March 8th, 2010 by soullldiva

Very cute and very fun. Thanks John for the clip!!

March 8th, 2010 by soullldiva

I read a couple of reviews of the Oscars performance last night, and I don’t agree with all of them. There are a bit of naysayers about the hosting, the dancing, the choice to honor John Hughes (as opposed to other Honorary awards recipients), having “NPH” sing for the opening, etc. etc.

I thought it was a good show. For gawd’s sake, people, it’s nearly four hours of awards and presentations! How is Mr. Adam Shankman (director of the Oscars show) going to please everybody, all the time? He’s not, so there.

I thought two hosts, especially such as Steve Martin and Alec Baldwin was a super idea. Hey guys, I loved Chris Rock even more and I’m sure they paid Shankman NOT to hire him again. His first choice was actually Sacha Baron Cohen–a revelation even beyond Chris Rock. But they pulled back on the idea, thinking that it would just be too much for most of the people in the room (much less the rest of the US, who are quite more conservative than us here in Hollywood) to handle. Darn.

But Steve and Alec did a great job. Steve’s quip about both himself and “Gabby” Sidibe’s first starring movie roles were as a “poor black child” made me roll. Too young to know what he’s talking about? Check out Steve Martin in The Jerk,it’s a comedy classic. This was still when Steve was a “wild and crazy guy.”

Now, I do get the protests about honoring John Hughes instead of one or more of the Honorary Awards recipients (lovely Lauren Bacall, bigger than life Roger Corman and outstanding cinematographer Gordon Willis). But, as a child of the 80’s, it was really great to look back at all his films and really know that he knew who I was as a teenager. He knew and was able to display it, with charm, humor, grace and humility, for those of us suffering from teenage-itis to share. He was a great filmmaker and I’m so sad that he had to depart too soon.

And then there’s Adam’s choice to have the John M. Chu’s Legion of Extraordinary Dancers perform to each of the movie score nominees. Popping and locking to the theme from a war movie??–was the protest I heard.

Look. I get it that it was a bit different than your usual fare. But doncha get it? Music–any and all music–inspires movement. And that can be any movement of any kind. So yes, music from a movie about the war in the middle east can inspire LXD to move. And that they did amazingly well. And actually, the piece to “The Hurt Locker” score was my favorite of all of them (and the stunts done for the “Avatar” score were crazy good). Face it, naysayers. Popping, locking, b-boying, breakdancing, hip-hop, krumping, freestyle. It’s all here to stay and they are ALL legitimate art forms.

Yea for Dance! And Yea for a great Oscars night!

March 7th, 2010 by soullldiva

Alright. Everyone remembers the Ok Go video for “Here We Go Again”, right? Dancing on treadmills, all one shot, cheap silver backdrop, pure genius?

Well, they’ve taken it TEN steps further in their new video for “This Too Shall Pass”. Thanks to Dancing Branflakes‘ latest post, otherwise I might have missed it!

This video doesn’t have dancing, but it does have movement. And LOTS of it. It’s a riff (a big riff) on setting up dominoes to fall. On crack. Good crack I mean. Not that I mean crack’s good and all…

Let’s just enjoy:

I adore that they even refer to their treadmill video (and then take a sledgehammer to it). I’m not sure how many cuts are in the film, but I think only one or two–which is completely amazing. This is choreography with objects instead of people. My favorite moment is the rainbow colored flags. What is yours? There’s almost too much to choose from.

March 5th, 2010 by soullldiva

Now that the cast is announced, pairs set and rehearsals are underway, we have our first pictures–not only of rehearsals but official pair photos as well. Here’s just a few of them. Enjoy!

Nicole Scherzinger and Derek Hough rehearse for DWTS

Jake Pavelka and Chelsie Hightower rehearse for DWTS

Evan Lysacek and pro partner Anna Trebunskaya

Niecy Nash and pro partner Louis Van Amstel

Pamela Anderson and her pro partner Damian Whitewood

Photos Rick Rowell/ABC and ABC Television

March 4th, 2010 by soullldiva

“To dance, put your hand on your heart and listen to the sound of your soul.”    Eugene Louis “Luigi” Facciuto

Luigi Facciuto is a true father of modern Jazz dance (he is even sometimes referred to as “father jazz”). He was a very accomplished dancer when he moved to Los Angeles in the 1950’s to further his career. Instead, he became paralyzed after a serious car accident. He recovered enough to begin working at the dance bar again, but when he would leave the bar and attempt to dance out on the floor, his injuries did not enable him to have the same balance and coordination that he had before the accident.

But that did not stop him. He did so well at the bar, he thought “well, I’ll just take the bar out on to the floor with me!” And he created the very first formal Jazz technique. It’s a technique that I’ve been schooled in for the past 10 years, and if you’ve ever heard a teacher tell you to “push down to go up,” then you’ve used the Luigi technique. So, when you go up on your toes (or releve), you don’t just use your calf muscles to pop up. You “pull up” from the top of your head and “push down” within the space around you. This is the biggest part of the Luigi technique, the opposition. You “pull away left to go right” and so on. It’s an excellent technique and really allows for breath and reach in dance steps.

I love the quote from him above. He overcame the very worst kind of obstacles for a dancer and artist, and he certainly knows the sound of his soul. Because it is the soul of a dancer. Thanks for the technique Luigi. And the love of dance.

You can learn more about Luigi here.