily pulls a Hip Hop with Comfort choreographed by Marty Kudelka and Dana Wilson. From the video before you can see that Jose and Comfort have a great chase game kind of dynamic which should be great for the piece. They use “Try a Little Tenderness” by the great Otis Redding which goes right to my soul. Hip Hop to Otis? Love it more than words can say. Their costumes are just awesome, straight out of the late 60s old school, you think they just left a blues club and are ready to hook up or get a ride home. This is a great new spin on Hip Hop that is so refreshing. Low on tricks, high on story and charisma. I really loved this piece. As usual Jose loves and wants the girl, and his tone with her is very much the spirit of the dance. He does get smacked for the flappiness of his arms by Nigel, Mia thought there was no swag in him and Adam said dance from the intention of the piece (meaning Jose changed it). Ouch.

Now here’s what everyone says about Mr. Billy:

• he’s messy, leaves clothing all over the place
• he’s helpful and willing to lend a hand
• he’s focused but can crack a joke
• he’s loud
• he is a crazy, sarcastic, outgoing, nutjob

Hmmmm…interesting. I would have not thought all that of him. But then I see his solo and I get that extra layer of him with those comments. Can’t quite explain it, but there it is.

Now we get to hear what’s been said bout Kent:

• he is the cutest little competitive farmboy
• silly and oblivious
• kind, generous and a great person to have around
• (Billy has to think of something nice to say)
• he’s a cool kid and a ladies man
• he’s a baby brother to me

He dances solo to “A Song For You” covered by Eliott Yamin, which I didn’t know he did. Very nice and the best since the original done by Donnie Hathaway. No face pulling here for Kent. This is a damn good solo. It just kinda goes to show how a dancer can really fully connect with a piece of music. Really, really good, I was moved.

Lauren draws a Broadway number by Tyce with All-Star Allison. Yea! A two gal piece, been waiting for this. And Lauren needs to really pull it all out, Allison is really the queen of Broadway. Lauren is great here, but I just can’t take my eyes off Allison, she’s really got the Broadway style and feeling down and gives it all. Fun piece, but not my fave of the evening. Judges gush over her, they love it. Nigel thinks she’ll be in the finale.

**Side note: has anyone noticed that Mia is much, much harder on the guys than on the girls? Not that Lauren ever deserved a beating, but I’ve never heard Mia say one negative thing about her. Agree? Disagree? Let me know!**

Now here we go, listen to what the contestants had to say about Robert:

• the songbird of our generation
• always singing and surprisingly well
• arrogant sideburns (what?)
• the class clown of the group
• goofy

Now, class clown is way different than a crazy nutjob and it makes me like Robert even more. His solo is great once again, he really knows how to channel the music and express it. Well done.

Billy gets to dance this week with Ade to a Stacey Tookey Contemporary. Yea, I love Ade! This is the story of a homeless man and a high-powered business man. And then they realize they are old friends. I’m very interested. This was an outstanding piece and I really loved it. The moment when they realized they knew each other could have been longer, but their discovery of each other and the emotions and frustration and anger that came out of them after the moment of discovery were really wonderful. There are far more girl and boy in love routines than something like this, which is another thing that makes it so special. Nigel notes that he’s glad they made their non-decision last week and kept him. I agree.

What does everyone say about AdeChike?

• a man of many names (Cheeky is one)
• Mr. personality, best friends with everyone
• ladies man
• flirtatious, loves to compliment the ladies
• a magician, puts a spell on the ladies

So AdeChike is the lady killer. Cheeky does his solo in jeans and I am wondering how do dancers dance like that in JEANS? Will someone tell me, please? Because I sure as heck can’t do lateral splits in my Gap 1969 jeans.

Next Jose draws Kent to do a Spencer Liff Broadway dance where the two of them are girl watching. Jose claims Kent has no game but is jealous of how he can simply turn his head and the girls scream. Very cute. And the piece is very cute as well, no doubt. I love this 50s style Donald O’Connor/Gene Kelly stuff. I can’t keep from looking at Jose, but for all the wrong reasons. Kent kills this piece and Jose, while his personality is completely present, dances the entire thing like a break dancer, which is not really what the piece calls for. All of Jose’s jumps were very compact, with his legs very close and bent towards his body, instead of length and air underneath them. And oddly enough, I am harder on Jose than Mia is this time around. Kent is named a contender for the title.

Lauren draws AdeChike to do a Foxtrot by Jean-Marc and France. Is this the first Foxtrot of the season? Will it be the kiss of death? We’ll see. It’s a sexy Foxtrot to “Fever” covered by Beyonce, so it’s not the normal dance. Definitely not your normal Foxtrot, but it just didn’t light my fire as much. I liked the last few moments though. I think the judges were right in that it wasn’t danced like a ballroom dance and so it just didn’t go right.

Robert picks Billy and they get a Bollywood dance choreographed by Nakul Dev Mahajaan (love that name). This is Indian fused with western dance and the story is two actors vying for the same role in a Bollywood movie. The music is from “Bombay Dreams”, which I am excited to hear. They have to dance in sync in throughout nearly the whole dance and they are not always exactly together which is a little distracting. The two are super cute together and really attack the moves and this is a super challenging and endurance-testing dance form which they do really well. And apparently Robert is a big, cheesy hamburger. I will concur.

Hamburgers and Pizza aside, it’s not hard to deduce who will be going home tonight. Well, one at least. And I will be sorry to see him go. Who will be the second? Who? Who? ;o)

Ok, this is a true testament to the fact that I have been completely OUT of it with all our travel, the wedding and moving into our new house. I didn’t realize that Mary Murphy and her famous Hot Tamale Train have been quietly absent from the judging panel this season on So You Think You Can Dance. Even more amazing that I don’t miss her that much.

It is unfortunate that the show loses it’s only ballroom expert judge (and of course we just lost the last ballroom contestant last week). Since they are having ballroom consistently on the show, they really should have a ballroom expert on the panel. Now it has been said by producer Nigel Lithgoe that Mary will possibly be returning sporadically as a guest judge and a guest choreographer. I’d actually like to see her choreography.

But what is possibly even worse than losing the ballroom judge is the fact that Miss Mia Michaels, who I was so gleeful at returning to the American SYTYCD after “retiring” last season, is actually the permanent replacement for Mary on the judging panel. Not only does this mean that we gain a super critical judge on the panel (and don’t get me wrong, I love Mia, she’s just a tough judge), we will NOT be getting any Mia Michaels choreography on the show. Buh-mer. Big.

This is yet another change on the show that I am a little disillusioned with. In contrast, I am liking the “all-stars” bit with dancers returning (although we have yet to see Russell Ferguson who we were promised), and they have also toned down the horrid gigantamous stage a bit by not projecting anything on the back screen, but just keeping colored lights back there. But this is one change that does NOT make me happy.

And ya’ll want to keep the Dancemomma happy, don’t ya? FOX? Hello? Anyone?

Well hello, once again! I thank you all for being so patient with me, we are fully in our beautiful new home and getting settled. Now that we have our UVerse cable installed (love it), I won’t be missing ANY more episodes of this season’s SYTYCD (whew)!

I’m so behind I don’t even know who was eliminated last week. Oh, Cristina. Sorry, doll, I liked you.

First up is AdeChike with Lauren doing a nerdy hip-hop. Very hip, cute and fun. And what’s THIS? Sexy nerds–right up my alley. Hip-hop with a gigantic measure of personality and hot chemistry mixed right in. A perfect recipe in my estimation. I wanna get up and move myself, I am enjoying this so much. Judges luh-huv it. A good sign for AdeChike, as it seems that he has finally “shown up” to the party. This is a great piece from choreographer Dave Scott, must get a mention in for him.

Next is Ashley and Ade doing a piece from newcomer Dee Caspary. The piece is very fast and flowy and has a lot of power. It seems to have all the right elements, but I still feel it’s missing something. Like it’s too fast the whole way through. There is a short pause, but for me it’s not enough give and take in the dynamics. Dee was true to his word, she does practically no movement without help from Ade. I watch it again just to be sure that I’m not missing something, and it still bugs me a little. Masterfully danced by the both of them, but possibly just too rough and tumble for my tastes and hard to digest visually. Judges love it, now I feel bad. Oh well. Purple breezes and glasses of scotch.

And oh, it’s been so long I forgot–SOLOS! Billy’s up first with amazing purple stretch jeans, amazing flexibility and a love to just get it all out there. Well done.

Robert is up next (wow, what a story with his mom, huh?) dancing a Sonya Tayeh jazz number with all-star Courtney. Sonya’s goal is to show America how wrong they were to put him in the bottom last week. These two are in great synch with each other; when they do the moment where they jete together, it’s perfectly in time. I don’t quite get the ferocity from Robert that Sonya really wanted from him, but they looked really go together. His main note is to study ballet. I take this moment to note that they actually don’t ever dance ballet on this show. Hmmm. Not exciting enough? What about traditional Russian dancing. Was THAT exciting enough? Just sayin’, is all.

Jose’s solo is up and he uses one of my fave super soul classics, James Brown’s “Super Bad”. And it’s the original, no sampling here. You go, Jose. He’s a cutie and his solo rocked.

Tapper Melinda’s inspiration is old time hoofer Dr. Harold Cromer whom she has studied with for a few years. It’s really fun to see a youngling studying with a true seasoned pro. She’s got to show her sexy side with a Salsa by Fabian Sanchez and with Pasha. Right out of the box she’s got the hotness, but her heel gets stuck in her dress and even though she has to get it out, she doesn’t miss a beat. Love the stuff on the floor. Ok, this is hot stuff and super super good. She’s really enjoying her self and who wouldn’t dancing with the Pash?? But wow, she gets crushed by the judges. What am I missing here? Plus, Adam Shankman and Mia Michaels both say that she should have been let go last week instead of Cristina. This really frustrates me and I’m going to move on now.

Kent has is solo next. He’s a super cute ball of energy, but it’s too much reaching out and up for me in the solo.

Alex comes out of the gate with his sheer perfection solo to music from Planet of the Apes (odd, but so right) and I have to rewind it twice. Love this guy, because not only has he got the chops that can’t stop, he has the emotion there and ready to go when its needed. Sigh.

Next Lauren and Neil are up with an Joey Bowling Broadway number, and I’m looking forward to this. Broadway always needs a huge amount of chemistry, a lot of back and forth between the couple and they had it, just not in spades. Mia points out that as an athletic dancer, Lauren needs more femininity, and I would agree with her. Just a little more sauciness. And yes, the dress broke, but then we’re just watching the dress and not her. I enjoyed the dance, though, Joey gives good Broadway.

Ashley gets her solo next, and I don’t quite get her first count of 8 because she barely moves. But then she’s gone and all over the stage. Powerful, but I don’t get her as a dancer in this infinitely short amount of time. Right about now is when I say that I think they should get rid of solos all together and just keep the dance for your life. It is really tough to find just the right combination of elements to please everyone yet show off the best of your abilities in 20 seconds. Give em a break.

Interestingly enough, Billy Bell’s inspiration is Legacy from season 6. Wow, that is actually super cool that a dancer who moves like Billy was inspired by a breaker who moves like Legacy. Neato. Billy and Katherine do a contemporay by Stacey Tookey. This piece is a great balance of dance and emotion through dance and connection–which they had the most of at the end moment, as Nigel pointed out. Katherine was there for him 100% of the time (damn she’s really good) and he didn’t quite match her with being there in the moment. Technique, check. Emotion,

Robert’s solo is next to Ray Lamontange, who I adore. His solo hit me in a good place (where would that be you ask), and I just was able to sit back, watch and enjoy. He’s really gorgeous to watch dance like that alone. Ahhh.

Jose’s influence was Bruce Lee, and this is not the first time I’ve heard a breaker talk about Bruce as an influence. It has been said that Bruce’s fighting style was the basis for the creation of break dancing. Jose gets to do a Samba with Anya (and Dmitry Chaplin, welcome back), and here we go. Right away he looks like a solid partner with the catch off the table. The arms aren’t quite there but he’s pretty darn good for a B-Boy doing frickin’ samba. And he loved dancing with pretty Anya. I actually couldn’t take my eyes off him. The judges echo my sentiments. Whew, I’m not completely crazy, huh.

Melinda does her tapping to Alicia Keys and I’m really not sure what the judges were talking about her musicality. Sounds perfectly fine here to me. I liked it.

Kent gets to tackle a jazz piece by Mandy Moore with Allison. Kent’s lesson is to be a MAN. While he held is own with Allison in the choreography, there was no sizzle between the two of them. Allison is such a hottie tottie and and she was right there for him, but he wouldn’t bite (to her, that’s to say; he loved to play to the audience). And the song is Heartburn for gawd sakes! Burn, baby burn!

AdeChike supposedly raised the roof with the dance for his life last week and I’m looking forward to this solo. Strength, power and beauty. That coupled with gentleness is what gives this guy his swag.

Lauren. Here is a gal who knows how to pack everything needed into a 20 second solo. Technique, passion, leaps, new stuff, emotion, audience connection, connection to the song, restraint. Pure satisfaction.

Alex’s NappyTabs hip-hop number with Twitch is probably the most anticipated tonight, since guys are rarely put together at this stage of the show. And I have to sincerely say, this is THE MOST enjoyable number of the entire show for me, I’m practically yelling at the screen “yeah!” at the top of my lungs. Excellent work done by Alex, I would have never known that he had no experience with hip-hop. He had the moves down, and was perfectly in synch with Twitch, and great chemistry with him to boot. The whole concept was a home run with the song “Outa Your Mind”, the story with the shrink/patient, the NappyTabs moves, throwing in Alex’s ballet, on and on and on. Amazing. Alex has sealed himself as my early front-runner favorite on the show. Early prediction, he could win it!

Whew! That was a whirlwind. Who will be in the bottom and who will be safe? We’ll find out tomorrow!

I’m still not certain how the new format for season 7 of So You Think You Can Dance is going to sit with me. All I know is, I had a frickin’ BLAST watching the introduction show, where all the dancers are showcased with their respective “all-stars”. No pressure this time around, no cutting this week, it’s all fun and hard work and lots of sparkling. The only thing I will say about cutting 20 down to 11 is that 9 new dancers lost out on the chance to be on the show. But we won’t get less dancing, so I guess I am satisfied.

The show stared off with a gigantic, explosive bang with a Wade (thank you gawd) Robson dance: Teaparty and Croquet anyone? Only Wade can turn something stuffy into a hawt, cutting edge dance. On grass. To “Fame” by David Bowie. I watched it three times in a row. Love. It. Let’s treat ourselves again, shall we?

This is most likely the last chance that we will get to see the Top 11 dance without (or nearly) a care with phone numbers or judges’ thoughts. And a dancer who dances with the knowledge that nothing negative will be said about their performance on prime-time TV is something special to see, ya’ll. Free expression and excitement on a level that is causing me to salivate in my Venti Iced Green Tea with 1PCL.

Let’s get going. First up is Lauren and Kent, dancing a Travis Wall number with all-stars Mark and Kathryn. How do you even describe this? The costumes are complicated and rock with parasols and cravats–and don’t upstage the dancers. Fierceness and grandness with fire in their eyes. Travis tells us it’s set in the 20′s in Paris and about the dark and twisted souls who come out at night, celebrating the fall of an empire. Totally got it. And Mr. Wall is now my favorite new choreographer for this season. I have my stand-bys with Wade and Mia, but am looking forward to much more Travis.

Alexie (finally made it!!) and Melinda are up next doing a Tyce DiOrio jazz number with all-stars Allison and Lauren. Ooo, and it’s a Sweet Charity number. A little predictable for four girls (or West Side Story), but he girls are pure pleasure to watch, and the song is so character driven how could they not get that much into it? The only thing I miss is the live singing (but that would be a different show). LOVE the dresses. The red one shouldered one on Allison is my favorite. Love that Cat wants to come up and pose with them on the stage. And even though I thought there would be no negative notes, Nigel felt the need for the critique for Melinda, shame.

Jose, the lone B-Boy in the top 11 is next doing a TappyTabs number with Comfort, Twitch and Dominic. What a crew. I love the beginning, bedcuase it’s Jose vs. the three all-stars, like they want him out, and it also makes it easy for him to dance solo. Sweet booty shake by Comfort! And OH what a move putting the feet inside the hoodie and doing a backwards somersault to reveal his shirt–he’s part of the group, ya’ll. Very cool, high, energy, great  stunts. Fresh NappyTabs, baby.

Did I just hear the words Jason Gilkison? Oh yes, I did, and it’s coming up for all-stars Pasha and Anya and newbie ballroom hottie Cristina. Two girls, one guy and a big competition. Amazing lift and flip of Anya over Pasha’s shoulder. Jason does it again with an incredibly hot ballroom number that breaks the mold. I’m getting chills. You get that they BOTH really want the guy and are fighting for him. Loved that they stretched out the ending and the girls led him on then pushed him to the floor. Go girls. (and another critique again, Nigel? Ugh.)

Celebrated returnees Alex and Billy are next dancing a Mia Michaels piece with Ade (love him). Mia gets to talk about the piece beforehand, and speaks about time and the journey of life for a man, from childhood to the infirm age. Billy is the boy, Alex is the man and Ade is the elder. Beautiful lines, amazing extension and a huge amount of emotion laced right in. “This Bitter Earth” plays and these three men dance their lives out on stage, this is a truly gorgeous piece and not overdone in any way, IMO. Storytelling at it’s best. Thanks, Mia.

Adechike, Ashley and Robert are the last three doing a Sonya Tayeh number with all-stars Neil and Courtney. The costumes leave a bit to be desired, but I love the combination of a little hip hop and classic jazz moves. Sony a knows how to do that best. Just plain fun. And I love Sonya because she loves dancers and loves making them give all they have.

Next week the competition stars for REAL. I hope my nails can grow a little more!  I’ll be there watching.

Didja love it, didja hate it? The stage is still the infernal new stage, but no video projections. What do you think? Let me know!

Finals night came in the blink of an eye on Dancing With the Stars last night. In fact, I was in the middle of a rousing rendition of “Ring My Bell” from the Wii game Just Dance with my family (we’re at a reunion) when I panicked and realized I was missing the show (DVR, I love you).

For the finals this year the stars need to perform an unprecedented FOUR dances (two on Monday, two on Tuesday). Tonight they must do a Redemption Dance, where they will attempt to redeem themselves for a dance the judges say they should have done better on, and the infamous Freestyle, who everyone says locks in the trophy.

SO! Were they redeemed or not? Let’s see…

First is Erin and Maks, and they must attempt to redeem themselves on the Samba. Ooh, tough one for the judges to pick for them. Bruno stops in to help her with her hip action, which (along with your arm work) is really the most important thing in the Samba (oh, along with the Par-Tay!). Bruno likes what he begins to see: “Look at the ass! So much better!”

As they begin the dance, Erin and Maks button UP Maks’ shirt. Very cute. Erin’s dress is fabulous, love the red flutters and her necklace. They did very well, but I feel this was not as earth-shaking as it needed to be. Improvement, yes, fantastic, no. Judges’ Scores: 10-10-9 (which will turn out for me to be the most surprising score of the night).

Evan and Anna is next. They get help from the Great Len Goodman for their Viennese Waltz, which they did all the way back in week one. Chemistry is what is needed here for the two of them here. Evan needs to put more focus and love on Anna, rather than thinking and going to the next move (yeah, Olympian).

Anna choreographed a really, really lovely intro for this Viennese Waltz (her dress is fab), and they kept the connection the entire time when not in hold. Truly lovely. Probably the best Viennese Waltz I’ve ever seen on DWTS. Great work and absolute redemption. Judges’ Scores: 10-9-9

Nicole and Derek have Carrie Ann come in and help out with their Rumba. When they did it the first time, Nicole’s nerves got the bes of her and it was probably her worst meltdown (among quite a few). Carrie Ann really pushes her to take the meltdown and convert it into vulnerability (so use it before rather than after). Really let go and show she’s more than a pretty face and a dancing machine.

Their Rumba is sensitive and beautiful. Nicole is vulnerable and connected to Derek, and Derek himself is more connected to any partner than I’ve ever seen. The choreography is solid and that hold at the end is new and very interesting (she wraps her leg around him and holds herself up, whew). They are completely redeemed here. Carrie Ann’s lift police rant is absolutely necessary here, and I wish she would have just shut up. Judges’ Score: 9-9-10

Freestyle: POP! or fizzzle…

I’ve said it before, and I’ll say it again. This is the most highly anticipated dance of the entire season, and somehow it is always a disappointment. Either the couples go crazy and do stuff that is just “not them”, or they play it safe and do stuff that they would normally do (like a pop star does hip-hop). What will happen for season 10?

For the first time ever, there is a Contemporary/Lyrical freestyle on DWTS. WHAT?? Erin has decided to do something different, and more of what she would do (she had years of ballet and jazz). They even call the lovely Ms. Mandy Moore (woo hoo) in to help out with the choreography. This is unprecedented (there’s that word again, she keeps on using it), and I am anticipating the performance highly.

I expected to love it, but I just…didn’t. And I’m really sorry I didn’t. Erin took a real risk with this and really showed what she wanted to do. I suppose it just looked too odd to me on the ballroom floor, and I felt that contemporary should just stay over on the Fox So You Think You Can Dance set. Plus, there was a bed AND a sofa. Too much, even for a contemporary piece. Off the mark for me personally. However, this dance gave us the best Tom Bergeron moment of the entire season: “In ten seasons, ‘It’s not the bed I rehearsed on’ is the my favorite excuse ever!” Judges’ Scores: 9-8-9

We see Evan and Anna butt heads for the first time this seaon, over the steps for their freestyle. Evan wants to take more chances, and Anna wants to stick to what they do best. They both really want to win, you can tell. Things smooth out when they bring in a choreographer in to help out and be the go-between.

Their freestyle is a prom theme from “Footloose” (this made me think what a great freestyle the prom scene from “Grease” would make). Lots of fun and a huge crowd please. They looked like they had a great time. Technically speaking (except for the impossible lift at the end) that the choreography was a little light, but still super fun. The judges, however, were uniformly disappointed. Judges’ Scores: 8-8-8 Boo.

What, oh what will Nicole bring? Her Pussycat Doll card or something new? I adore their sparkle-y tux outfits with the chartreuse shoes and ties. Really popped. They chose “Little Less Conversation” by Elvis (love it) for their song and they just brought it ALL. This was super-fantastic and absolutely perfect (with a slight hesitation on the lift at the end). Clearly the Winner of the Freestyle Round, and Len hit it right on the nose: He saw all different styles of ballroom dance used together in a new and inventive way. Now THAT’S a freestyle! Judges’ Scores: 9-9-9

So in a surprise on the leaderboard, Erin and Nicole are tied for first with 55 out of 60 points. Evan is second with 52 out of 60 points. The stars and their partners will do their third and fourth dances on the Results show. What will they do? My money is on one dance will be the stars pick and the other will be the judges’ pick. We’ll see. It’s shaping up to be an exciting and very interesting show Tuesday night. My early pick for the winner? Nicole Scherzinger. And she would deserve it. Tune in tonight!

BTW, Spoiler Alert for Season 11: Hugo “Hurley” Reyes wins!!! (thanks to Jimmy Kimmel’s Aloha to LOST show, which helped stop my tears over watching the final episode ;o)

There are only four couples left in season 10 of Dancing With the Stars: Erin and Maks, Cheryl and Chad, Evan and Anna and Nicole and Derek. I was very sad to see Niecy go, as she was definitely the highlight of this season and really fun to watch crack jokes. But onward!

Last night there were two rounds, the Ballroom Round and the Latin Round. In the Latin Round, each star will be doing their own solo! This is always fun to watch to see if they can really let go and get loose in the face of live TV and millions of viewers (I would certainly be hard-pressed to).

First up was Erin and Maks with their Viennese Waltz. Man, that girl can do amazing things with those legs, really pretty extension. And although I really didn’t care for her dress/pantsuit, it certainly made her legs look even longer. Unfortunately, I think she was super nervous (you see her say that at the end of the dance), she had a chronic issue with trembling ankles. Judges’ Scores 9-9-9 (well, if you don’t include Bruno Tonioli’s “premature” 10 paddle).

Next was Nicole and Derek’s Argentine Tango. Hot, sexy, sharp, passionate, amazing. Really fun to watch and well danced! And the walk down the stairs with her legs wrapped around his was really awesome. Oh yeah, and the move where he lifted her up on his FOOT. This was really a master-choreographed piece. I am going to call Derek out for using the same stag lift move that he used with Lil Kim, though. It’s the first time I have ever seen him re-use a really specific move. Good one, though! Judges’ Scores: 10-10-10

Chad and Cheryl were next with a rather nice and different Waltz. This guy has improved a LOT, and is now able to use that fantastic body of his to the fullest and lengthen and show off those lines. Plus he has an amazing smile and beautiful skin, oh, and that light pink color looks great against it. Ooh, I kinda just fell in love with him there! The did really nicely. Judges’ Scores: 9-9-9

Evan and Anna are next with a Foxtrot. It’s time for Evan to open up a little bit and show some real personality and boy doe he come out of the gate with it with the beginning of this foxtrot. Lots of clicking the heels four feet off the floor! Their dance is peppy, cute and just fantastic and full of chemistry. It’s like this is a new version of Evan, very sparkly (which is a perfect description for a figure skater). Judges’ Scores: 10-9-10

That’s it for the Ballroom round, next up is the Latin round with (dum dum dum) SOLOS. And along with these solos, the stars get to be even more vulnerable with a personal interview. Hmmmmm.

Erin and Maks are first. Erin talks about her childhood and being very tall and skinny, and her fast track onto national ESPN. Then she found out she had a stalker. I thought it was very interesting that she talked about this event (THE video), I actually thought it would have been better to not bring it up. But she was brave to talk about it, good for her.

Their latin dance is a creative Paso Doble. I liked her costume, how the skirt was wrapped up in a top at first and then revealed later on. Her solo was pretty good, she definitely committed to the movement. The Paso as a whole was really fresh, I thought, although non-traditional as Len pointed out. Who cares? Anything to inject new life into the Paso.
Judges’ Scores: 10-9-10

Nicole and Derek are next. Nicole talks about her origins in Hawaii, and being one of 14 in a small house, then moving to Kentucky when her mom met her new husband. She of course didn’t look like anyone in the town, and threw herself into the performing arts to stand out even more!

They do a super cha cha cha to “Kiss” by Prince. She’s even dressed up like him with a purple jacket and “puffy shirt”. Very cheeky, very cute and very well done. Another great piece of choreography by Derek. Her solo was great, but that is her forte, so I felt like it was second nature for her. Judges’ Scores: 10-9-10

Chad and Cheryl are up next. Chad says his first words were “child, please.” His father was in prison and his mother raised him alone. He grew up in a very urban, dangerous community. Football was his outlet, and served him very well. His friends and family talk about how hard DWTS has been for him, and he was surprised at how hard.

Their dance is a Samba. Chad doesn’t let anything hold him back and really enjoys himself out there, especially during his solo. and he has amazing skin. He had the hardest Latin dance and he did well. Big charisma from this guy. Judges’ Scores: 8-8-9

Evan is last. He talks about his Grandmother buying him skates because she wanted to be in the Ice Capades. Once he discovered he could go fast he fell in love. He discovered the lure of competition early on and that he had to work harder to be better. And he’s shy (that we knew). And he’s a great learner (definitely).

Their dance is the Paso Doble to that great Evanescence song. With all the leaps and posing, it’s a cinch that this would be a great dance for Evan. He comes out the box kicking like a wild horse and we really see the skating training come out. But it doesn’t overshadow the dance. Great blend of the Paso and his native abilities. Dramatic kiss at the end! Very well done and big commitment from him. Judges’ Scores: 10-10-10

The Results are TONIGHT!! Who will make it to the Finals? Tune in with me and find out. Try not to bite your nails too much..

Five couples are left on Season 10 of Dancing With the Stars:

Niecy and Louis
Nicole and Derek
Evan and Anna
Erin and Maks
Chad and Cheryl

Three couples stand out (ability-wise) as shoo-ins for the semis:

Nicole and Derek
Evan and Anna
Erin and Maks

It is really up in the air for the last spot. Who will survive the cut tomorrow night? As much as I love Niecy, she may just not make it based on her performances. Chad as well. BUT–who knows?? Last season I wished and hoped (and voted) and got my “dream finals”. Anything can happen with a big enough fan base holding their phones in their hands.

This week the stars learned two whole routines with their pros. Tonight was split up into the Ballroom round and the Latin round. The Latin round was to have it’s own slant: the couples drew decades out of the hat to see how they had to theme their Latin dance: 50s, 60s, 80s, 90s and Future (why no 70s?).

Each of the pros sized up each of the stars in segments before the rounds. This was great, I thought, and seemed candid and sometimes a bit harsh with the truth. What was great to hear from the pros mouths was not only notes on technique and precision, but heart, enjoyment, emotion and connection. I like hearing the pros opinions, and this is a segment that you would probably have not seen the first few seasons. The pros are now stars in their own right, and their opinion matters.

Tonight the dancing for most of the couples seemed to be a “two steps forward, one step back” kind of round. Last week was really fabulous all around, but this week seemed to lack a bit.There were three absolute standout dances this evening, and two of them were from the same couple. While everyone worked very hard, I’m going to focus on these three.

Even though they were in the bottom two last week, Erin and Maks’ Argentine Tango really sizzled. And yet Another dress that I’m totally stealing for my tango. The leap and catch off the stage into the upside-down extention was truly dazzling. Beautiful lines and very passionate hold. She just needs to stop making that funny pursing-thing with her lips to approximate anger. I know she’s capable of real emotion, huh? One thing for sure, those two are really good at the double-entendre (“Just jump on me woman!”).

I’m pretty sure we’re in for three more weeks of Nicole completely freaking out about every dance during rehearsals. If I were Derek, I would be pulling out my hair. Nicole, Nicole, Nicole. Let yourself off the hook puh-leeze. We get it that this is not easy for you. And we totally get that you want it to be good–perfect. And you care–LOTS. Bonus points, baby. Just check out this light, funny, charming and cute Foxtrot, full of chemistry and excellent precision dancing.

So that’s the first two stand out dances for me tonight. The second round, the Latin “decades” round is something that I can’t quite fathom and I’m wondering if the execs should just chuck it. I can’t remember it working that well last year, either. I just don’t think that trying to “force” a specific dance into a specific time period just doesn’t actually work. Well, Chad’s seemed to work. But then–a stroke of genius.

When Nicole drew 50s from the hat, Derek stood there, dumbfounded. How in the hell were they supposed to meld the 50s with the Paso Doble? It wouldn’t work. I had an idea that they could do it like the “cool beatniks” in all black and shades, that might work. But what they came up with was just pure brilliance, and at the same time revived the usual tired and overwrought dance that is the Paso.

So it was an interesting night to say the least. And the couple that originally I did not embrace for being a ringer are now fully in my heart. Will my underdog favorite make it into the semi-finals and beyond? We’ll find out tomorrow on the Results show (cross your fingers)!

I have to say, this was a pretty darn exciting night on Dancing With the Stars–and the Finals are only three weeks away! This week along with their individual dances the stars and their partners had to team up for the “Cha Cha Challenge” and put together group dances to wow the audiences and get an extra possible 30 points to add to their score.

Erin and Maks are up first with a pretty fancy and cute quickstep–in hot pink, no less. Her dress looked pretty dazzling. Oh, and Maks always looks fiiiiine. Their quickstep was fun and engaging, this is never an easy dance to make look great. I just wish in rehearsals they would stop nagging each other, it’s getting old. Len Goodman declares it’s Erin’s best dance to date. Judges’ Scores: 9-9-9

Chad and Cheryl pull out a pretty interesting Waltz this week. Chad gets an extra bonus with Tony Develani coming in to coach him, lucky him! However, they both look like they’re dressed for a Rumba as the music starts. But Chad comes out leading with grace and finesse. This is I think technically his best dance so far, aside from the Tango last week. But the Waltz is a whole other ball game and he really did well. Judges’ Scores: 8-9-8

Nicole and Derek also do a Waltz this week, to the sappiest song in creation, “You Light Up My Life”. But what a Waltz it is, very standard and traditional, with difficult choreography. Derek always knows how to wow. This was so pretty and graceful. The judges were very picky with her, even after Carrie Ann declares that she’s the best dancer they’ve ever had on the show. I guess the better you are the pickier they can be (that’s usually the way it is). Judges’ Scores:9-9-9

Pam and Damien are up next with their Waltz. And I’m super disappointed in this, it’s just unfortunately…boring. I feel like shaking my finger at Damian for not challenging her more, she’s so up to it. Too bad. Judges’ Scores: 8-8-8

Niecy and Louis are next and I have to say that if Niecy doesn’t make it to the finals I am SO going to miss her comic relief and light-heartedness. The show really needs it when the stars tend to take things too seriously (when you’re invested in something that makes you vulnerable it tends to make you serious, folks). This week they do a Quickstep. Mid-rehearsal Louis gets caught texting Kelly Osbourne and Niecy lays claim to her partner, telling him to put down the phone. Niecy is light, quick-footed, smooth and full of mirth in this fantastic dance. Plus she looks absolutely gorgeous (as she always does). Well done to the both of them on her best dance so far. Folks, let’s keep her out of the bottom two! Niecy is so excited about continuing to dance. Judges’ Scores: 9-8-8

Evan and Anna do the only Argentine Tango of the evening, and they are working super hard with him to not “submit” to the woman in this dance. He has to be sharp and not lyrical. Anna is demanding perfection from him and as an Olympic gold medalist, he can deliver. They do their Tango to “Bust Your Windows”, which is a fabulous choice with the tango thump behind it. Anna wears the most awesome dress ever that I am stealing when I do my Tango with my hubby. Love the black/gold sparkles in the stripes on the top into the velvet short, angled skirt and the big flowers at the hip and the side bun. Really stunning! Evan pulls out all the stops and turns in an amazing performance, full of force, passion, power, aggression and sex. Great chemistry between these two and a hot Argentine Tango. Judges’ Scores: 10-10-10!

Next up are the team cha cha cha dances. I have to hand it to the teams, these were really fantastic this year, and measurably conducted more professionally than last year. Plus, they waited to do this until there were 6 couples instead of 7 and have lop-sided teams. Dancing in teams like this is so hard, especially dancing in synch, much like singing in unison is so hard. If you’re off a little bit everyone can see it. You could really tell that the teams enjoyed working together and it also showed in their performances.

First was team GaGa: Nicole and Derek, Pam and Damian and Chad and Cheryl. This is great and for Nicole’s first cha cha, she hits it out of the park. Chad is super good as well. Pam unfortunately looks a tad lost, like she couldn’t remember her steps. Overall, this is a sex-y dance with 6 really sexy people. Judges’ Scores: 9-9-9

Last was team Madonna: Niecy and Louis, Evan and Anna and Erin and Maks. They get to do their cha cha to “Holiday”, which is a party song if there ever was one. And the costumes! I had to laugh out loud at the Madonna circa 1984 look with lace, bustier and bows. Really super fab, and so different on each girl. My pick for the winner is absolutely team Madonna for sheer fun, great moves and even better concept. Well done to them. Judges’ Scores: 8-8-8 (boo)

What an exciting night! Who has to go home tomorrow? I don’t want to see anyone go home… Tune in tomorrow!

A lot of the ladies on my forum that I chat with said last Tuesday night: “Ding dong, the witch is dead”. And with that, my least favorite contestant of all time left Dancing With the Stars. She goes on to her new TLC show where she gives people relationship advice. Hmm.

OK–ONWARD. And all of those stars that are left are real contenders for the semis and finals on season 10. Tonight are two dances, one tough and the other even tougher. The Samba and the Argentine Tango, which is my all-time favorite ballroom dance. So I will be tough tonight.

Jake and Chelsie seem to have stumbles frequently, and this week was no exception. I have to give it to him, he sure knows how to recover and there is nothing like a big stumble in your dance to bring you completely out of it, and it’s a challenge to finish (another Tom Bergeron moment: “I hope you enjoyed our salt in the wound slow motion replay”). Pretty good on the Samba, which I think is one of the toughest dances to look good in. Judges’ Scores: 7-7-7

Next are Evan and Anna, who also have the Samba. More Hips, More Hips! More hips because Anna will smash your head to the ground if you don’t! Ouch, man. He was so lucky he’s okay, I would not have wanted my neck torqued that way. Their Samba is super good, and Evan even does the Samba rolls well, which are super hard. These two have great chemistry together as well. Bruno gets on him for his lines being too lyrical for the Samba. Carrie echoed him, and Len said it was his worst dance. Bah Humbug, geez!! Judges’ Scores: 7-7-7

Niecy and Louis are the first Argentine Tango of the night. And she asks “Has anyone ever done a funny Argentine Tango?” I want Louis to bust her butt on technique so she gets better scores. He does not disappoint, and I hope it can translate to the dance floor. Good girl on the develope! Keep the cookie away from her, Louis! I thought she worked hard and they did a great job, big improvement. Carrie thinks she’s in the zone, Len thought it was great and Bruno wanted her to stay away from his lunchbox. Judges’ Scores: 7-7-7

Erin and Maks bicker like a married couple (oh, right), and he begs her to stay out of her head and just dance. Please do! I’m trying to figure out what the heck she is wearing and my husband says as he walks across the room: “when are you getting pasties like hers?” My friend who was visiting swore they were going to rip off that feather tutu and it just never happened. Maks’ sleeves and shirt came off, though. Thank you Maks. I thought their Samba was decent, but a little forced. And oh boy, Len did NOT like the non-proper Samba and Maks talked BACK! I have never seen that from a pro before. Whew! Judges’ Scores: 9-7-9

Chad drags Cheryl back to Cincinnati for the Bengals draft party in order to get energized. After they get back for rehearsals, Cheryl tells Chad to manhandle her in the Argentine Tango. She really wants him to lead. He’s strong and forceful and his steps are more precise this week. He’s worked hard and it shows. But IMO Cheryl is still leading. The only partner I think she didn’t lead with was Gilles Marini (ooh, Gilles). Judges’ Scores: 8-8-8

I’m not sure what Nicole’s deal is, but she is over over over analyzing everything and driving Derek crazy. Just dance girl, because you can. Their Samba is the partiest, sexiest, gyratingest samba I’ve ever seen. They do a fantastic job of really engaging the audience and it seems like Carnivale is happening in the soundstage. No more insecurities for Nicole, baby. Len grinds them for not having any voltas or botafogos, two essential moves in the Samba. Judges’ Scores: 9-7-10

My underdog favorite is next, Pam and Damian, doing the Argentine Tango. Pam is such a trooper and a pro, she’s been in the bottom two the last two weeks after great dances, and she just presses on. She looks great in a brunette wig and really looks like Raquel Welch, although Bruno calls her Angelina. They dance really great and do some awesome lifts. Every once in a while she looks slightly awkward on her feet, but it doesn’t affect her character. This chick really knows how to act the dance and carries it over to the interviews (“I like being on top”). Some may say that the sexy is just second nature to her and big deal. But I say that it takes skill and style to use it in the dance and make it work. And while she borders on overly bawdy sometimes, she always manages to keep it clean and put a really great humor spin to it. Judges’ Scores: 7-7-8

The Swing Dance Marathon is new, and I love that they have integrated these more realistic style heats into the show. This is what dance competitions look like. Many couples out on the floor, where anything can happen and elbows and ankles do fly. The spectacular thing about Swing is the lifts (“ooh mother of sweet baby air!” exclaims Nicole), they are always fun to watch. Chad seems to think he can strategize his way through this with x’s and o’s and while that’s cute, I don’t think so.

All the couples look so adorable in their bright colors. The guys wear suspenders and the girls halter dresses and spectator pumps. Much fun ensues, and it’s super cute. But the couples are eliminated one by one until they are down to the winners Nicole and Derek (didn’t he win last year in the Mambo Marathon?). They get to add a whole 10 points to their Judges’ Scores for the evening.

Who will be eliminated tonight? I’m biting my nails in anticipation…

Tonight on Dancing With the Stars they are continuing with themes and rolling out “Movie Night”–a theme with great possibilities. We’ve already seen The Mask from Julianne and Helio, and Star Wars from Kym and Joey (seasons 5 & 4), which were absolutely unforgettable. Can we hope for some more unforgettable dances tonight? I really hope so!

So a few dances in and everyone is doing fine, I’m just not very…excited. The scores are a little on the low-end as well. When will I sit up in my seat and my pulse quicken?

Here comes Erin and Maks! They’re doing their ode to Pulp Fiction, Uma Thurman/John Travolta and the Jack Rabbit Slim’s twist contest. Here is some fun, excitement and great dancing. I thought they did really well, even if there is a little too much cute bickering before in the rehearsals (but are they really dating? That’s the rumor…). They are basically saying there’s something going on, but being very coy about it. Judges’ Scores: 8-7-7

And surprise, surprise (for me), Jake and Chelsie’s tribute to Risky Business was also really fun and well done. I think Jake is a real underdog that might last a while more. I was delighted to see that he did the first 8 bars without pants–a true ode to that iconic image of Tom Cruise from the movie. Judge’s Scores: 8-7-8 (big improvement for him)!

Pam and Damien’s Quickstep to “9 to 5″ (from the movie of the same name) was amazingly cute and Pam is improving even more, every week. I felt that the dance itself had odd musicality with the song, but what do I know–pretty much nothing about the Quickstep. Oh, and Len blasted them for waiting to dance for 16 bars (big no-no in Len’s book). Judges’ Scores: 7-6-8

At this point with Kate (SAVE TONY!!), I am fed up and really tired of watching her. I have never felt this negative about a star on Dancing With the Stars before, and it brings me down, man, and I don’t LIKE being negative. The show would feel so much lighter without her (hint hint, America).

Nicole and Derek bring me back up to happiness with a truly amazing (and really really fast) Tango to “Pretty Woman” (from the movie of the same name). Their cute little comedic timing bits fit in really well with the lightning quick movements–and also made the slow moments matter even more. Super work from the two of them. Judges’ Scores: 10-9-10 (woo hoo)!

Finally Evan and Anna’s Rumba to “Don’t Wanna Miss a Thing” from Armageddon. FINALLY a Rumba costume that I actually like!! Let me tell you, Evan knows how to do lines and arms like nobody’s business. His hips are good, but could use a little more looseness, but I’ll take it. Gawd, I love that dress. Judges’ Scores: 9-9-9

I know I didn’t talk about everyone, but I just want to leave the other dancers be, especially since my favorite, Niecy hasn’t done well for the judges two weeks in a row. If you have a spare vote, she could use it!

Who will be eliminated tomorrow night?  Will Kate survive another week to whine more? Will underdogs Pam and Niecy stay out of the bottom 3? Let’s all tune in to find out tomorrow night on ABC.