November 17th, 2009 by soullldiva

This is it!  The final performances before the finale next week on Dancing With the Stars.  The final four couples are really exciting this year: Donny Osmond and Kym Johnson, Joanna Krupa and Derek Hough, Kelly Osbourne and Louis Van Amstel, and Mya and Dmitry Chaplin.

I was super super sad to see Aaron Carter go, I felt he could have really stuck it in there for the long run, but unfortunately his fan base was just not as strong as some others.  But big kudos go out to him for his big heart and enthusiasm, and penchant for tremendous improvement in his dance technique.  He entered the show a boy, and exited a man.

Tonight for the first time in Dancing With the Stars history, the final four couples perform three times for the audience.  They finally get a chance to perform that “last chance dance” they’ve been working on for the past few weeks in the event they landed in the bottom two.  Needless to say, these dances are so short (geeze, I think about 30 seconds), that I don’t really even consider them more than a post script for their other two dances.

Even the coaching from Gilles Marini couldn’t help Donny and Kym’s unfortunate Tango. Not only was the song selection terrible (it just didn’t scream “tango”), the whole dance just never got off the ground, and Donny’s face surely gave away the fact. Safe to say he had nowhere to go but up. Judges’ scores: 7-7-7

Fortunately, he redeemed himself with his fantastic Samba.  Donny’s solo completely smoked when he broke out in moves directly from his Osmond Brothers days on stage.  Plus, he had an absolute ball, which made up for him berating himself after his Tango. I think most people might disagree, but I really love the way that he cheers for himself when he knows he did a good job.  He likes to celebrate when he nails it. I think more artists should do that for themselves.  Judges scores: 8-9-9

Their third dance was the Jitterbug which was short but sweet.  Very energetic and fun. And surprisingly, their best scores of night. Judges scores: 9-9-9

Joanna and Derek’s first dance of the night was a Viennese Waltz.  I have not been a big Joanna fan all these weeks, but this waltz caught me completely off guard.  The beginning was really beautiful and I actually believed her when she acted the romance in the dance.  Except for one odd move where she was posed in a kind of dip with her knees bent, this was super good.  And the song was an excellent match as well.  Judges scores: 9-9-9

Second for Joanna was a Cha Cha Cha, which I was excited to see after her great Viennese Waltz.  Unfortunately, it wasn’t as “cheeky” as it could have been, although it was fun to watch her sing along with the song while she danced.  It shows just how much she enjoys herself when she dances, and that always endears me to a dancer. Judges scores: 9-9-9

Their last dance was the Salsa which was cute, but I was surprised that I didn’t enjoy it as much as I wanted to. Plus Derek stumbled in the hold at the end.  Shame!  Judges scores: 9-9-9

Kelly is my underdog, and I loooooove rooting for the underdog.  She has this magical ability to capture an audience with her joy and enthusiasm.  Plus she has a radiant smile.  Not a bad dancer, either! Her first dance of the night was a Rumba, and although she and Louis didn’t really capture the sensual feeling that is really needed in the Rumba, they did a really great job.  Kelly’s lines were great, and she moved with great precision and control. Judges scores: 8-8-8

Kelly and Louis busted out of the starting gate with their second dance, a Quickstep.  This is Kelly’s real forte and she did not disappoint. Their movements were super quick, super precise and energetic.  Once again she completely lit up the entire room with that smile while she glided across the floor in Louis’ arms.  Plus her dress was fabulous. Judges scores: 9-9-9

The judges onces again continued to praise Kelly for her third dance, the Cha Cha Cha, which was so quick it was really hard to get anything but just a taste. Her technique was excellent and precise, and she really put a finish on all her moves. Judges scores: 9-9-9

Mya also has not been a favorite of mine through this season, for no reason other than I never really got that she enjoyed herself at all on the dance floor. It all looked like work for her to me, and she looked kinda bored at times. However she, like Joanna, pulled it out tonight, and impressed me with her Waltz which had a good measure of feeling in it.  I believed it.  Their moves were very smooth, lines excellent and their romance was very sweet.  The Waltz has always been a ho-hum dance for me, you really have to capture my attention for me to get into it and Mya and Dmitry succeeded. Judges scores: 9-9-10

Mya and Dmitry broke away from the pack again with their Salsa, which was just excellent, excellent, crazy good. Mya did the best solo I’ve ever seen from a star in a Latin dance.  Ok, who cares about her “prior dance experience” when she gives it this good?  Her Salsa had fun, party, speed, precision, everything. Judges scores: 10-10-10

Mya’s third dance was also the Cha Cha Cha, and it was amazingly exciting and dynamic, and was full of content. Not an easy feat for a 30 second (ok, 29) dance. This was absolutely the best last dance of the evening. Judges scores: 9-10-10

SO! The leader board stands like this:

1st: Mya/Dmitry with 87

2nd: Joanna/Derek with 81

3rd: Kelly/Louis with 78

4th: Donny/Kym with 74

The suspense will be over tomorrow night when we find out who makes it to the finals next week.  My picks are Kelly, Donny for sentimental, artistic reasons, and Mya just because she’s good.  Will I be right or wrong?  Tune in and find out!!

November 11th, 2009 by soullldiva

Excitement is in the air as it’s now in America’s hands to vote for their favorite dancers on So You Think You Can Dance. So make sure you DO VOTE, or lament as your favorite dancer is sent home.

I love a good Disco routine, and opening the show with Karen and Kevin doing a Hustle to “Come To Me” was just what was needed to kick things off right. Karen and Kevin are finally really gelling as a couple, and it showed in this dance. They had great connection, and Karen (once again, miss hottie) really sparkled, but in the same way that she has the past few weeks, completely overshadowing Kevin. And as I watched Kevin, I thought “wow, this guy does not have lines like a hip-hopper.” His arms were fabulous, his jete popped magnificently, and his double pirouette was excellent. Once or twice there was a shadow of awkwardness, but they were very synchronized as a couple.

My pick as favorite dance of the night was Ashleigh and Jakob, doing a Mandy Moore Jazz routine to Frankie Goes to Hollywood’s ”Relax.” The addition of a cane to the mix did nothing to diminish their dancing, nor distract. Where Noelle and Russell got sidelined a little by their rackets last week, Ashleigh and Jakob integrated their cane directly into their dance, so it became an extension of their movement. There was real relish in their dancing and I thoroughly enjoyed backing up to watch this again. Mandy put together a great piece with super hip movements–and managed to include another Jakob famous leap that blended in well.

Next was Pauline and Peter with the unlukiest draw from the hat, the Quickstep. Fortunately, JT and Thomas created a fantastic routine for them, incorporating great characters and story: an Army GI falls for an island hula girl. This is a great departure from the traditional ballgown/tails, no story Quickstep. Joy, personality and boisterousness erupted from Pauline and Peter as they danced, even if precise technique didn’t. I only spotted one big misstep, and overall they were really fun to watch.

Newcomer choreographer Andy Blankenbuehler created an adorable Broadway number for Kathryn and Legacy. As is the norm for Broadway, big characters and story were at the forefront for Kathryn and Legacy to sink their teeth into. It was a simple tale of the sports loving boyfriend and the put-upon girlfriend.This piece was just so frickin’ cute, I really loved it. They worked great as a couple but Legacy really outdid himself, bending his B-Boy moves seamlessly into the Broadway standard, amazing me with a backwards flip/headstand into an easy chair. This guy is growing in leaps and bounds as a dancer. Judge Adam Shankman wanted more anger from Kathryn, and I found myself agreeing with him, as it would have added a deeper dynamic to the couples relationship that would have cooled the cuteness slightly and made for an even better routine.

New couple Channing and Victor seemed to have gotten the luck of the draw, as they are both Contemporary dancers, pickedConteporary out of the hat, and had Stacey Tookey crafting for them. I really liked this routine that portrayed a toxic relationship and was set to Rachel Yamagata’s “Be Be Your Love” (amazing song). Channing and Victor danced with explosive, emotional movements that were stunning and told the story of two lovers who should save themselves the heartache and call it quits. I saw great connection in their very first dance together with lots of dynamics and sensitivity in their movement. Their emotional roller coaster definitely got to me. Judge Nigel Lythogoe, however, raked them over the coals for not being absolutely brilliant. I can see his point, as they’re both in their element and were able to super-humanly excel. He simply felt they didn’t take it to the next level, and sure told them so. Ouch.

With another big stretch, Ryan and Ellenore took on a Lil’ C Hip-Hop routine where they attempted to find their “swagger.” Swagger they definitely got, and they did pretty good. This was a huge change for Ryan who expanded himself greatly here. Unfortunately this piece just wasn’t a favorite of mine, the choreography fell slightly flat for me, and it lacked excitement. Oh well.

Next we went from flat to disasterous, with Mollee and Nathan’s Salsa. Gustavo Vargas gave them a super cool routine to do, but this was just so far out of both of their scopes that they really struggled with it (and looked like it, too). They were not in synch with each other on many moves, looked awkward on the lifts, and there were several moments where I had to back up the DVR, saying “what just happened there?” This was super tough, and I give kudos to the kids for attacking it with what they had. Mollee rolled those hips fantastically and looked very sexy in her dress.

The evening ended with a bang when Noelle and Russell performed their Sean Cheeseman Afro-Jazz routine. I adore African dance movement, and Noelle and Russell did not dissappoint, throwing their bodies around in the frenetic movement. Sean gave them characters of a princess and a frog, and their story came through as they attacked it and gave their all. I will make no bones about it, Russell is my personal favorite on the show, and I was so happy to see him in something that he could easily excell in (Afro-Jazz is not totally 180 from Krumping). Noelle, as well was able to shine with this movement as her Contemporary style lends itself well to Afro-Jazz. And yes, Russell is still on the Hot Tamale Train. Woo Hoo!

That’s it for this week, please please PLEASE vote for your favorites, or they may not be there next week!

(Images courtesy of FOX and buddytv.com)

November 10th, 2009 by soullldiva

The final five pairings: Mya and Dmitry Chaplin, Aaron Carter and Karina Smirnoff, Joanna Krupa and Derek Huff, Donny Osmond and Kym Johnson and Kelly Osbourne and Louis Van Amstel squared off and did two full dances this week, one Ballroom and one Latin.

This was a good, quality night for everyone, even with the flu still running rampant among the dancers. There was lots of dancing with medical masks and scarves on.

Mya and Dmitry turned in a really solid Quickstep that was super fluid and smooth.  The judges (Carrie Ann Inaba, Len Goodman and Bruno Tonioli) loved it with a 9-10-10 score. Their next dance was a 70′s Samba which the judges positively gushed over, giving it the first perfect 30 of the season.  Personally, it fell a little flat for me, as they slowed their song down quite a bit (Donna Summer’s “Bad Girl”) and that just took the party out of the dance. Overall, Mya has a very good chance in the Semi-Finals.

Aaron and Karina, dancing with face masks on to keep germs at bay, first performed their Foxtrot which on the whole was solid, but seemed a bit awkward at times and not as fluid as it could have been.  They did have a pretty cool move in the middle where in hold Karina turned and flipped her leg up and out; very nice. Next for them was a 90′s Samba which matched for Aaron well, as he had his hit single during that time.  They incorporated moves that he did for his song (the cowboy walk was seriously silly) and it turned out really good.  The Samba’s energy is perfect for Aaron and he really had the fierce, party feel during the dance.

Seeing that Aaron and Karina were in the bottom two last week, I really hope that his fans come out and vote for him to keep him safe and on to the Semi-Finals!

Joanna and Derek did a Quickstep for their Ballroom round which I thought was good, but Joanna’s arms and feet got “lazy” at times. Len thought it was not the standard for Quarterfinals. Ouch.  They then pulled a “Futuristic” Paso Doble out of the hat (yikes) and came up with a concept that was pretty sensational.  Cool makeup, lighted silver costumes and “Living on Video” (which ironically is from the 80′s) for the song. Again, Joanna’s arms and legs were a bit limp for my taste, not enough force and strength for the Paso, but the judges gave it a 9-10-10 score.  We’ll see how she fares for getting into the Semi-Finals.

Kelly and Louis were a breath of fresh air in the evening, with Kelly’s return to a traditional Ballroom dance since her first week. Gone are the nerves, she said, and they have turned to excitement. She’s a little girls who’s learned something new and she wants to show off.  Good!  This is what I’ve been waiting for with her! She danced her Foxtrot with Louis wearing that sweet, giddy smile on her face. Their performance was smooth, graceful and elegant, with a hint of naughtiness which is perfect for her personality. Carrie Ann had it exactly right about Kelly when she said” The moment you have a breakthrough the audience goes crazy.” I know I was hopping up and down in my seat watching her at home. Her scores for the Ballroom round: 8-8-9.

Next was a 60′s Jive for Kelly and Louis. They came up with some 60′s style movements that blended in very well with the Jive. Kelly’s flicks were sharp and quick and she turned in a super performance that was reminiscent of an Austin Powers number (which I adore). Plus, she’s whittling away that waistline and looked amazing in her outfit. Her scores improved this round with an 8-9-9. I’m keeping my fingers crossed for her and hope the voting goes her way for the Semifinals.

Donny and Kym did a Viennese Waltz for the first round which started a tiny bit sluggish but quickly gained momentum and excitement with their connection and Donny’s personality. Donny once again gave a first class showmanship performance, and Bruno commented that his Waltz played out like a “Lifetime Movie,” and as silly as Bruno’s comments can get at times, this one definitely hit the mark!

Their second dance for the Latin round was an 80′s Paso Doble. They picked a Dead or Alive song and dressed Donny up like Adam Ant which rocked, but unfortunately didn’t do great things for his lines during the Paso. The whole thing was kind of odd, even though it was pretty good. Once again Bruno’s comment rang true: “It’s like I was watching Donny playing Marie, playing Donny, playing Marie.” Looking at Donny’s makeup, you can see his point.

I think Donny is enough of a crowd favorite he’s secured his spot in the Semi-Finals.

Good luck to them all, tune in tomorrow for the results!

November 6th, 2009 by soullldiva

This fall ABC will trot out an interim dance show for the break between seasons of their juggernaut Dancing with the Stars.

Called “Let’s Dance” and an adaptation of the British reality show “Let’s Dance for Comic Relief”, the show will once again call on stars to dance. But instead of a lengthy and grueling time commitment, the stars will only need to work on their dance for a week.  The dances will be re-enactments of famous dances from movies, TV, videos, or Broadway (like dances from Michael Jackson’s “Beat It” video or Baby and Johnny’s dance from “Dirty Dancing”).

The concept sounds pretty neat, but it seems with Kathy Griffin hosting, this show will not be too serious in it’s nature and in fact intends to be much lighter than Dancing With the Stars and focus on a comedic angle. Celebrity will compete against celebrity, be judged by a panel, then America will phone (or text) in votes for their favorite. The winner from the week will go on to compete in the finale for a $250,000 prize.

Let’s Dance will premier November 23rd, right after the Dancing With the Stars Finale.  Another dance winner for ABC? Stay tuned to find out!

November 4th, 2009 by soullldiva

The dancers (well, at least those that are in for the long run) are beginning to “settle in” as the top 18 performed last night on So You Think You Can Dance. More talent is coming through, and nerves as well, and its easy to see at this stage who is going to be eliminated at the end of the night.

I am always thankful that the dancers have Cat Deely as an anchor on stage when they’re coming down off their performance and have to face the harsh reality of the judges. Besides being amazingly tall and devastatingly beautiful (not to mention a fashion maven), she really takes care of the kids and makes sure there’s positive spins on everything, as was the case last night when Channing was called a “sack of potatoes” by Nygel Lithgoe.

Some pieces on Tuesday night fell a little flat, such as Bianca and Victor’s Tyce DiOrio Broadway routine, and Channing and Phillip’s Samba, but there were some jewels as well.

Wade Robson has a fierce, fantastic imagination and was able to look at Vincent Van Gogh’s “Starry Night” and play with the idea that there were once people in the painting and Vincent got rid of them (which makes them come back for mischevious revenge). He comes up with an amazingly quirky and mesmerizing jazz routine for Peter and Pauline that cranked with immense enjoyment. The dancers really committed to the movement and their characters and it really worked for me.

The only not-so-great thing about this piece was the darn screen in the background, making me so dizzy with a spinning “Starry Night” that it was hard to concentrate on the dancers!

Since Mia Michaels is not on this season (sniff), Wade is now my favorite choreographer. I must have watched his group piece to “Comanche” ten times on my DVR, I loved it so much. His choreography just has a hungry, on-fire attack to it that lends itself so well to the dancers this season. They seem to love performing his stuff (almost as much as I love to watch it)!

Karen and Kevin got a Tabitha/Napoleon hip-hop number where they got to be a manly mechanic and a sexy racing groupie. I realize that NappyTabs is not always a total crowd favorite, but the combination of Karen/Kevin, racing and sex really percolated into something fabulous, clever and fun. Much gyrating! It’s safe to say that Karen is the SYTYCD resident hottie this season (Mary Murphy already put her on the Hot Tamale Train last week). It’s well deserved on her part, as she really made the hip-hop moves work for her, even though she was out of her element. And she plays the sexy card uber well (did we mention she’s sexy?).  Judge Adam Shankman fell out of his chair describing her and the rest constantly say they can’t keep their eyes off her because she’s a magnet on stage.  Kevin has his work cut out for him.

Argentine Tango is by far my favorite ballroom style dance, and last night’s Ryan and Ellenore Tango really delivered. Choreographers Miriam Larici and Leonardo Barrionuevo created a slow and sultry dance with a ton of precision work with the feet. Ryan and Ellenore smoked on the stage, with a quiet fierceness and “laser-like connection” (Adam Shankman’s words).

Image courtesy of FOX

They committed completely in both technique and the emotion the Argentine Tango demands. In fact, they were so focused that even Ellenore’s dress being caught in the heel of her shoe for about 40% of the dance didn’t faze either of them one bit. Amazing.

So it was with sadness, but no surprise that the two sent home by the judges at the end of the show were Phillip and Bianca, both of them tappers. Well, at least there is one tapper left–good luck Peter, I’m rooting for you from my living room. Hopefully, there are more out there who are rooting as well.