January 29th, 2010 by soullldiva

“I was born into the studio and all I really know is dance.”   Travis Wall

And know it well he does!  He didn’t win the So You Think You Can Dance title when he was a competitor on the show (he came in second to Benji Schwimmer), but who cares? Travis is now a permanent fixture on SYTYCD as a choreographer. Can’t get much better than that, huh?

He started in season 5 with Jeanine and Jason’s Contemporary number to Jason Mratz’s “If It Kills Me” (known as the locket dance), a really gorgeous dance full of dynamic, passion and a little bit of craziness.

A really, really, fine debut for the show and absolutely goes on my “Best of the Best” list. He went on in season 5 to choreograph the top 8 in a Jazz number to “Let it Rock” by Kevin Rudolph.

In season 6 he continued contributing with contemporary numbers for Ellenore and Ryan, Ellenore and Legacy, and Ashleigh and Ryan. But the one dance that I felt was forgotten too quickly was with Bianca and Victor very early on. Most likely because the dancers were among the first to be eliminated for the show. But their dance to “Wasted Time” by (goooorgeous) Me’Shell Ndegeocello worked very well, even for a tapper and ballet dancer. They have this very sensual moment where he holds her near the end and she body rolls against him so subtlety. They took time in the moments and I noticed.

Well done by all.  Thanks for some great dancing, Travis!

January 28th, 2010 by soullldiva

In an interesting turn of events, co-host of Dancing With the Stars Samantha Harris (she’s the back red room, wonderful Tom Bergeron is the front stage host) will NOT be returning when DWTS starts it’s 10th season March 22nd. She will be taking up a position as a correspondent on The Insider. Hmmm…while they dress Samantha to the nines and I love seeing her new outfits every week, I will not miss her interviewing style. Safe to say she can give backhanded insults better than anyone that I’ve ever seen. It seems she’s being straightforward, then you go “did she just dis Kelly Osbourne?”

So, it will be fun to anticipate who they will pick to fill the role of human clothes hanger. Any guesses? If I hear who ABC has chosen, I’ll let you know!

January 28th, 2010 by soullldiva

Last week we learned that the famed Mr. Adam Shankman (judge on So You Think You Can Dance and director/choreographer of Hairspray) would be holding auditions for dancers in the 82nd Annual Academy Awards Telecast. A story by Sandy Cohen was published on the ABC Entertainment website and gave a really nice, personal recount from three dancer’s point of view. Pictures were also published of Adam with Travis Wall next to him, and Adam dancing with the auditioners. Really great to see him in action! You can read the full story here. Enjoy!

Producer and choreographer Adam Shankman, center, watches a dancer perform during open dance auditions for the 82nd Academy Awards Telecast in Burbank, Calif. on Friday, Jan. 22, 2010. (AP Photo/Matt Sayles) (AP)

Producer and choreographer Adam Shankman, center, demonstrates a dance move during open dance auditions for the 82nd Academy Awards Telecast in Burbank, Calif. on Friday, Jan. 22, 2010. (AP Photo/Matt Sayles) (AP)

January 27th, 2010 by soullldiva

…where there is some pretty darn great crew dancing going on. Now, I admit it, I’m not usually a stand up and cheer fan of this type of group dancing, I tend to prefer more contemporary-style dancing where more communication of emotion is involved. But that absolutely does not discount this type of high-energy, super complicated, tricky-tricks, high rhythm and syncopated dancing. It’s pretty amazing at times to watch, you just go “wow, how did they do that?” In addition, there’s the necessity for everyone to be completely in-synch with each other and look exactly the same. Also not something I’m a huge fan of (I like it when people dance and look like individuals). But then, that would defeat the idea of a “crew” right??? Of course. I’ve learned to love the synchronicity. ;o)

When the show first debuted on MTV, I loved the commercial for it, which showed a kind of a “melting pot” of dance: cloggers, ballerinas in toe shoes, break dancers, hip hoppers, etc. etc. I looked and looked for this video online and had no luck >o(. Oh well, onward!

Of course the most famous of the crews to come out of America’s Best Dance Crew is the Jabbawokees. You can’t turn on a dance show without seeing them. And rightly so, they are super skilled and really fun to watch.

The are so recognizable as a unit, as a team, the masks really contribute to that so all you are aware of is the movement, sometimes as one. They’re style is just really interesting, very almost laid-back, relaxed, easy going. But still full of energy. I also like this commercial for ABDC season 2 (right after they won). This is Jabbawokeez cranked up, dramatic and full of force:

I love the camera work on that bit as well, really added to their dance.

Another crew that’s made their name from ABDC is Quest Crew, they are super. Here’s their commercial for ABDC after they won:

Pretty snazzy, huh? Ok, that move where the guy flips in the air while two other guys pass above and below him? C-R-A-Z-Y. Nuts. Slammin! And I really dig the whole church theme. Didja see the pictures of the other crews in the stained glass?

OK and finally, a bunch o Girrrrlz won the competition last season, We are Heroes. And they give it as good as the guys do:

Was that enough hoppin’ videos for ya? Hope you had fun. Do you have any other ABDC faves? Let me know!

January 26th, 2010 by soullldiva

Was there ever a more iconoclast dance movie than Saturday Night Fever? Ok, let’s narrow it down to contemporary dancing (yes, yes, I know about The Red Shoes). Probably nope. Just take the poster for instance:

The pose, the suit, the icon.

Saturday Night Fever was originally seen by Paramount Pictures as this little nothing of a vulgar movie with bad language, nudity, and even a rape scene. Plus, it was doomed by the waves of “Disco Sucks” moving across the US. In the VH1 documentary on the movie, the producer of the movie soundtrack talks about having the masters to the album in the trunk of his car, driving down Hollywood Boulevard and reading the “Death to Disco” bumper sticker on the car in front of him. But then, movie producer Robert Stigwood did something completely unprecedented and brilliant. He released the Bee Gee’s single “More Than a Woman” from the soundtrack a full month before the movie was to be released (of course, this happens all the time now). It hit number one, and paved the way for the movie to follow.

Even greater story than that is a fascinating tale about how John Travolta was shown the original cut of his now famous solo dance on the floor with the colored lights. He was dismayed that it was pretty much all in medium and closeup shots and you missed all the hard work he had done on the dance. He sat down with the editor and helped him re-cut it from scratch, to show everything and really feature those disco moves he did so well. Thanks John, because now we can see this:

Pretty damn amazing, and iconic. Here’s to the genius of Saturday Night Fever!